Difference between revisions of "Roelof Temmingh"
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(Created page with "TEMMINGH, Roelof (1946-2012). South African composer of mostly classical music. Lecturer in composition and musicology in the Music Department at Stellenbosch University f...") |
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− | TEMMINGH, Roelof (1946-2012). South African composer of mostly classical music. Lecturer in composition and musicology in the Music Department at [[Stellenbosch University]] from 1973 and appointed Associate Professor in 1992. | + | '''TEMMINGH, Roelof''' (1946-2012). South African composer of mostly classical music. |
+ | |||
+ | ==Biography== | ||
+ | |||
+ | ==Career== | ||
+ | |||
+ | Lecturer in composition and musicology in the Music Department at [[Stellenbosch University]] from 1973 and appointed Associate Professor in 1992. | ||
+ | |||
+ | ==Contribution to SA theatre, film, media and/or performance== | ||
+ | |||
+ | Temmingh composed the following operas (with [[Michael Williams]] as librettist): | ||
+ | |||
+ | * ''[[Enoch, Prophet of God]]'' (1995) | ||
+ | * ''[[Sacred Bones]]'' (1997) | ||
+ | * ''[[Buchuland]]'' (1998) | ||
+ | |||
+ | ==Sources== | ||
+ | [[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | ||
+ | ==Return to== | ||
+ | Return to [[ESAT Personalities T]] | ||
+ | |||
+ | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
+ | |||
+ | Return to [[Main Page]] |
Latest revision as of 17:30, 27 February 2024
TEMMINGH, Roelof (1946-2012). South African composer of mostly classical music.
Contents
Biography
Career
Lecturer in composition and musicology in the Music Department at Stellenbosch University from 1973 and appointed Associate Professor in 1992.
Contribution to SA theatre, film, media and/or performance
Temmingh composed the following operas (with Michael Williams as librettist):
- Enoch, Prophet of God (1995)
- Sacred Bones (1997)
- Buchuland (1998)
Sources
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
Return to
Return to ESAT Personalities T
Return to South African Theatre Personalities
Return to Main Page