Difference between revisions of "ESAT Bibliography Nk-Nz"

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Nkosi, Lewis 1981 Tasks and Masks: themes and styles of African literature. Harlow, Essex: Longman.
+
Nkate, I. 2004. Tall horse. ([[Handspring Puppet Company]], [[Tall Horse]]) ''Rootz Africa'', 7(12):14-16,18,20-21.
  
Nkosi, Lewis, 1998. ‘Postmodernism and black writing in South Africa’. In Attridge and Jolly (eds) Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge, New York: Cambridge University Press.
+
[[Naomi Nkealah|Nkealah, Naomi]] 2012. ‘Self-fashioning through queer sex’: A case study of two student theatre performances. ''[[South African Theatre Journal]]'', 26(3):259-269.
  
Nkuna, Khulisiwe Judith 2001. Portrayal of women in siSwati drama. Empangeni: University of Zululand. (M.A. thesis).
+
[[Lewis Nkosi|Nkosi, Lewis]] 1981. ''Tasks and Masks: Themes and Styles of African Literature''. London: Longman.
  
No theatrical airs with this system [theatres – security]. 1986. Scenaria, (63) : 35.
+
[[Lewis Nkosi|Nkosi, Lewis]],1992. Interviewed by [[Kevin Goddard]] , in [[Goddard, Kevin|Kevin Goddard]] & [[Charles Wessels|Wessels, Charles]] (eds.). ''Out of Exile: South African Writers Speak: Interviews with [[Albie Sachs]], [[Lewis Nkosi]], [[Mbulelo Mzamane]], [[Breyten Breytenbach]], [[Denis Brutus]], [[Keorapetse Kgositsile]]''. Grahamstown, National English Literary Museum. 26-36.  
  
Nolte, E. 1982. Geure en kle(u)re in Periandros van Kortinthe (D.J. Opperman), Haar naam was Hanna en Wie onthou vir Kinna? (Henriëtte Grové). Tydskrif vir letterkunde, 20(4) : 79-91.
+
[[Lewis Nkosi|Nkosi, Lewis]] 1998. Postmodernism and black writing in South Africa, in [[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). 1998. ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press. 75-90.
  
Novello, Ivor 1947. I plan to send or bring out other shows to the Union. Outspan. 45(1079): 15-17. October 31.
+
[[Khulisiwe Judith Nkuna|Nkuna, Khulisiwe Judith]] 2001. ''Portrayal of women in siSwati drama''. Unpublished master’s thesis. Empangeni: [[University of Zululand]].  
  
Noyce, M. 1984. Aspects of the structural design of the Natal Playhouse. South African construction world, 3(10) : 38-47.
+
No theatrical airs with this system [theatres – security]. 1986. ''[[Scenaria]]'', (63):35.
  
Ntshali, F. 1977. [Aspects of South African Black drama]. Speak, 1(1): 57-58. December.
+
[[E. Nolte|Nolte, E.]] 1982. Geure en kle(u)re in ''[[Periandros van Korinthe]]'' ([[D.J. Opperman]]), ''[[Haar Naam Was Hanna]]'' en ''[[Wie Onthou Vir Kinna?]]'' ([[Henriëtte Grové]]). ''[[Tydskrif vir Letterkunde]]'', 20(4) : 79-91.
  
Ntuli, D.B.Z. and Swanepoel, C.F. 1993. Southern African literatures in African Languages: A concise historical perspective. Pretoria: Acacia.
+
Norton, Judy 1962. [[Leonard Schach]], producer. ''Personality'', October 4:50-57.
  
Nunns, Stephen 2007. The Market turns a corner: the revolutionary South African theatre is facing a complex new century. American theatre, 24(7): 54-60.
+
Norton, Judy 1963. The many faces of [[Adam Leslie]]. ''Personality'', November 14:99-104.
 +
 
 +
Novello, Ivor 1947. I plan to send or bring out other shows to the Union. ''Outspan''. 45(1079):15-17. October 31.
 +
 
 +
Novicki, Margaret A. 1987. Interview with [[Duma Ndlovu]] and [[Mbongeni Ngema]], creators of Black South Africa drama ''[[Asinamali]]''. ''Africa Report'', 32:36-39. 
 +
 
 +
[[M. Noyce|Noyce, M.]] 1984. Aspects of the structural design of the [[Natal Playhouse]]. ''South African Construction World'', 3(10):38-47.
 +
 
 +
[[F. Ntshali|Ntshali, F.]] 1977. [Aspects of South African Black drama]. ''Speak'', 1(1):57-58. December.
 +
 
 +
[[Ntshieng Mokgoro]]: drama 2009. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 202-203.
 +
 
 +
[[C.D. Ntuli|Ntuli, C.D.]] 2006. Of kings, jesters and fools: the insignifically significant role of minro characters in selected isiZulu dramas. (''[[Inkinga yomendo]]''; ''[[Mageba lazihlonza]]'')  ''South African Journal of African Languages'', 26(4):
 +
 
 +
[[D.B.Z. Ntuli|Ntuli, D.B.Z.]] and [[C.F. Swanepoel|Swanepoel, C.F.]] 1993. ''Southern African Literatures in African Languages: A Concise Historical Perspective''. Pretoria: Acacia.
 +
 
 +
[[Stephen Nunns|Nunns, Stephen]] 2007. The [[Market Theatre|Market]] turns a corner: the revolutionary South African theatre is facing a complex new century. ''American Theatre'', 24(7):54-60.
 +
 
 +
[[S. Nuttall|Nuttall, S.]] 2004.  Writing biography : an interview with Jon Hyslop, [[John Matshikiza]] and Mark Gevisser. ''Social Dynamics'', 30(1):105-113.
 +
 
 +
[[K. Nyatsuma|Nyatsuma, K.]] 1990. Theatre in a rut. ''Tribute'', January: 68-69.
 +
 
 +
[[R.T. Nyembe|Nyembe, R.T.]] 1998. The role of drama studies in a new education policy: a critical investigation of current curriculum proposals for educational drama. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.  
  
Nyatsumba, K. 1990. Theatre in a Rut. Tribute January: 68-69.
 
  
Nyembe, R.T. 1998. The role of drama studies in a new education policy: a critical investigation of current curriculum proposals for educational drama. Johannesburg: University of the Witwatersrand. (MA thesis).
 
  
  

Latest revision as of 06:13, 27 February 2023

Click on the appropriate letters of the alphabet in the sub-list below.

N-Nde Ndl-Nic Nid-Niz Nk-Nz

To return to any other letter, click on the list below

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Return to A Bibliography of South African South African Theatre and Performance


Nkate, I. 2004. Tall horse. (Handspring Puppet Company, Tall Horse) Rootz Africa, 7(12):14-16,18,20-21.

Nkealah, Naomi 2012. ‘Self-fashioning through queer sex’: A case study of two student theatre performances. South African Theatre Journal, 26(3):259-269.

Nkosi, Lewis 1981. Tasks and Masks: Themes and Styles of African Literature. London: Longman.

Nkosi, Lewis,1992. Interviewed by Kevin Goddard , in Kevin Goddard & Wessels, Charles (eds.). Out of Exile: South African Writers Speak: Interviews with Albie Sachs, Lewis Nkosi, Mbulelo Mzamane, Breyten Breytenbach, Denis Brutus, Keorapetse Kgositsile. Grahamstown, National English Literary Museum. 26-36.

Nkosi, Lewis 1998. Postmodernism and black writing in South Africa, in Attridge, Derek & Jolly, Rosemary (eds.). 1998. Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 75-90.

Nkuna, Khulisiwe Judith 2001. Portrayal of women in siSwati drama. Unpublished master’s thesis. Empangeni: University of Zululand.

No theatrical airs with this system [theatres – security]. 1986. Scenaria, (63):35.

Nolte, E. 1982. Geure en kle(u)re in Periandros van Korinthe (D.J. Opperman), Haar Naam Was Hanna en Wie Onthou Vir Kinna? (Henriëtte Grové). Tydskrif vir Letterkunde, 20(4) : 79-91.

Norton, Judy 1962. Leonard Schach, producer. Personality, October 4:50-57.

Norton, Judy 1963. The many faces of Adam Leslie. Personality, November 14:99-104.

Novello, Ivor 1947. I plan to send or bring out other shows to the Union. Outspan. 45(1079):15-17. October 31.

Novicki, Margaret A. 1987. Interview with Duma Ndlovu and Mbongeni Ngema, creators of Black South Africa drama Asinamali. Africa Report, 32:36-39.

Noyce, M. 1984. Aspects of the structural design of the Natal Playhouse. South African Construction World, 3(10):38-47.

Ntshali, F. 1977. [Aspects of South African Black drama]. Speak, 1(1):57-58. December.

Ntshieng Mokgoro: drama 2009. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 202-203.

Ntuli, C.D. 2006. Of kings, jesters and fools: the insignifically significant role of minro characters in selected isiZulu dramas. (Inkinga yomendo; Mageba lazihlonza) South African Journal of African Languages, 26(4):

Ntuli, D.B.Z. and Swanepoel, C.F. 1993. Southern African Literatures in African Languages: A Concise Historical Perspective. Pretoria: Acacia.

Nunns, Stephen 2007. The Market turns a corner: the revolutionary South African theatre is facing a complex new century. American Theatre, 24(7):54-60.

Nuttall, S. 2004. Writing biography : an interview with Jon Hyslop, John Matshikiza and Mark Gevisser. Social Dynamics, 30(1):105-113.

Nyatsuma, K. 1990. Theatre in a rut. Tribute, January: 68-69.

Nyembe, R.T. 1998. The role of drama studies in a new education policy: a critical investigation of current curriculum proposals for educational drama. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.



Click on the appropriate letters of the alphabet in the sub-list below.

N-Nde Ndl-Nic Nid-Niz Nk-Nz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance