Difference between revisions of "La Folle Journée, ou Le Mariage de Figaro"
(26 intermediate revisions by 2 users not shown) | |||
Line 1: | Line 1: | ||
''[[La Folle Journée, ou Le Mariage de Figaro]]'' ("The Mad Day, or The Marriage of Figaro") is a comedy in five acts by Pierre-Augustin Caron de Beaumarchais (usually referred to simply as '''"Beaumarchais"''', 1732-1799)[https://fr.wikipedia.org/wiki/Pierre-Augustin_Caron_de_Beaumarchais]. | ''[[La Folle Journée, ou Le Mariage de Figaro]]'' ("The Mad Day, or The Marriage of Figaro") is a comedy in five acts by Pierre-Augustin Caron de Beaumarchais (usually referred to simply as '''"Beaumarchais"''', 1732-1799)[https://fr.wikipedia.org/wiki/Pierre-Augustin_Caron_de_Beaumarchais]. | ||
− | + | The texts of both the Beaumarchais play and the popular Mozart opera based on it, are most often referred to simply as '''''[[Le Mariage de Figaro]]''''' (in English, '''''[[The Marriage of Figaro]]'''''). Mozart's opera is sometimes referred to as '''''[[Le Nozze di Figaro]]'''''. | |
==The original text== | ==The original text== | ||
− | Most probably written in 1778 as the second of a trilogy of plays entitled ''Le Roman de la Famille Almaviva'', with the others being ''[[Le Barbier de Séville, ou La Précaution Inutile]]''[https://fr.wikipedia.org/wiki/Le_Barbier_de_S%C3%A9ville] ( | + | Most probably written in 1778 as the second of a trilogy of plays entitled ''Le Roman de la Famille Almaviva'', with the others being ''[[Le Barbier de Séville, ou La Précaution Inutile]]''[https://fr.wikipedia.org/wiki/Le_Barbier_de_S%C3%A9ville] (1775) and ''[[L'Autre Tartuffe ou La Mère coupable]]'' ("The other Tartuffe, or The Guilty Mother", 1792)[https://fr.wikipedia.org/wiki/La_M%C3%A8re_coupable]. |
− | Though accepted for production by the Comédie Française in 1781, but was only played to an audience including members of the Royal Family in September 1783 and with the support of the king finally opened at the Théâtre Français on 27 April 1784 under the title of ''[[La Folle Journée, ou Le Mariage de Figaro]]. | + | Though accepted for production by the Comédie Française in 1781 and apparently published, but was only played to an audience including members of the Royal Family in September 1783 and with the support of the king finally opened at the Théâtre Français on 27 April 1784 under the title of ''[[La Folle Journée, ou Le Mariage de Figaro]]. |
==Translations and adaptations== | ==Translations and adaptations== | ||
− | + | Translated into English by Thomas Holcroft, with the title ''[[The Follies of a Day—Or The Marriage of Figaro]] and was first performed at the Theatre Royal, Covent Garden in London in late 1784 and early 1795. | |
+ | |||
+ | The play also formed the basis of two operas: | ||
+ | |||
+ | * the famous opera ''[[The Marriage of Figaro]]''[https://en.wikipedia.org/wiki/The_Marriage_of_Figaro] by W.A. Mozart, with a libretto by Lorenzo Da Ponte | ||
+ | |||
+ | * ''La pazza giornata, ovvero Il matrimonio di Figaro'', with libretto by Gaetano Rossi and music by Marcos Portugal. | ||
− | + | == Performance history of the play in South Africa == | |
+ | |||
+ | 1783?: From internal evidence in [[Le Vaillant]]'s journals, it seems probable that a version of De Beaumarchais's new play, banned in Paris till 1784, may have been seen in Cape Town's [[Barracks Theatre]] prior to that (between 1780 and 1784). [[Jill Fletcher|Fletcher]] (1994: p. 18), for example, notes his reference to the "Duchess of Almaviva", who only appears in the second play, while [[F.C.L. Bosman]] actually suggests 1783 as a probable date. | ||
+ | |||
+ | =The opera by Mozart= | ||
+ | |||
+ | Music by Wolfgang Amadeus Mozart, libretto by Lorenzo Da Ponte. The opera was first performed in Vienna in 1786. | ||
==Translations and adaptations== | ==Translations and adaptations== | ||
+ | The libretto for the opera was translated into [[Afrikaans]] as ''[[Die Huwelik van Figaro]]'' by [[Aart de Villiers]] (with [[Anton Hartman]]). | ||
+ | |||
+ | == Performance history of the opera in South Africa == | ||
+ | |||
+ | 1934: Presented by the [[South African College of Music]]. | ||
+ | |||
+ | 1963: Presented in Afrikaans by [[PACT Opera]], starring [[Nellie du Toit]] as Contessa, produced by [[Josef Witt]], conducted by [[Anton Hartman]]. | ||
+ | |||
+ | 1965: Presented by [[NAPAC Opera]]. | ||
+ | |||
+ | 1966: Presented by [[NAPAC Opera]]. | ||
+ | |||
+ | 1969: Presented by [[CAPAB Opera]] in collaboration with [[UCT]]. | ||
+ | |||
+ | 1973: Presented in Afrikaans by [[PACT Opera]], with [[Nellie du Toit]] as Contessa, produced by [[Peter Ebert]], conducted by [[Leo Quayle]]; presented by [[CAPAB Opera]]. | ||
+ | |||
+ | 1974: Presented as ''[[Figaro]]'' to schools by [[NAPAC Opera]]. | ||
− | + | 1975: Presented in Afrikaans by [[PACT Opera]], with [[Nellie du Toit]] as Contessa, produced by [[Peter Ebert]], conducted by [[Leo Quayle]]. | |
+ | |||
+ | 1976: Presented by CAPAB Opera. | ||
+ | |||
+ | 1977: Presented by [[PACOFS Opera]]. | ||
+ | |||
+ | 1986: Presented by [[CAPAB Opera]] (15–28 February) | ||
+ | |||
+ | 1988: Presented by [[CAPAB Opera]] (3–22 September) | ||
+ | 1991: Presented by [[CAPAB Opera]] (6–16 November) | ||
− | + | 1999: Presented by [[Cape Town Opera]] (9–18 April) | |
− | + | 2006: Presented by [[Cape Town Opera]] (20–26 August) | |
− | + | 2014: Presented by [[Cape Town Opera]] (18–26 October) | |
== Sources == | == Sources == | ||
− | [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. | + | [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 31, |
− | [[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg: pp. | + | [[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg: pp. 19-20. |
https://en.wikipedia.org/wiki/The_Marriage_of_Figaro | https://en.wikipedia.org/wiki/The_Marriage_of_Figaro | ||
Line 36: | Line 74: | ||
https://fr.wikipedia.org/wiki/Le_Mariage_de_Figaro | https://fr.wikipedia.org/wiki/Le_Mariage_de_Figaro | ||
+ | [[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | ||
+ | |||
+ | [[Alexandra Xenia Sabina Mossolow]]. 2003. The career of South African soprano Nellie du Toit, born 1929. Unpublished Masters thesis. [[University of Stellenbosch]]. | ||
+ | |||
+ | [[Hilde Roos]]. 2012. 'Indigenisation and history: how opera in South Africa became South African opera'. Acta Academica Supplementum. 2012(1). | ||
Go to [[ESAT Bibliography]] | Go to [[ESAT Bibliography]] |
Latest revision as of 10:02, 19 July 2024
La Folle Journée, ou Le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro") is a comedy in five acts by Pierre-Augustin Caron de Beaumarchais (usually referred to simply as "Beaumarchais", 1732-1799)[1].
The texts of both the Beaumarchais play and the popular Mozart opera based on it, are most often referred to simply as Le Mariage de Figaro (in English, The Marriage of Figaro). Mozart's opera is sometimes referred to as Le Nozze di Figaro.
Contents
The original text
Most probably written in 1778 as the second of a trilogy of plays entitled Le Roman de la Famille Almaviva, with the others being Le Barbier de Séville, ou La Précaution Inutile[2] (1775) and L'Autre Tartuffe ou La Mère coupable ("The other Tartuffe, or The Guilty Mother", 1792)[3].
Though accepted for production by the Comédie Française in 1781 and apparently published, but was only played to an audience including members of the Royal Family in September 1783 and with the support of the king finally opened at the Théâtre Français on 27 April 1784 under the title of La Folle Journée, ou Le Mariage de Figaro.
Translations and adaptations
Translated into English by Thomas Holcroft, with the title The Follies of a Day—Or The Marriage of Figaro and was first performed at the Theatre Royal, Covent Garden in London in late 1784 and early 1795.
The play also formed the basis of two operas:
- the famous opera The Marriage of Figaro[4] by W.A. Mozart, with a libretto by Lorenzo Da Ponte
- La pazza giornata, ovvero Il matrimonio di Figaro, with libretto by Gaetano Rossi and music by Marcos Portugal.
Performance history of the play in South Africa
1783?: From internal evidence in Le Vaillant's journals, it seems probable that a version of De Beaumarchais's new play, banned in Paris till 1784, may have been seen in Cape Town's Barracks Theatre prior to that (between 1780 and 1784). Fletcher (1994: p. 18), for example, notes his reference to the "Duchess of Almaviva", who only appears in the second play, while F.C.L. Bosman actually suggests 1783 as a probable date.
The opera by Mozart
Music by Wolfgang Amadeus Mozart, libretto by Lorenzo Da Ponte. The opera was first performed in Vienna in 1786.
Translations and adaptations
The libretto for the opera was translated into Afrikaans as Die Huwelik van Figaro by Aart de Villiers (with Anton Hartman).
Performance history of the opera in South Africa
1934: Presented by the South African College of Music.
1963: Presented in Afrikaans by PACT Opera, starring Nellie du Toit as Contessa, produced by Josef Witt, conducted by Anton Hartman.
1965: Presented by NAPAC Opera.
1966: Presented by NAPAC Opera.
1969: Presented by CAPAB Opera in collaboration with UCT.
1973: Presented in Afrikaans by PACT Opera, with Nellie du Toit as Contessa, produced by Peter Ebert, conducted by Leo Quayle; presented by CAPAB Opera.
1974: Presented as Figaro to schools by NAPAC Opera.
1975: Presented in Afrikaans by PACT Opera, with Nellie du Toit as Contessa, produced by Peter Ebert, conducted by Leo Quayle.
1976: Presented by CAPAB Opera.
1977: Presented by PACOFS Opera.
1986: Presented by CAPAB Opera (15–28 February)
1988: Presented by CAPAB Opera (3–22 September)
1991: Presented by CAPAB Opera (6–16 November)
1999: Presented by Cape Town Opera (9–18 April)
2006: Presented by Cape Town Opera (20–26 August)
2014: Presented by Cape Town Opera (18–26 October)
Sources
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [5]: pp. 31,
Jill Fletcher. 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg: pp. 19-20.
https://en.wikipedia.org/wiki/The_Marriage_of_Figaro
https://fr.wikipedia.org/wiki/Le_Mariage_de_Figaro
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
Alexandra Xenia Sabina Mossolow. 2003. The career of South African soprano Nellie du Toit, born 1929. Unpublished Masters thesis. University of Stellenbosch.
Hilde Roos. 2012. 'Indigenisation and history: how opera in South Africa became South African opera'. Acta Academica Supplementum. 2012(1).
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page