Difference between revisions of "ESAT Bibliography Taa-Taz"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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Tait, Barbara Campbell 1947. ''Cape Cameos''. Cape Town: Stewart. (First theatre, 124-130).
  
 
Take six [new faces in South African theatre]. 1970. ''Fair Lady'', 6(20):64-73. November 25.
 
Take six [new faces in South African theatre]. 1970. ''Fair Lady'', 6(20):64-73. November 25.
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[[Myer Taub|Taub, Myer]] 2010. The practical epistemology in ''seeing'' oneself while ''listening'' to others. ''[[South African Theatre Journal]]'', 24:155-174.
 
[[Myer Taub|Taub, Myer]] 2010. The practical epistemology in ''seeing'' oneself while ''listening'' to others. ''[[South African Theatre Journal]]'', 24:155-174.
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[[Taubie Kushlick]]. 1943. ''Playtime'', (31):13.
  
 
[[Taubie Kushlick]]. 1959. ''Femina and Woman's Life'', November 26:73.
 
[[Taubie Kushlick]]. 1959. ''Femina and Woman's Life'', November 26:73.
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[[Jane Taylor|Taylor, Jane]] (ed.) 2009. ''[[Handspring Puppet Company]]''. Parkwood, South Africa : David Krut Pub.
 
[[Jane Taylor|Taylor, Jane]] (ed.) 2009. ''[[Handspring Puppet Company]]''. Parkwood, South Africa : David Krut Pub.
  
[[M. Taylor|Taylor, M.]] 1984. Improvisation for the actor in training. ''Teaterforum'', 5(2):72-82.
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[[Jane Taylor|Taylor, Jane]] 2009. The relationship between things and beings. ([[Handspring Puppet Company]]) ''Art South Africa'', 8(2):70-73.
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[[Mavis Taylor|Taylor, Mavis]] 1984. Improvisation for the actor in training. ''[[Teaterforum]]'', 5(2):72-82.
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[[Norah Taylor|Taylor, Norah]] 1960. ''The First Speech Teachers of Southern Africa''. Material collected and Arranged by Norah Taylor. A Booklet published by Taylor, later included in Taylor ''et al'' (1989 - see below).
  
 
[[Norah Taylor|Taylor, Norah]] 1980. Place of drama in education. ''Crux'', 14(1):9-11.
 
[[Norah Taylor|Taylor, Norah]] 1980. Place of drama in education. ''Crux'', 14(1):9-11.
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[[Norah Taylor|Taylor, Norah]] 1989. ''The History and Development of Children's Theatre in English in South Africa'', by [[Walter Greyvenstein|W.R. Greyvenstein]]. Reviewed in: ''Crux'', 23(1):62-63.
 
[[Norah Taylor|Taylor, Norah]] 1989. ''The History and Development of Children's Theatre in English in South Africa'', by [[Walter Greyvenstein|W.R. Greyvenstein]]. Reviewed in: ''Crux'', 23(1):62-63.
  
[[Norah Taylor|Taylor, Norah]] 1989. ''Towards a history of the [[South African Guild of Speech and Drama Teachers]]''. Johannesburg: Norah Taylor / The Guild.
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[[Norah Taylor|Taylor, Norah]], in association with [[Sonia de Kock]] (Capstickdale), [[Walter Greyvenstein]] and [[Estelle Lyons]] (Copelyn). 1989. ''Towards a history of the [[South African Guild of Speech and Drama Teachers]]''. Johannesburg: Norah Taylor / The Guild.
  
 
[[Norah Taylor|Taylor, Norah]] 1994. The play's the thing. ''Crux'', 28(1):23.
 
[[Norah Taylor|Taylor, Norah]] 1994. The play's the thing. ''Crux'', 28(1):23.

Latest revision as of 08:46, 1 May 2022

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Tait, Barbara Campbell 1947. Cape Cameos. Cape Town: Stewart. (First theatre, 124-130).

Take six [new faces in South African theatre]. 1970. Fair Lady, 6(20):64-73. November 25.

Taljaard, Pieter Geoffrey 2009. The state of professional drama in the Free State: an investigation into professional drama more than 10 years post re-structuring of the Free State Performing Arts Council (PACOFS). Unpublished master’s thesis. Bloemfontein: University of the Free State.

Taljaard, S. 1983. Teatertegnici. My Loopbaan, 34:51-54.

Tang, Cheong Wai Acty 2005. Gazing at horror : body performance in the wake of mass social trauma. Unpublished master’s thesis. Grahamstown: Rhodes University.

Tang, Acty 2007. Corporeal knowledge and pleasure in theatre research: the case of looking at theatre photographs. South African Theatre Journal, 21:241-252.

Taub, Myer 2010. The practical epistemology in seeing oneself while listening to others. South African Theatre Journal, 24:155-174.

Taubie Kushlick. 1943. Playtime, (31):13.

Taubie Kushlick. 1959. Femina and Woman's Life, November 26:73.

Taubie Kushlick: dedicated to the stage. 1960. South African Panorama, 5(2):4-5.

Taunton N. 2001. Camp scenes and generals: Shakespeare's Henry V and the State of the Art of War. Shakespeare in Southern Africa, 13:41.

Taylor, Anne 1984. Durban’s new theatre complex. Scenaria, (47):23-25.

Taylor, Jane 2003. Taking stock: the making of a bourgeois life – The Confessions of Zeno. South African Theatre Journal, 17:234-244.

Taylor, Jane (ed.) 2009. Handspring Puppet Company. Parkwood, South Africa : David Krut Pub.

Taylor, Jane 2009. The relationship between things and beings. (Handspring Puppet Company) Art South Africa, 8(2):70-73.

Taylor, Mavis 1984. Improvisation for the actor in training. Teaterforum, 5(2):72-82.

Taylor, Norah 1960. The First Speech Teachers of Southern Africa. Material collected and Arranged by Norah Taylor. A Booklet published by Taylor, later included in Taylor et al (1989 - see below).

Taylor, Norah 1980. Place of drama in education. Crux, 14(1):9-11.

Taylor, Norah 1986. From small beginnings [speech – study and teaching]. Education and Culture, 19(1):32-33.

Taylor, Norah 1988. Enriching education. Crux, 22(1):42-44. January.

Taylor, Norah 1989. The History and Development of Children's Theatre in English in South Africa, by W.R. Greyvenstein. Reviewed in: Crux, 23(1):62-63.

Taylor, Norah, in association with Sonia de Kock (Capstickdale), Walter Greyvenstein and Estelle Lyons (Copelyn). 1989. Towards a history of the South African Guild of Speech and Drama Teachers. Johannesburg: Norah Taylor / The Guild.

Taylor, Norah 1994. The play's the thing. Crux, 28(1):23.




Click on the appropriate letters of the alphabet in the sub-list below.

Taa-Taz Tea-Tho Thr-Toz Tra-Tz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance