Difference between revisions of "ESAT Bibliography Fr-Fz"
| (8 intermediate revisions by 2 users not shown) | |||
| Line 12: | Line 12: | ||
| − | [[Benjy Francis|Francis, Benjy]] 1979a. Black writing: problems and prospects of a tradition: writing for the theatre today. ''S'ketsh''', Winter:10-11. | + | [[Benjy Francis|Francis, Benjy]] 1979a. Black writing: problems and prospects of a tradition: writing for the theatre today. ''[[S'ketsh']]'', Winter:10-11. |
[[Benjy Francis|Francis, Benjy]] 1979b. The other face of theatre in Africa, in Hay-Whitton, Don (ed.). ''International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the [[South African Institute of Theatre Technology]] (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979''. South African Institute of Theatre Technology. Section 8, 12-16. | [[Benjy Francis|Francis, Benjy]] 1979b. The other face of theatre in Africa, in Hay-Whitton, Don (ed.). ''International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the [[South African Institute of Theatre Technology]] (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979''. South African Institute of Theatre Technology. Section 8, 12-16. | ||
| Line 18: | Line 18: | ||
[[Benjy Francis|Francis, Benjy]] 1980. At this stage [production and direction]. ''Wietie'', 2:24-26. | [[Benjy Francis|Francis, Benjy]] 1980. At this stage [production and direction]. ''Wietie'', 2:24-26. | ||
| − | [[ | + | [[Dennis A. Francis|Francis, Dennis A.]] Sex is not something we talk about, it's something we do?: using drama to engage youth in sexuality, relationship and HIV education. ''Crtitical Arts'', 24(2):228-244. |
[[Kati Francis|Francis, Kati]] 2006. Theatre of struggle and transformation: A critical investigation into the power of oral traditions as used by director [[Mark Fleishman]]. ''[[South African Theatre Journal]]'', 20:102-127. | [[Kati Francis|Francis, Kati]] 2006. Theatre of struggle and transformation: A critical investigation into the power of oral traditions as used by director [[Mark Fleishman]]. ''[[South African Theatre Journal]]'', 20:102-127. | ||
| + | |||
| + | Frank, EE 2010. Affirming human bonds in a time of crisis - a central action of Euripides' Heracles. ''Journal Of Literary Studies'', 26(4):1-16. | ||
[[Haike Frank|Frank, Haike]] 2004. ''Role-play in South African Theatre''. Bayreuth : Breitinger. | [[Haike Frank|Frank, Haike]] 2004. ''Role-play in South African Theatre''. Bayreuth : Breitinger. | ||
| Line 27: | Line 29: | ||
[[Ilona Frege|Frege, Ilona]] 1995. Interview with [[Gary Gordon]]. ''[[South African Theatre Journal]]'', 9(2):97-102. | [[Ilona Frege|Frege, Ilona]] 1995. Interview with [[Gary Gordon]]. ''[[South African Theatre Journal]]'', 9(2):97-102. | ||
| + | |||
| + | [[Claire French|French, Claire]] 2019. ''Mobilising Languaging: Facilitating dynamic linguistic resources in applied performance praxis'', Unpublished PhD. Thesis, University of Warwick. | ||
[[Leslie French|French, Leslie]] 1957. Vigour in South Africa. ''International Theatre Annual'', 2:146-151. | [[Leslie French|French, Leslie]] 1957. Vigour in South Africa. ''International Theatre Annual'', 2:146-151. | ||
| Line 32: | Line 36: | ||
[[Leslie French|French, Leslie]] 1964. Shakespeare in Cape Town. ''Drama'', (73): 33-35. | [[Leslie French|French, Leslie]] 1964. Shakespeare in Cape Town. ''Drama'', (73): 33-35. | ||
| − | [[Rhoda K. | + | [[Rhoda K. Fridjhon|Fridjhon, Rhoda K.]] 1929. The Repertory Theatre in South Africa. ''Footlights'', 1(7):2-3. |
[[Gary Friedman|Friedman, Gary]] 1986. Puppets against apartheid: from a series of letters, papers and press cuttings. ''Animations'', 9(3):48-49. | [[Gary Friedman|Friedman, Gary]] 1986. Puppets against apartheid: from a series of letters, papers and press cuttings. ''Animations'', 9(3):48-49. | ||
| Line 39: | Line 43: | ||
[[T. Fry|Fry, T.]] 1981. [[Sun City]] entertainment centre – a race against time. ''Electrical Engineer'', 31-35. September. [electronic sound control] | [[T. Fry|Fry, T.]] 1981. [[Sun City]] entertainment centre – a race against time. ''Electrical Engineer'', 31-35. September. [electronic sound control] | ||
| + | |||
| + | [[Anne Fuchs|Fuchs, Anne]] 1982. The new South African theatre: beyond Fugard, in King, Bruce (ed.). ''Postcolonial English Drama: Commonwealth Drama since 1960''. New York: St Martin's. 165-180. | ||
[[Anne Fuchs|Fuchs, Anne]] 1987. Re-creation: one aspect of oral tradition and the theatre in South Africa. ''Commonwealth Essays and Studies'', 9(2):32-40. | [[Anne Fuchs|Fuchs, Anne]] 1987. Re-creation: one aspect of oral tradition and the theatre in South Africa. ''Commonwealth Essays and Studies'', 9(2):32-40. | ||
| − | [[Anne Fuchs|Fuchs, Anne]] 1990. Playing the Market: The [[Market Theatre]], Johannesburg 1976-1986. London: Harwood Academic Publishers. | + | [[Anne Fuchs|Fuchs, Anne]] 1990. ''Playing the Market: The [[Market Theatre]], Johannesburg 1976-1986''. London: Harwood Academic Publishers. |
[[Anne Fuchs|Fuchs, Anne]] 1994. The [[Market Theatre]]: drama for a new society? Targeting the spectator, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] (ed.). ''Southern African writing : voyages and explorations''. Amsterdam: Rodopi. 13-24. | [[Anne Fuchs|Fuchs, Anne]] 1994. The [[Market Theatre]]: drama for a new society? Targeting the spectator, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] (ed.). ''Southern African writing : voyages and explorations''. Amsterdam: Rodopi. 13-24. | ||
| Line 51: | Line 57: | ||
[[Athol Fugard|Fugard Athol]] 1973. Fugard on Fugard. ''Yale Theatre'', 4(1):41-54. | [[Athol Fugard|Fugard Athol]] 1973. Fugard on Fugard. ''Yale Theatre'', 4(1):41-54. | ||
| + | |||
| + | [[Athol Fugard|Fugard Athol]] 1977. Keeping an appointment with the future: the theatre of Athol Fugard. ''Theatre Quarterly'', 7(28):77-82. | ||
| + | |||
| + | [[Athol Fugard|Fugard Athol]] 1977. Fugard on acting, actors on Fugard. ''Theatre Quarterly'', 7(28):83-86. | ||
[[Athol Fugard|Fugard Athol]] 1979. ''[[Orestes]]'' reconstructed: a letter to an American friend. ''Theatre Quarterly'', 8:3-6. | [[Athol Fugard|Fugard Athol]] 1979. ''[[Orestes]]'' reconstructed: a letter to an American friend. ''Theatre Quarterly'', 8:3-6. | ||
| Line 74: | Line 84: | ||
Funny man 1999. ''Economist Financial Report'', 352(8127):79. July 10. | Funny man 1999. ''Economist Financial Report'', 352(8127):79. July 10. | ||
| − | [[Robert Fysh|Fysh, Robert]] 1979. [[Dianne Britz]]: a profile. ''[[Scenaria]]'', (15):28-29. | + | [[Robert Fysh|Fysh, Robert]] 1979. [[Diane Britz|Dianne Britz]]: a profile. ''[[Scenaria]]'', (15):28-29. |
Latest revision as of 07:03, 1 November 2023
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Francis, Benjy 1979a. Black writing: problems and prospects of a tradition: writing for the theatre today. S'ketsh', Winter:10-11.
Francis, Benjy 1979b. The other face of theatre in Africa, in Hay-Whitton, Don (ed.). International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979. South African Institute of Theatre Technology. Section 8, 12-16.
Francis, Benjy 1980. At this stage [production and direction]. Wietie, 2:24-26.
Francis, Dennis A. Sex is not something we talk about, it's something we do?: using drama to engage youth in sexuality, relationship and HIV education. Crtitical Arts, 24(2):228-244.
Francis, Kati 2006. Theatre of struggle and transformation: A critical investigation into the power of oral traditions as used by director Mark Fleishman. South African Theatre Journal, 20:102-127.
Frank, EE 2010. Affirming human bonds in a time of crisis - a central action of Euripides' Heracles. Journal Of Literary Studies, 26(4):1-16.
Frank, Haike 2004. Role-play in South African Theatre. Bayreuth : Breitinger.
Fraser, F. 1964. All South Africa’s a stage. Femina, 96-105. September 24.
Frege, Ilona 1995. Interview with Gary Gordon. South African Theatre Journal, 9(2):97-102.
French, Claire 2019. Mobilising Languaging: Facilitating dynamic linguistic resources in applied performance praxis, Unpublished PhD. Thesis, University of Warwick.
French, Leslie 1957. Vigour in South Africa. International Theatre Annual, 2:146-151.
French, Leslie 1964. Shakespeare in Cape Town. Drama, (73): 33-35.
Fridjhon, Rhoda K. 1929. The Repertory Theatre in South Africa. Footlights, 1(7):2-3.
Friedman, Gary 1986. Puppets against apartheid: from a series of letters, papers and press cuttings. Animations, 9(3):48-49.
Friedman, Gary 1992. Puppetry and AIDS education. Progress (Summer): 38-39.
Fry, T. 1981. Sun City entertainment centre – a race against time. Electrical Engineer, 31-35. September. [electronic sound control]
Fuchs, Anne 1982. The new South African theatre: beyond Fugard, in King, Bruce (ed.). Postcolonial English Drama: Commonwealth Drama since 1960. New York: St Martin's. 165-180.
Fuchs, Anne 1987. Re-creation: one aspect of oral tradition and the theatre in South Africa. Commonwealth Essays and Studies, 9(2):32-40.
Fuchs, Anne 1990. Playing the Market: The Market Theatre, Johannesburg 1976-1986. London: Harwood Academic Publishers.
Fuchs, Anne 1994. The Market Theatre: drama for a new society? Targeting the spectator, in Davis, Geoffrey V. (ed.). Southern African writing : voyages and explorations. Amsterdam: Rodopi. 13-24.
Fuchs, Anne 1999. The body of change and the changing body in the plays of Junction Avenue Theatre Company, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 127-135.
Fuchs, Anne 2000. The threshold of the stage : South African storytelling and drama. Anglophonia: French Journal of English Studies, 7:139-146.
Fugard Athol 1973. Fugard on Fugard. Yale Theatre, 4(1):41-54.
Fugard Athol 1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre Quarterly, 7(28):77-82.
Fugard Athol 1977. Fugard on acting, actors on Fugard. Theatre Quarterly, 7(28):83-86.
Fugard Athol 1979. Orestes reconstructed: a letter to an American friend. Theatre Quarterly, 8:3-6.
Fugard Athol 1983. Notebooks :1960-1977. Johannesburg: Ad Donker.
Fugard Athol 1987. A place with the pigs. Theater Magazine, 19(1):51-69.
Fugard Athol 1990a. All of me. Leadership, 9(3):74-79.
Fugard Athol 1990b. Scenes from a censored life. American Theatre, 7(8):30-35, 68-69.
Fugard Athol & Bragg, Melvyn 1992. Athol Fugard, playwright. Listener, 92. 5 December:734.
Fugard Athol 1993. Playland. American Theatre, 10(3):1-13.
Fugard Athol 1994. Cousins. Johannesburg: Witwatersrand University Press.
Fugard Athol 2010. Zakes Mokae: 1934-2009. (In memoriam). American Ttheatre, 27(1):23-24.
Fugard on acting, actors on Fugard. 1978. Theatre Quarterly, 7(28):83-87.
Funny man 1999. Economist Financial Report, 352(8127):79. July 10.
Fysh, Robert 1979. Dianne Britz: a profile. Scenaria, (15):28-29.
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
