Difference between revisions of "Durban Amateur Operatic Society"

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Their first production was Gilbert and Sullivan’s ''[[The Mikado]]'', staged in the [[Theatre Royal]].  
 
Their first production was Gilbert and Sullivan’s ''[[The Mikado]]'', staged in the [[Theatre Royal]].  
  
The society expanded its repertoire, producing ''[[Ruddigore]]'' (1887), ''[[Olivette]]'' (date unknown), ''[[Les cloches de Corneville]]'' (date unknown) and ''[[Dorothy]]'' (date unknown) in the following decade.
+
The society expanded its repertoire, producing ''[[Ruddigore]]'', ''[[Olivette]]'', ''[[Les cloches de Corneville]]'' and ''[[Dorothy]]'' in the following decade.
  
By 1897 the society changed its name to the [[Diamond Jubilee Opera Company]].
+
By 1897, the society changed its name to the [[Diamond Jubilee Opera Company]].
  
 
By 1919, local opera production was revived by Ferguson Brown’s son, [[Gus Brown]]. The society was renamed the [[Durban Opera Society]] and continued the tradition of staging Gilbert and Sullivan operettas.
 
By 1919, local opera production was revived by Ferguson Brown’s son, [[Gus Brown]]. The society was renamed the [[Durban Opera Society]] and continued the tradition of staging Gilbert and Sullivan operettas.

Latest revision as of 16:23, 6 June 2025

Durban Amateur Operatic Society was an amateur society in Durban.

History

Established by J. Ferguson Brown in 1886.

Their first production was Gilbert and Sullivan’s The Mikado, staged in the Theatre Royal.

The society expanded its repertoire, producing Ruddigore, Olivette, Les cloches de Corneville and Dorothy in the following decade.

By 1897, the society changed its name to the Diamond Jubilee Opera Company.

By 1919, local opera production was revived by Ferguson Brown’s son, Gus Brown. The society was renamed the Durban Opera Society and continued the tradition of staging Gilbert and Sullivan operettas.

Sources

Hilde Roos. 2012. 'Indigenisation and history: how opera in South Africa became South African opera'. Acta Academica Supplementum. 2012(1).

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