Difference between revisions of "Radio Week"
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After the first edition of [[Radio Week]] appeared, Mr R S du Toit of the farm Ventersvlei, Philipstown, Cape Province, wrote that he was looking forward to the appearance of [[Radio Week]]. | After the first edition of [[Radio Week]] appeared, Mr R S du Toit of the farm Ventersvlei, Philipstown, Cape Province, wrote that he was looking forward to the appearance of [[Radio Week]]. | ||
− | "Here on the faraway farms, we don't have large power stations, and only one battery. We just need to know where and when certain things play or speak that can be useful or give us pleasure." | + | "Here on the faraway farms, we don't have large power stations, and only one battery. We just need to know where and when certain things play or speak that can be useful or give us pleasure." In all likelyhood, Mr Du Toit probably charged his battery by using his truck or tractor. |
== SABC Station Programmes and Personalities == | == SABC Station Programmes and Personalities == |
Revision as of 11:24, 7 September 2024
Radio Week was a bilingual, weekly magazine produced by the South African Broadcasting Corporation in Cape Town.
Contents
- 1 History
- 2 SABC Station Programmes and Personalities
- 3 Cape Town "A" (English)
- 4 Cape Town "B" (Afrikaans)
- 5 Durban and Pietermartizburg "A" (English)
- 6 Durban and Pietermartizburg "B" (Afrikaans)
- 7 Johannesburg, Bloemfontein and Grahamstown "A" (English)
- 8 Johannesburg, Bloemfontein and Grahamstown "B" (Afrikaans)
- 9 Sources
- 10 Return to
History
Radio Week was a bilingual, weekly, 32-page magazine produced by the South African Broadcasting Corporation in Cape Town to advertise the week's radio highlights, was registered at the GPO as a newspaper and sold for 3 pennies (also called a "tickey," thruppence or written as 3d). A yearly subscription to Radio Week could be had for 6/- (six shillings) if you were a "licensed listener" (1½d per copy). Non-licensed listeners could purchase a subscription at the regular price of 12/6 per annum.
Each week Radio Week carried detailed schedules for the South African Broadcasting Corporation's (SABC) radio stations: Cape Town "A" (English), Cape Town "B" (Afrikaans), Durban and Pietermartizburg "A" (English), Durban and Pietermartizburg "B" (Afrikaans), Johannesburg, Bloemfontein and Grahamstown "A" (English), and Johannesburg, Bloemfontein and Grahamstown "B" (Afrikaans).
Although a Black radio station was introduced in the winter of 1940 for wartime propaganda purposes, Radio Week completely ignored any news regarding its broadcasts.
Vol 1, No 1,was launched on Friday, 26th October, 1945, just eight weeks after World War 2 ended on September 2. This was quite remarkable when considering the worldwide shortage of paper since South Africa was totally dependent on Britain for her paper supply. After the Germans occupied Norway, the world's major supplier of wood pulp, Britain's supply was drastically curtailed and it was not till the end of the war when supplies slowly started returning to normal.
After the first edition of Radio Week appeared, Mr R S du Toit of the farm Ventersvlei, Philipstown, Cape Province, wrote that he was looking forward to the appearance of Radio Week. "Here on the faraway farms, we don't have large power stations, and only one battery. We just need to know where and when certain things play or speak that can be useful or give us pleasure." In all likelyhood, Mr Du Toit probably charged his battery by using his truck or tractor.
SABC Station Programmes and Personalities
Each of the three transmitting centres, 1) Cape Town, 2) Durban and Pietermartizburg, and 3) Johannesburg, Bloemfontein and Grahamstown, broadcast two stations, one in English and the other in Afrikaans. Transmissions began at 7.20AM and continued non-stop until closing time, which varied but which was usually around midnight.
Cape Town "A" (English)
November 1945: The Man Who Could Work Miracles was adapted for radio by Lawrence Gillian and produced by Rene Ahrenson. The Man Who Could Work Miracles is a British fantasy-comedy short story by H. G. Wells first published in 1898 in The Illustrated London News. It carried the subtitle A Pantoum in Prose. The story is an early example of contemporary fantasy (not yet recognized, at the time, as a specific subgenre). In common with later works falling within this definition, the story places a major fantasy premise (a wizard with enormous, virtually unlimited magic power) not in an exotic semi-medieval setting but in the drab routine daily life of suburban London, very familiar to Wells himself.
November 1945: The Young in Heart a serial play by Hugh Stewart from J. A. R. Wylie's Novel, Ep 6, (Finale).
November 1945; Hay Fever a 1924 farcical stage comedy by Noel Coward adapted for radio by Cleland Finn.
November 1945: Silas Marner by George Eliot and produced by Joyce Bradley.
November 1945: Stand Easy (most likely a music show) presented by Cleland Finn
Cape Town "B" (Afrikaans)
November 1945: Boumeester Solness (The Master Builder), a drama by Henrik Johan Ibsen, the famous Norwegian playwright and theatre director, and translated by dr. Con de Villiers was directed by Truida Pohl. Ibsen was one of the founders of modernism in theatre and as well as being of one of the most influential playwrights in Western literature, is often referred to as "the father of realism" and the most influential playwright of the 19th century.
November 1945: Die Spook van Willem Welgemoed (The Ghost of Willem Welgemoed), a comedy for radio by Pauline Gibson and Fredrick Gilsdorf (D. Fuchs).
Durban and Pietermartizburg "A" (English)
Durban and Pietermartizburg "B" (Afrikaans)
Johannesburg, Bloemfontein and Grahamstown "A" (English)
8th November, 1945: No Flowers for Carmen a murder drama set in an opera house, written by Ralph Trewelha, He was also the composer of the song So Long, Sarie.
November 1945: Die Gelukkige Huwelik (The Happy Marriage) a play by W.A. de Klerk, directed by Anna K Pohl (Anna S Pohl?) later Anna Neethling-Pohl?
November 1945: Barchester Towers, a daily drama read by Dorothy Spring.
November 1945: Forces and Ex-Forces Favourites presented by Haidee Cassell.
November 1945: For Military Hospitals a music show presented by Sybil Seecker.
November 1945: Chief Inspector French's Cases was a series of broadcasts based on the 1924 mystery detective novel by the British author, Freeman Wills Crofts, and featured Inspector Joseph French, a Scotland Yard detective known for his methodical techniques.
Johannesburg, Bloemfontein and Grahamstown "B" (Afrikaans)
November 1945: Vir Ons Soldate in die Hospitale (For Our Soldiers in the Hospitals), a selection of music presented alternately by Esme Euvrard, Eugenie Hauptfleish and Kathleen Lee.
November 1945: Weer Tuis (Home Again), a musical selection for returned soldiers presented by P. Bothma.
November 1945: Simba, a children's adventure series read by G.R.A. Moll.
November 1945: Die Geheim van Madonna (The Secret of Madonna) was an adventure about detective Ren le Roux, directed by P. Bothma.
November 1945: Die Mielieblaarklub Vergarder (The Mealieleaf Club Meeting) directed by A.M. Burger from the Bloemfontein studio of the SAUK (SABC).
November 1945: Van Ons Land en Ons Volk (From Our Land and Our People) directed by A.M. Burger from the Bloemfontein studio of the SAUK (SABC).
(These entries still to be correctly placed.)
"Fish with Leonard Flemming"
"Nuwejaarskets" with Freda Linde.
Yoland d'Hotman entertained Durban hospital patients.)
Sources
Radio Week, 2nd November, 1945.
https://en.wikipedia.org/wiki/Inspector_French%27s_Greatest_Case
https://en.wikipedia.org/wiki/The_Man_Who_Could_Work_Miracles_(short_story)
https://en.wikipedia.org/wiki/Hay_Fever_(play)
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