Difference between revisions of "ESAT Bibliography Fr-Fz"

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[[Anne Fuchs|Fuchs, Anne]] 1987. Re-creation: one aspect of oral tradition and the theatre in South Africa. ''Commonwealth Essays and Studies'', 9(2):32-40.
 
[[Anne Fuchs|Fuchs, Anne]] 1987. Re-creation: one aspect of oral tradition and the theatre in South Africa. ''Commonwealth Essays and Studies'', 9(2):32-40.
  
[[Anne Fuchs|Fuchs, Anne]] 1990. Playing the Market: The [[Market Theatre]], Johannesburg 1976-1986. London: Harwood Academic Publishers.
+
[[Anne Fuchs|Fuchs, Anne]] 1990. ''Playing the Market: The [[Market Theatre]], Johannesburg 1976-1986''. London: Harwood Academic Publishers.
  
 
[[Anne Fuchs|Fuchs, Anne]] 1994. The [[Market Theatre]]: drama for a new society? Targeting the spectator, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] (ed.). ''Southern African writing : voyages and explorations''. Amsterdam: Rodopi. 13-24.  
 
[[Anne Fuchs|Fuchs, Anne]] 1994. The [[Market Theatre]]: drama for a new society? Targeting the spectator, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] (ed.). ''Southern African writing : voyages and explorations''. Amsterdam: Rodopi. 13-24.  

Latest revision as of 07:03, 1 November 2023

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Fa-Fi Fla-Fly Foa-Foz Fr-Fz

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Francis, Benjy 1979a. Black writing: problems and prospects of a tradition: writing for the theatre today. S'ketsh', Winter:10-11.

Francis, Benjy 1979b. The other face of theatre in Africa, in Hay-Whitton, Don (ed.). International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979. South African Institute of Theatre Technology. Section 8, 12-16.

Francis, Benjy 1980. At this stage [production and direction]. Wietie, 2:24-26.

Francis, Dennis A. Sex is not something we talk about, it's something we do?: using drama to engage youth in sexuality, relationship and HIV education. Crtitical Arts, 24(2):228-244.

Francis, Kati 2006. Theatre of struggle and transformation: A critical investigation into the power of oral traditions as used by director Mark Fleishman. South African Theatre Journal, 20:102-127.

Frank, EE 2010. Affirming human bonds in a time of crisis - a central action of Euripides' Heracles. Journal Of Literary Studies, 26(4):1-16.

Frank, Haike 2004. Role-play in South African Theatre. Bayreuth : Breitinger.

Fraser, F. 1964. All South Africa’s a stage. Femina, 96-105. September 24.

Frege, Ilona 1995. Interview with Gary Gordon. South African Theatre Journal, 9(2):97-102.

French, Claire 2019. Mobilising Languaging: Facilitating dynamic linguistic resources in applied performance praxis, Unpublished PhD. Thesis, University of Warwick.

French, Leslie 1957. Vigour in South Africa. International Theatre Annual, 2:146-151.

French, Leslie 1964. Shakespeare in Cape Town. Drama, (73): 33-35.

Fridjhon, Rhoda K. 1929. The Repertory Theatre in South Africa. Footlights, 1(7):2-3.

Friedman, Gary 1986. Puppets against apartheid: from a series of letters, papers and press cuttings. Animations, 9(3):48-49.

Friedman, Gary 1992. Puppetry and AIDS education. Progress (Summer): 38-39.

Fry, T. 1981. Sun City entertainment centre – a race against time. Electrical Engineer, 31-35. September. [electronic sound control]

Fuchs, Anne 1982. The new South African theatre: beyond Fugard, in King, Bruce (ed.). Postcolonial English Drama: Commonwealth Drama since 1960. New York: St Martin's. 165-180.

Fuchs, Anne 1987. Re-creation: one aspect of oral tradition and the theatre in South Africa. Commonwealth Essays and Studies, 9(2):32-40.

Fuchs, Anne 1990. Playing the Market: The Market Theatre, Johannesburg 1976-1986. London: Harwood Academic Publishers.

Fuchs, Anne 1994. The Market Theatre: drama for a new society? Targeting the spectator, in Davis, Geoffrey V. (ed.). Southern African writing : voyages and explorations. Amsterdam: Rodopi. 13-24.

Fuchs, Anne 1999. The body of change and the changing body in the plays of Junction Avenue Theatre Company, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 127-135.

Fuchs, Anne 2000. The threshold of the stage : South African storytelling and drama. Anglophonia: French Journal of English Studies, 7:139-146.

Fugard Athol 1973. Fugard on Fugard. Yale Theatre, 4(1):41-54.

Fugard Athol 1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre Quarterly, 7(28):77-82.

Fugard Athol 1977. Fugard on acting, actors on Fugard. Theatre Quarterly, 7(28):83-86.

Fugard Athol 1979. Orestes reconstructed: a letter to an American friend. Theatre Quarterly, 8:3-6.

Fugard Athol 1983. Notebooks :1960-1977. Johannesburg: Ad Donker.

Fugard Athol 1987. A place with the pigs. Theater Magazine, 19(1):51-69.

Fugard Athol 1990a. All of me. Leadership, 9(3):74-79.

Fugard Athol 1990b. Scenes from a censored life. American Theatre, 7(8):30-35, 68-69.

Fugard Athol & Bragg, Melvyn 1992. Athol Fugard, playwright. Listener, 92. 5 December:734.

Fugard Athol 1993. Playland. American Theatre, 10(3):1-13.

Fugard Athol 1994. Cousins. Johannesburg: Witwatersrand University Press.

Fugard Athol 2010. Zakes Mokae: 1934-2009. (In memoriam). American Ttheatre, 27(1):23-24.

Fugard on acting, actors on Fugard. 1978. Theatre Quarterly, 7(28):83-87.

Funny man 1999. Economist Financial Report, 352(8127):79. July 10.

Fysh, Robert 1979. Dianne Britz: a profile. Scenaria, (15):28-29.


Click on the appropriate letters of the alphabet in the sub-list below.

Fa-Fi Fla-Fly Foa-Foz Fr-Fz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance