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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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Return to [[The ESAT Entries]]
  
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==The list==
  
Barber, Karin 1987. Theatre and cultural struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: The journal of modern African studies, 25(3): 561-564.
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[[Karin Barber|Barber, Karin]] 1987. ''Theatre and Cultural Struggle in South Africa''. by [[Robert Mshengu Kavanagh]]. Reviewed in: ''The Journal of Modern African Studies'', 25(3):561-564.
  
Barker, Julie. 1998. After nines: an innovative and uplifting jazzy musical, that opens the closet doors on gay and lesbian history in South Africa. Vuka SA, 3(2): 7-8.
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[[Karin Barber|Barber, Karin]] (ed.). 1997. ''Readings in African Popular Culture]]''. Oxford: James Currey.  
  
Barnard, C. 1968a. Sandra Prinsloo: boerenooi vol prikkel. Huisgenoot, 42(2405): 10-13.
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[[C. Barnard|Barnard, C.]] 1968a. [[Sandra Prinsloo]]: boerenooi vol prikkel. ''Huisgenoot'', 42(2405):10-13.
  
Barnard, C. 1968b. Siegie byna 40 jaar al verkleurmannetjie. Huisgenoot, 42(2397): 24-26. March 8.
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[[C. Barbard|Barnard, C.]] 1968b. Siegie byna 40 jaar al verkleurmannetjie [[Siegfried Mynhardt]]. ''Huisgenoot'', 42(2397):24-26. March 8.
  
Barnard, C. 1968c. Twee vroue speel pop. Huisgenoot, 42(2423): 85. September 6.
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[[C. Barnard|Barnard, C.]] 1968c. Twee vroue speel pop. ''Huisgenoot'', 42(2423):85. September 6.
  
Barnard, C.J. 1977. Geselsportret van Sandra Prinsloo. Huisgenoot, 16-19. September 30.
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[[C.J. Barnard|Barnard, C.J.]] 1977. Geselsportret van [[Sandra Prinsloo]]. ''Huisgenoot'', 16-19. September 30.
  
Barnard, Chris 1985. Chris Barnard gooi die kollig op die redes waarom die Afrikaanse beroepsteater op sterwe na dodd is. Die Suid-Afrikaan, (5): 37-38.
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[[Chris Barnard|Barnard, Chris]] (Compiler). 1984. ''Bartho. By geleentheid van sy sestigste verjaardag''. Johannesburg: [[Perskor]].
  
Barnard, G.R. 1984. Jaar van die vuur-os: W.A. de Klerk. Klasgids, 19(2): 14-25.
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[[Chris Barnard|Barnard, Chris]] 1985. Chris Barnard gooi die kollig op die redes waarom die Afrikaanse beroepsteater op sterwe na dood is. ''Die Suid-Afrikaan'', (5):37-38.
Bespreking en antwoord Teaterforum, 4(1): 124-127.
 
Bespreking. Standpunte, 37(6) : 58-64.
 
Bespreking. Standpunte, 37(6) : 58-64.
 
  
Barnard, Rita 2007. Apartheid and beyond: South African writers and the politics of place. Oxford: Oxford University Press.
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[[Chris Barnard|Barnard, Chris]] 1987. By die roudiens van [[Bartho Smit]]. ''[[Tydskrif vir Letterkunde]]'', 25(1):73.
  
Barnard, Tercia 1997. Spel as ekspressie van die rituele in Reza de Wet se Trits. Stellenbosch : Universiteit van Stellenbosch. (M Dram-tesis.)
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[[G.R. Barnard|Barnard, G.R.]] 1984. ''[[Jaar van die vuur-os]]'': [[De Klark, W.A.|W.A. de Klerk]]. ''Klasgids'', 19(2):14-25.
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Bespreking en antwoord ''Teaterforum'', 4(1): 124-127.
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Bespreking. ''Standpunte'', 37(6) : 58-64.
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Bespreking. ''Standpunte'', 37(6) : 58-64.
  
Barnes, Hazel 1997. Theatre for reconciliation: Desire and South African students. Theatre journal, 49(1): 41-52.
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[[Rita Barnard|Barnard, Rita]] 2007. ''Apartheid and Beyond: South African Writers and the Politics of Place''. Oxford: Oxford University Press.
  
Barnes Hazel 1999. Theatre for reconciliation: David Lan's Desire as an interventionary
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[[Tercia Barnard|Barnard, Tercia]] 1997. Spel as ekspressie van die rituele in [[Reza de Wet]] se ''[[Trits]]''. Unpublished master’s thesis. Stellenbosch : Universiteit van Stellenbosch.
vehicle. In Blumberg, M. and Walder, D. (eds). South African theatre as/and intervention. Cross/Cultures 38. Amsterdam: Rodopi BV. p. 169-180.  
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[[Hazel Barnes|Barnes, Hazel]] 1997. Theatre for reconciliation: ''Desire'' and South African students. ''Theatre Journal'', 49(1):41-52.
  
Barnes, Hazel 2000. Finding appropriate expression for multiculturalism in a student production. South African theatre journal, 14: 28-45.
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[[Hazel Barnes|Barnes, Hazel]] 1999. Theatre for reconciliation: [[David Lan]]'s ''Desire'' as an interventionary vehicle, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds). ''South African Theatre As/And Intervention''. Amsterdam: Rodopi. 169-180.  
  
Barnes, Hazel & Peters, D. 2002. Translating trauma:  using arts therapies with survivors of violence. South African theatre journal, 16: 157 – 183.
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[[Hazel Barnes|Barnes, Hazel]] 2000. Finding appropriate expression for multiculturalism in a student production. ''[[South African Theatre Journal]]'', 14:28-45.
  
Barnett, J. & Broer, L.D. 1977. Baxter theatre complex. Planning and building developments, 28: 19-25. September-October.
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[[Hazel Barnes|Barnes, Hazel]] 2000. Where do we go from here? Developing women’s playscripts in post-apatheid Southern Africa. ''Studies in Theatre and Performance'', 20(1):31-42.
  
Barnett, J. & Broer, L.D. 1977. Baxter theatre, University of Cape Town. Architect and builder, 27(11): 2-9.
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[[Hazel Barnes|Barnes, Hazel]] & [[D. Peters|Peters, D.]] 2002. Translating trauma:  Using arts therapies with survivors of violence. ''[[South African Theatre Journal]]'', 16:157 – 183.
  
Barnett, Ursula A. 1983. A vision of order. A study of Black South African literature in English  (1914-1980). London: Sinclair Browne.
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[[Hazel Barnes|Barnes, Hazel]] 2005. White man writing women: issues of power, gender and ownership in a collaberative creation. ([[Greig Coetzee]]) ''[[South African Theatre Journal]]'', 19:93-115.
  
Barney Simon talks about stagecraft. 1985. Theatre crafts, 19(8): 40, 61-62.
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[[Hazel Barnes|Barnes, Hazel]] 2011. Remembering you like something I'd forgotten: Memory, identity and form in current South African theatre-making. ''Contemporary Theatre Review'', 21(1):35-49.
  
Barrios Herreo, O. 1991. The black theater movement in the United States and in South Africa: a comparative approach. Los Angeles: University of California. (Ph.D. thesis).
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[[J. Barnett|Barnett, J.]] & [[L.D. Broer|Broer, L.D.]] 1977. [[Baxter Theatre]] complex. ''Planning and Building Developments'', 28:19-25. September-October.
  
Barron, Chris 2007. “Patience Africa: Veteran voice of urban SA”. In: Sunday Times 1 July 2007 (News and Opinion, p 18)
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[[J. Barnett|Barnett, J.]] & [[L.D. Broer|Broer, L.D.]] 1977. [[Baxter Theatre]], University of Cape Town. ''Architect and Builder'', 27(11):2-9.
  
Barrow, Brian & Williams-Short, Yvonne (eds). 1988. Theatre alive! The Baxter story 1977-1987. Cape Town: The Baxter Theatre.
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[[Ursula A. Barnett|Barnett, Ursula A.]] 1983. ''A Vision of Order. A Study of Black South African Literature in English  (1914-1980)''. London: Sinclair Browne.
  
Bassa, Dellarose 1995. An edition of selected plays of Kessie Govender : with a biographical and critical introduction. Durban: University of Natal. (M.A. thesis).
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[[Herreo O. Barrios|Barrios Herreo, O.]] 1991. The black theater movement in the United States and in South Africa: a comparative approach. Unpublished doctoral dissertation. Los Angeles: University of California.
  
Basson, J. 1981. Showroom of the arts [State Theatre, Pretoria]. South African panorama, 26(8): 1-5.
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[[Brian Barrow|Barrow, Brian]] and [[Yvonne Williams-Short|Williams-Short, Yvonne]] (eds.). 1988. ''Theatre Alive! The [[Baxter Theatre|Baxter]] Story 1977-1987''. Cape Town: [[The Baxter Theatre]].
  
Basson, Marthinus 1998. Boklied programnotas by die opvoering by die KKNK, Oudtshoorn.  
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[[John Barrow|Barrow, John]] 1801. ''Travels into the interior of Southern Africa'' Volume I. London, T. Cadell and W. Davies.
  
Basson, Marthinus 2001. Tydbom verbloem as ’n boek. Insig, July 31, 2001.
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[[John Barrow|Barrow, John]] 1802. ''Travels into the interior of Southern Africa'' Volume IILondon, T. Cadell and W. Davies.
  
Bastani, Nava Corinne 2007. A project proposal for the formation of People's Theatre :a community drama project for the moral development and empowerment of the youth in Hout Bay. Stellenbosch: University of Stellenbosch. (M.Phil thesis.)
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[[Dellarose Bassa|Bassa, Dellarose]] 1995. An edition of selected plays of [[Kessie Govender]] : with a biographical and critical introduction. Unpublished master’s thesis. Durban: University of Natal.
  
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[[J. Basson|Basson, J.]] 1981. Showroom of the arts [[State Theatre]], Pretoria]. ''South African Panorama'', 26(8):1-5.
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[[Marthinus Basson|Basson, Marthinus]] 1998. ''[[Boklied]]'' programnotas by die opvoering by die KKNK, Oudtshoorn.
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[[Marthinus Basson|Basson, Marthinus]] 2001. ''[[Die Toneelstuk]]'', deur [[Breyten Breytenbach]]. Reviewed in: ''Insig'', July, 79-80.
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[[Marthinus Basson|Basson, Marthinus]] 2005. Introduction to ''[[Reza de Wet: Plays Two]]''. London: Oberon Books.
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[[Nava Corinne Bastani|Bastani, Nava Corinne]] 2007. A project proposal for the formation of People's Theatre: a community drama project for the moral development and empowerment of the youth in Hout Bay. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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Return to [[The ESAT Entries]]

Latest revision as of 05:57, 12 January 2024

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The list

Barber, Karin 1987. Theatre and Cultural Struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: The Journal of Modern African Studies, 25(3):561-564.

Barber, Karin (ed.). 1997. Readings in African Popular Culture]]. Oxford: James Currey.

Barnard, C. 1968a. Sandra Prinsloo: boerenooi vol prikkel. Huisgenoot, 42(2405):10-13.

Barnard, C. 1968b. Siegie byna 40 jaar al verkleurmannetjie Siegfried Mynhardt. Huisgenoot, 42(2397):24-26. March 8.

Barnard, C. 1968c. Twee vroue speel pop. Huisgenoot, 42(2423):85. September 6.

Barnard, C.J. 1977. Geselsportret van Sandra Prinsloo. Huisgenoot, 16-19. September 30.

Barnard, Chris (Compiler). 1984. Bartho. By geleentheid van sy sestigste verjaardag. Johannesburg: Perskor.

Barnard, Chris 1985. Chris Barnard gooi die kollig op die redes waarom die Afrikaanse beroepsteater op sterwe na dood is. Die Suid-Afrikaan, (5):37-38.

Barnard, Chris 1987. By die roudiens van Bartho Smit. Tydskrif vir Letterkunde, 25(1):73.

Barnard, G.R. 1984. Jaar van die vuur-os: W.A. de Klerk. Klasgids, 19(2):14-25. Bespreking en antwoord Teaterforum, 4(1): 124-127. Bespreking. Standpunte, 37(6) : 58-64. Bespreking. Standpunte, 37(6) : 58-64.

Barnard, Rita 2007. Apartheid and Beyond: South African Writers and the Politics of Place. Oxford: Oxford University Press.

Barnard, Tercia 1997. Spel as ekspressie van die rituele in Reza de Wet se Trits. Unpublished master’s thesis. Stellenbosch : Universiteit van Stellenbosch.

Barnes, Hazel 1997. Theatre for reconciliation: Desire and South African students. Theatre Journal, 49(1):41-52.

Barnes, Hazel 1999. Theatre for reconciliation: David Lan's Desire as an interventionary vehicle, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 169-180.

Barnes, Hazel 2000. Finding appropriate expression for multiculturalism in a student production. South African Theatre Journal, 14:28-45.

Barnes, Hazel 2000. Where do we go from here? Developing women’s playscripts in post-apatheid Southern Africa. Studies in Theatre and Performance, 20(1):31-42.

Barnes, Hazel & Peters, D. 2002. Translating trauma: Using arts therapies with survivors of violence. South African Theatre Journal, 16:157 – 183.

Barnes, Hazel 2005. White man writing women: issues of power, gender and ownership in a collaberative creation. (Greig Coetzee) South African Theatre Journal, 19:93-115.

Barnes, Hazel 2011. Remembering you like something I'd forgotten: Memory, identity and form in current South African theatre-making. Contemporary Theatre Review, 21(1):35-49.

Barnett, J. & Broer, L.D. 1977. Baxter Theatre complex. Planning and Building Developments, 28:19-25. September-October.

Barnett, J. & Broer, L.D. 1977. Baxter Theatre, University of Cape Town. Architect and Builder, 27(11):2-9.

Barnett, Ursula A. 1983. A Vision of Order. A Study of Black South African Literature in English (1914-1980). London: Sinclair Browne.

Barrios Herreo, O. 1991. The black theater movement in the United States and in South Africa: a comparative approach. Unpublished doctoral dissertation. Los Angeles: University of California.

Barrow, Brian and Williams-Short, Yvonne (eds.). 1988. Theatre Alive! The Baxter Story 1977-1987. Cape Town: The Baxter Theatre.

Barrow, John 1801. Travels into the interior of Southern Africa Volume I. London, T. Cadell and W. Davies.

Barrow, John 1802. Travels into the interior of Southern Africa Volume II. London, T. Cadell and W. Davies.

Bassa, Dellarose 1995. An edition of selected plays of Kessie Govender : with a biographical and critical introduction. Unpublished master’s thesis. Durban: University of Natal.

Basson, J. 1981. Showroom of the arts State Theatre, Pretoria]. South African Panorama, 26(8):1-5.

Basson, Marthinus 1998. Boklied programnotas by die opvoering by die KKNK, Oudtshoorn.

Basson, Marthinus 2001. Die Toneelstuk, deur Breyten Breytenbach. Reviewed in: Insig, July, 79-80.

Basson, Marthinus 2005. Introduction to Reza de Wet: Plays Two. London: Oberon Books.

Bastani, Nava Corinne 2007. A project proposal for the formation of People's Theatre: a community drama project for the moral development and empowerment of the youth in Hout Bay. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By


To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Return to The ESAT Entries