Difference between revisions of "Le Roi s'Amuse"
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[[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | [[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | ||
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| + | "Carl Rosa Opera Company". ''[[SUNDigital Collections]]''. https://digital.lib.sun.ac.za/handle/10019.2/9611 | ||
Go to [[ESAT Bibliography]] | Go to [[ESAT Bibliography]] | ||
Revision as of 14:40, 23 February 2024
Le Roi s'Amuse (lit. "the King amuses himself" or "the King has fun") is a French play in five acts written Victor Hugo (1802-1885)[1].
Contents
The original text
Set in Paris in the 1520s, the play tells the tragic story of Triboulet, a court jester, the licentious king François the First of France and Triboulet's beautiful daughter Blanche. First performed on 22 November 1832, the play was banned by the French government after one evening, and, despite vain court battles, remained so for 50 years.
It finally had a second performance at the Comédie-Française on 22 November 1882, the date of the play's 50th anniversary, leading to 19 performances that year and 28 more in 1883.
Translations and adaptations
Besides the various versions of the opera (see below), the play has seen adaptation inter alia as the short story 'Sense of Humour' by Damon Runyon (published in the collection Furthermore, 1938); Il re si diverte ("He amuses himself", a 1941 Italian film); and The Prince's Play (an English stage version, 1996).
Rigoletto (1851) - an opera by Verdi
Based on Hugo's play, this tragic Italian opera by Guiseppi Verdi (1813-1901)[2] was originally called La Maledizione ("The Curse"), with an Italian libretto written by Francesco Maria Piave (1810-1876)[3].
Because of censorship by the Austrian authorities in Venice, the authors set the story in Mantua, and renamed the characters, e.g. with François the First becoming the Duke of Mantua, Triboulet becoming Rigoletto, and Blanche becoming Gilda, and so on.
The opera focusses on the tragic story of the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda.
The opera's was originally called La Maledizione ("The Curse"), and refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement, but was later named after its popular main chgaracter.
Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the Verdi opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.
A number of film versions have been made of the opera, including Rigoletto (1918), Rigoletto e la sua tragedia (1956), Rigoletto (1982), Rigoletto (1993) and Giuseppe Verdi's Rigoletto Story (2005). See https://en.wikipedia.org/wiki/Rigoletto.
The Prince's Play (1996)
Tony Harrison (1937-)[4] translated and adapted Hugo's play for the National Theatre in London, calling it The Prince's Play, and setting it in Victorian London, with the central character a comic at the court of Victoria and the philanderer villain the future Edward VII. The play premièred in April 1996 and was published by Faber and Faber as Le Roi S'Amuse / The Prince's Play (and crediting both authors) in of the same year.
Performance history of the play in South Africa
Performance history of the opera Rigoletto in South Africa
1893-4: Performed by the Lyric Opera Company on tour in South Africa, including performances in the Opera House, Cape Town.
1937: Performed by the Carl Rosa Opera Company in English at the Alhambra Theatre in Cape Town (15 July 1937).
1981: Presented by CAPAB Opera Aviva Pelham, Lawrence Folley, Andrea Haller.
1988: Presented by CAPAB Opera (30 March – 18 April)
1998: Presented by CAPAB Opera (10–24 October)
2001: Presented by Cape Town Opera (22 September – 6 October)
2008: Presented by Cape Town Opera (22 February – 1 March)
2017: Presented by Cape Town Opera in Artscape Theatre Centre on 11, 14, 16 and 18 February, directed by Marthinus Basson, with choreography by Mark Hoeben, set design by Marthinus Basson, costume designe by Michael Mitchell and lighting by Kobus Rossouw. The Cape Town Philharmonic Orchestra conducted by Kamal Khan,
Sources
https://en.wikipedia.org/wiki/Le_roi_s%27amuse
https://en.wikipedia.org/wiki/Victor_Hugo
https://en.wikipedia.org/wiki/Rigoletto
https://en.wikipedia.org/wiki/Giuseppe_Verdi
https://en.wikipedia.org/wiki/Francesco_Maria_Piave
https://en.wikipedia.org/wiki/Tony_Harrison
https://www.amazon.com/SAmuse-Princes-Play-Faber-Plays/dp/0571179657
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p. 401
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
"Carl Rosa Opera Company". SUNDigital Collections. https://digital.lib.sun.ac.za/handle/10019.2/9611
Go to ESAT Bibliography
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