Difference between revisions of "South African Theatre Journal"
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== History == | == History == | ||
| − | Founded in 1987 by [[Temple Hauptfleisch]] and [[Ian Steadman]], who edited and published it jointly till 1997, when Steadman resigned due to pressure of other commitments. From 1998 edited by Hauptfleisch, with [[Yvette Hutchison]] and [[Edwin Hees]] as Assistant Editors. In 2008 [[Petrus du Preez]] became an Assistant Editor, and in 2010 he became Co-editor with Hauptfleisch. In July 2015 [[Temple Hauptfleisch]] stepped down to concentrate on the [[ESAT]] online encyclopaedia, and [[Petrus du Preez]] took over as sole Editor. | + | Founded in 1987 by [[Temple Hauptfleisch]] and [[Ian Steadman]], who edited and published it jointly till 1997, when Steadman resigned due to pressure of other commitments. From 1998 edited by Hauptfleisch, with [[Yvette Hutchison]] and [[Edwin Hees]] as Assistant Editors. In 2008 [[Petrus du Preez]] became an Assistant Editor, and in 2010 he became Co-editor with Hauptfleisch. In July 2015 [[Temple Hauptfleisch]] stepped down to concentrate on the [[ESAT]] online encyclopaedia, and [[Petrus du Preez]] took over as sole Editor, followed by an editorial team consisting of [[Veronica Baxter]], [[Samuel Ravengai]] and [[Lida Kruger]]. |
| − | + | During the early years of self-publishing (1987-1011), a number of technical editors assisted the editors with the production side of the journal, notably [[Keith Bain]], [[Petrus du Preez]], [[Yvette Hutchison]], [[Miemie Neethling]] and [[Eunice Reynecke]]. | |
The journal initially appeared in two issues a year (between 1987 to 1997), later as a single annual volume (1998-2010). From 2011 onwards the journal expanded to publish three smaller issues per year under the Routledge imprint. | The journal initially appeared in two issues a year (between 1987 to 1997), later as a single annual volume (1998-2010). From 2011 onwards the journal expanded to publish three smaller issues per year under the Routledge imprint. | ||
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The journal was an [[Accreditation|accredited]] by the Department of Education from its very inception and is indexed in a range of international listings. | The journal was an [[Accreditation|accredited]] by the Department of Education from its very inception and is indexed in a range of international listings. | ||
| − | In the first 24 volumes (1987-2010) it published 288 articles, 96 reports, 112 reviews and 11 playtexts. The advent of the internet and electronic publishing have also affected the journal, and electronic distribution of [[SATJ]] through [[SABINET]] and EBSCO clearly increased readership and the international profile of the journal as time went by. The move to Routledge in 20911 increased the impact even more significantly. | + | In the first 24 volumes (1987-2010) it published 288 articles, 96 reports, 112 reviews and 11 playtexts. The advent of the internet and electronic publishing have also affected the journal, and electronic distribution of [[SATJ]] through [[SABINET]] and [[EBSCO]] clearly increased readership and the international profile of the journal as time went by. The move to Routledge in 20911 increased the impact even more significantly. |
== For more information == | == For more information == | ||
Revision as of 06:13, 29 July 2024
The South African Theatre Journal is an influential academic journal devoted to interdisciplinary theatre and performance studies, with a special emphasis on Southern Africa.
Best known by its widely used acronym SATJ (also written Satj).
History
Founded in 1987 by Temple Hauptfleisch and Ian Steadman, who edited and published it jointly till 1997, when Steadman resigned due to pressure of other commitments. From 1998 edited by Hauptfleisch, with Yvette Hutchison and Edwin Hees as Assistant Editors. In 2008 Petrus du Preez became an Assistant Editor, and in 2010 he became Co-editor with Hauptfleisch. In July 2015 Temple Hauptfleisch stepped down to concentrate on the ESAT online encyclopaedia, and Petrus du Preez took over as sole Editor, followed by an editorial team consisting of Veronica Baxter, Samuel Ravengai and Lida Kruger.
During the early years of self-publishing (1987-1011), a number of technical editors assisted the editors with the production side of the journal, notably Keith Bain, Petrus du Preez, Yvette Hutchison, Miemie Neethling and Eunice Reynecke.
The journal initially appeared in two issues a year (between 1987 to 1997), later as a single annual volume (1998-2010). From 2011 onwards the journal expanded to publish three smaller issues per year under the Routledge imprint.
Originally the administration handled by the Centre for South African Theatre Research (CESAT)at the Human Sciences Research Council, since 1988 by the University of Stellenbosch Drama Department and since 1995 by the Centre for Theatre and Performance Studies (CENTAPS) in the same department, with Karina Hauptfleisch as Subscriptions manager. In 2011 production and sales of the journal was taken over by Taylor and Francis Publishers under their Routledge imprint (UK).
The journal was an accredited by the Department of Education from its very inception and is indexed in a range of international listings.
In the first 24 volumes (1987-2010) it published 288 articles, 96 reports, 112 reviews and 11 playtexts. The advent of the internet and electronic publishing have also affected the journal, and electronic distribution of SATJ through SABINET and EBSCO clearly increased readership and the international profile of the journal as time went by. The move to Routledge in 20911 increased the impact even more significantly.
For more information
For the background, see the SATJ Website at http://sun.ac.za/drama
Temple Hauptfleisch. 2011. SATJ: The first 25 years, Editorial, South African Theatre Journal, Volume 25 Number 1, March 2011: pp 1-4[1]
For current and past issues and subscriptions, the Taylor and Francis website: http://www.tandf.co.uk/journals/
Return to
Return to South African Theatre Venues, Companies, Societies, etc
Return to The ESAT Entries
Return to Main Page
