Difference between revisions of "Mary Turner"
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| − | 1868-9: ''[[Mary Turner]]'' (Brough) performed as a key part of their repertoire by [[Steele and Norton's Christy's Minstrels]] while on tour in South Africa. The company consisted of [[Carl Steele]], [[Wash Norton]], [[Mr Raynor]] and [[N. Coyle]], with a [[Mr Sturt]] joining them for ''[[Mary Turner]]''. They opened with it in the [[Commercial Exchange]] on 7-9 September, then after visits to Stellenbosch and Paarl, went on to the Orange Free State, Transvaal and Natal, before returning to Cape Town for their farewell in April, 1869. | + | 1868-9: ''[[Mary Turner]]'' (Brough) performed as a key part of their repertoire by [[Steele and Norton's Christy's Minstrels]] while on tour in South Africa. The company consisted of [[Carl Steele]], [[Wash Norton]], [[Mr Raynor]] and [[N. Coyle]], with a [[Mr Sturt]] joining them for ''[[Mary Turner]]''. They opened with it in the [[Commercial Exchange]], Cape Town, on 7-9 September, then after visits to Stellenbosch and Paarl, went on to the Orange Free State, Transvaal and Natal, before returning to Cape Town for their farewell in April, 1869. |
= Sources = | = Sources = | ||
Revision as of 06:00, 3 September 2020
Mary Turner can refer to any of two burlesques of Fitzball and Wallace's opera Maritana:
Mary Turner by William Brough (1868?) and Mary Turner, or The Wicious Willin and Wictorious Wirtue by F.C. Burnand (18**).
Contents
The original texts
Mary Turner by William Brough (1868?)
The original text
Written specifically for Steele and Norton's Christy's Minstrels
Translations and adaptations
Mary Turner, or The Wicious Willin and Wictorious Wirtue by F.C. Burnand (18**)
The original text
Translations and adaptations
Performance history of both versions in South Africa
1868-9: Mary Turner (Brough) performed as a key part of their repertoire by Steele and Norton's Christy's Minstrels while on tour in South Africa. The company consisted of Carl Steele, Wash Norton, Mr Raynor and N. Coyle, with a Mr Sturt joining them for Mary Turner. They opened with it in the Commercial Exchange, Cape Town, on 7-9 September, then after visits to Stellenbosch and Paarl, went on to the Orange Free State, Transvaal and Natal, before returning to Cape Town for their farewell in April, 1869.
Sources
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p.250 (also see footnotes 331 and 333)
Go to ESAT Bibliography
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Translations and adaptations
Performance history in South Africa
1866: Performed as Lucretia Borgia by the Le Roy-Duret Company in the Harrington Street Theatre, Cape Town, on
Sources
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.203-205
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
