Difference between revisions of "Dramateers"
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The [[Dramateers]] was a short-lived amateur group active in Johannesburg in the early 1950s. | The [[Dramateers]] was a short-lived amateur group active in Johannesburg in the early 1950s. | ||
| − | Amongst their members were [[Molly Seftel]], [[Charles Stodel]] and [[Barney Simon]] and their productions included ''[[Night]]'' by [[Sholem Asch]] (1950), ''[[Power Without Glory]]'' by [[Michael Clayton-Hutton]] (1950) and ''[[Hello Out There!]]'' by [[William Saroyan]] (1951). | + | == The company == |
| + | |||
| + | Amongst their members were [[Molly Seftel]], [[Charles Stodel]], [[Ian Bernhardt]] and [[Barney Simon]] and their productions included ''[[Night]]'' by [[Sholem Asch]] (1950), ''[[Power Without Glory]]'' by [[Michael Clayton-Hutton]] (1950) and ''[[Hello Out There!]]'' by [[William Saroyan]] (1951). | ||
| + | |||
| + | In the early 1950s, the [[Dramateers]], performed a play in aid of the Alexandra Township anti-TB Association. One of the black members of the association went further than expressing his thanks for the financial support and asked if blacks might be permitted to see the play itself. The committee of the [[Dramateers]] felt the play, which included rape and murder, would not be suitable for black audiences and so they produced a series of ‘suitable’ one-act plays which toured in black urban areas. This led to the establishment of the [[Bareti Players]], which in turn resulted in its founder, [[Ian Bernhardt]], becoming chairman of the newly formed artists' union, the [[Union of Southern African Artists]], which ultimately produced the musical ''[[King Kong]]''. | ||
== Sources == | == Sources == | ||
| + | |||
| + | [[Robert Mshengu Kavanagh]]. "The Development of Theatre in South Africa up to 1976 - Anti-Apartheid Literature." Twentieth-Century Literary Criticism, edited by Thomas J. Schoenberg Lawrence J. Trudeau, Vol. 162. Gale Cengage, 2005. | ||
[[NELM]] catalogue. | [[NELM]] catalogue. | ||
| + | |||
| + | Go to [[ESAT Bibliography]] | ||
== Return to == | == Return to == | ||
| + | |||
| + | Return to [[South_African_Films]] | ||
| + | |||
| + | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
| + | |||
| + | Return to [[PLAYS I: Original SA plays]] | ||
| + | |||
| + | Return to [[PLAYS II: Foreign plays]] | ||
| + | |||
| + | Return to [[PLAYS III: Collections]] | ||
| + | |||
| + | Return to [[PLAYS IV: Pageants and public performances]] | ||
| + | |||
| + | Return to [[South_African_Festivals|South African Festivals and Competitions]] | ||
| + | |||
| + | Return to [[South_African_Radio/Plays|South African Radio Plays and Serials]] | ||
| + | |||
| + | Return to [[South_African_Television/Plays|South African Television Plays and Series]] | ||
| + | |||
| + | Return to [[South_African_Venues,_Companies,_Societies,_etc]] | ||
Return to [[The ESAT Entries]] | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Latest revision as of 12:35, 31 December 2025
The Dramateers was a short-lived amateur group active in Johannesburg in the early 1950s.
The company
Amongst their members were Molly Seftel, Charles Stodel, Ian Bernhardt and Barney Simon and their productions included Night by Sholem Asch (1950), Power Without Glory by Michael Clayton-Hutton (1950) and Hello Out There! by William Saroyan (1951).
In the early 1950s, the Dramateers, performed a play in aid of the Alexandra Township anti-TB Association. One of the black members of the association went further than expressing his thanks for the financial support and asked if blacks might be permitted to see the play itself. The committee of the Dramateers felt the play, which included rape and murder, would not be suitable for black audiences and so they produced a series of ‘suitable’ one-act plays which toured in black urban areas. This led to the establishment of the Bareti Players, which in turn resulted in its founder, Ian Bernhardt, becoming chairman of the newly formed artists' union, the Union of Southern African Artists, which ultimately produced the musical King Kong.
Sources
Robert Mshengu Kavanagh. "The Development of Theatre in South Africa up to 1976 - Anti-Apartheid Literature." Twentieth-Century Literary Criticism, edited by Thomas J. Schoenberg Lawrence J. Trudeau, Vol. 162. Gale Cengage, 2005.
NELM catalogue.
Go to ESAT Bibliography
Return to
Return to South_African_Films
Return to South African Theatre Personalities
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to South African Radio Plays and Serials
Return to South African Television Plays and Series
Return to South_African_Venues,_Companies,_Societies,_etc
Return to The ESAT Entries
Return to Main Page
