Difference between revisions of "Border plays"

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(Created page with "Border plays are a genre of dramas, a sub-section of the so-called “border literature” [“grensliteratuur”], written mostly in Afrikaans, but also in English, that deal...")
 
 
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Border plays are a genre of dramas, a sub-section of the so-called “border literature” [“grensliteratuur”], written mostly in Afrikaans, but also in English, that deal with the war on South Africa’s borders in the 1970s and 1980s.
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'''Border plays''' are a genre of dramas, a sub-section of the so-called “border literature” [“grensliteratuur”], written mostly in Afrikaans, but also in English, that deal with the war on South Africa’s borders in the 1970s and 1980s.
  
Examples include:  ''[[The Dead Wait]]'' by [[Paul Herzberg]] (1997), ''[[Somewhere on the Border]]'' by [[Anthony Akerman]], and ''[[Môre is ‘n Lang Dag]]'' by [[Deon Opperman]].
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Examples include:   
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* ''[[Hitlers Slaap Ook]]'' by [[Pirow Bekker]] (1979)
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* ''[[National Madness]]'' by [[James Whyle]] (1981)
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* ''[[Rehearsal in Progress]]'' by [[Brendan Butler]] (1983)
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* ''[[Somewhere on the Border]]'' by [[Anthony Akerman]] (1983)
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* ''[[Môre is ‘n Lang Dag]]'' by [[Deon Opperman]] (1984)
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* ''[[Ons Sal Offer Wat Jy Vra]]'' by [[Allan Munro]] (1990)
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* ''[[White Men with Weapons]]'' by [[Greig Coetzee]] (1995)
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* ''[[The Dead Wait]]'' by [[Paul Herzberg]] (1997)
  
 
=Sources=
 
=Sources=

Latest revision as of 13:14, 22 May 2025

Border plays are a genre of dramas, a sub-section of the so-called “border literature” [“grensliteratuur”], written mostly in Afrikaans, but also in English, that deal with the war on South Africa’s borders in the 1970s and 1980s.

Examples include:

Sources

[Van Heerden (2008)][1]. p 105.

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