Difference between revisions of "The Rhythm of Violence"
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An emotional but basically unperformable political play about a group of militant black students who plan to blow up the [[Johannesburg City Council]] and a [[Nationalist Party]] rally, and the personal battle between two brothers and the plight of a white woman embroiled in the moment. Widely studied in the 1970s and 1980s. | An emotional but basically unperformable political play about a group of militant black students who plan to blow up the [[Johannesburg City Council]] and a [[Nationalist Party]] rally, and the personal battle between two brothers and the plight of a white woman embroiled in the moment. Widely studied in the 1970s and 1980s. | ||
| − | Written in exile in the USA, the play was published by George Wellwarth in ''[[Themes | + | Written in exile in the USA, the play was published by George Wellwarth in ''[[Themes of drama. An anthology]]'' (New York: [[Thomas Crowell]]), in 1964, then in a single volume by [[Oxford University Press]] in 1964. Also included in Fredric M. Litto's collection ''[[Plays from Black Africa]]'' (A Mermaid Dramabook, Hill and Wang, 1968). |
| − | The play was immediately banned in South Africa, since it may have been the first play to openly advocate violence as a course of action open to blacks in South Africa. | + | The play was immediately banned in South Africa, since it may have been the first play to openly advocate violence as a course of action open to blacks in South Africa. |
== Performance history in South Africa == | == Performance history in South Africa == | ||
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== Sources == | == Sources == | ||
Various entries in the [[NELM]] catalogue. | Various entries in the [[NELM]] catalogue. | ||
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| + | Fredric M. Litto. 1968. ''[[Plays from Black Africa]]'', New York: Hill and Wang. | ||
== Return to == | == Return to == | ||
Latest revision as of 16:06, 10 December 2022
The Rhythm of Violence is a play by Lewis Nkosi.
The original text
An emotional but basically unperformable political play about a group of militant black students who plan to blow up the Johannesburg City Council and a Nationalist Party rally, and the personal battle between two brothers and the plight of a white woman embroiled in the moment. Widely studied in the 1970s and 1980s.
Written in exile in the USA, the play was published by George Wellwarth in Themes of drama. An anthology (New York: Thomas Crowell), in 1964, then in a single volume by Oxford University Press in 1964. Also included in Fredric M. Litto's collection Plays from Black Africa (A Mermaid Dramabook, Hill and Wang, 1968).
The play was immediately banned in South Africa, since it may have been the first play to openly advocate violence as a course of action open to blacks in South Africa.
Performance history in South Africa
No formal performance has been recorded, though clandestine student productions no doubt took place in South Africa from time to time.
Sources
Various entries in the NELM catalogue.
Fredric M. Litto. 1968. Plays from Black Africa, New York: Hill and Wang.
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