Difference between revisions of "ESAT Bibliography Bat-Bet"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | Return to [[The ESAT Entries]] | ||
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[[Philip Bateman|Bateman, Philip]] 1951a. Do we need national theatre? ''Outspan'', 49(1258):37. April 6. | [[Philip Bateman|Bateman, Philip]] 1951a. Do we need national theatre? ''Outspan'', 49(1258):37. April 6. | ||
| − | [[Philip Bateman|Bateman, Philip]] 1951b. We musn't let hard times kill the theatre. Outspan, 48(1247):21. January 19. | + | [[Philip Bateman|Bateman, Philip]] 1951b. We musn't let hard times kill the theatre. ''Outspan'', 48(1247):21. January 19. |
[[Philip Bateman|Bateman, Philip]] 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. ''Outspan'', 51(1332):53. September 5. | [[Philip Bateman|Bateman, Philip]] 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. ''Outspan'', 51(1332):53. September 5. | ||
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[[Veronica Baxter|Baxter, Veronica]] 2005. Forum theatre: learning to live with limitations. ''[[South African Theatre Journal]]'', 19:130-142. | [[Veronica Baxter|Baxter, Veronica]] 2005. Forum theatre: learning to live with limitations. ''[[South African Theatre Journal]]'', 19:130-142. | ||
| − | [[Veronica Baxter|Baxter, Veronica]] | + | [[Veronica Baxter|Baxter, Veronica]] and [[James Aitchison|Aitchison, James]] 2006. The playful theatre of [[Nicholas Ellenbogen]]. 1985-1990. ''[[South African Theatre Journal]]'', 20:48-64. |
| − | [[Veronica Baxter|Baxter, Veronica]] | + | [[Veronica Baxter|Baxter, Veronica]] and [[James Aitchison|Aitchison, James]] 2010. Embodying 'lightness' in the new South Africa: the theatre of [[Ellis Pearson]] and [[Bheki Mkhwane]] 1993-2008. ''[[South African Theatre Journal]]'', 24:51-66. |
| + | |||
| + | [[Veronica Baxter|Baxter, Veronica]] and [[Katharine E. Low|Low, Katharine E]]. 2017. ''Applied Theatre: Performing Health and Wellbeing''. London: Bloomsbury Publishing. | ||
The [[Baxter Theatre]]. 1977. ''[[Scenaria]]'', August/ September:12-13. | The [[Baxter Theatre]]. 1977. ''[[Scenaria]]'', August/ September:12-13. | ||
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[[Margot Beard|Beard, Margot]] 2002. King Lear: a production of the North West Arts Drama Youth group, directed by [[Mpumelelo Grootboom]] at the [[Grahamstown Festival]], June/July 2002. ''Shalespeare in Southern Africa'', 14:59-60. | [[Margot Beard|Beard, Margot]] 2002. King Lear: a production of the North West Arts Drama Youth group, directed by [[Mpumelelo Grootboom]] at the [[Grahamstown Festival]], June/July 2002. ''Shalespeare in Southern Africa'', 14:59-60. | ||
| − | Becker, | + | Becker, Florian Nikolas 2010. Capitalism and crime: Brechtian economies in the ''Threepenny Opera'' and ''[[Love, Crime and Johannesburg]]'' ([[Junction Avenue Theatre Company]]). ''Modern Drama'', 53(2):159-186. |
[[Jacoba W. Bedford|Bedford, Jacoba W.]] 1988. The presence of the past in selected works by [[Pieter-Dirk Uys]]. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for C.H.E. | [[Jacoba W. Bedford|Bedford, Jacoba W.]] 1988. The presence of the past in selected works by [[Pieter-Dirk Uys]]. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for C.H.E. | ||
| − | [[Aldo | + | [[Aldo Behrens|Behrens, Aldo Georg]] 1978. ''[[The Glass Menagerie|Speelgoed van glas]]'' [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Unpublished master’s thesis.Potchefstroom: Potchefstroom University for C.H.E. |
| − | [[Aldo Behrens|Behrens]] | + | [[Aldo Behrens|Behrens, Aldo]] 1985. Dominante en determinante in die ensceneringsproses. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for C.H.E. |
Belasting op die toneel. 1945. ''Huisgenoot'', 30(1225):5. September 14. | Belasting op die toneel. 1945. ''Huisgenoot'', 30(1225):5. September 14. | ||
| + | |||
| + | [[David Bell|Bell, David]] and [[Johan U. Jacobs|Jacobs, Johan U.]] 2009. ''Ways of writing : critical essays on [[Zakes Mda]]''. Scottsville : University of KwaZulu-Natal Press. | ||
[[Elizabeth Anne Charlton Bell|Bell, Elizabeth Anne Charlton]] 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Unpublished master’s thesis. Durban: University of Natal. | [[Elizabeth Anne Charlton Bell|Bell, Elizabeth Anne Charlton]] 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Unpublished master’s thesis. Durban: University of Natal. | ||
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[[Benjy Francis]]: director/actor, in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 156-159. | [[Benjy Francis]]: director/actor, in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 156-159. | ||
| − | [[Vane Bennett|Bennett, Vane]] 1885. ''Biographical and | + | [[Vane Bennett|Bennett, Vane]] 1885. ''Biographical and Memorial Sketch of Francis Algernon Disney Roebuck, Late Capt. 23rd Royal Welsh Fusiliers''. Cape Town: Saul Solomon and Co. |
| + | |||
| + | Benson, Eugene and Connolly, L.W. 1994 ''Encyclopedia of Post-Colonial Literatures in English''. Routledge (Revised 2004). | ||
| − | [[Mary Benson|Benson, Mary]] 1972. [[Athol Fugard]] and | + | [[Mary Benson|Benson, Mary]] 1972. [[Athol Fugard]] and "one little corner of the world". ''London Magazine'', 11:13140. |
| − | [[Mary Benson|Benson, Mary]] 1973 [[Athol Fugard]] and | + | [[Mary Benson|Benson, Mary]] 1973 [[Athol Fugard]] and "one little corner of the world". ''Yale / Theatre'', IV, no.1 (Winter 1973):55-62 |
[[Mary Benson|Benson, Mary]] 1977. Keeping an appointment with the future: the theatre of [[Athol Fugard]]. ''Theatre Quarterly'', 7(28):77-83. | [[Mary Benson|Benson, Mary]] 1977. Keeping an appointment with the future: the theatre of [[Athol Fugard]]. ''Theatre Quarterly'', 7(28):77-83. | ||
| − | [[Mary Benson|Benson, Mary]] 1997. ''[[Athol Fugard]] and [[Barney Simon]]: Bare Stage, A Few Props, Great Theatre''. Johannesburg: Ravan Press. | + | [[Mary Benson|Benson, Mary]] 1997. ''[[Athol Fugard]] and [[Barney Simon]]: Bare Stage, A Few Props, Great Theatre''. Johannesburg: [[Ravan Press]]. |
[[A.D. Bensusan|Bensusan, A.D.]] 1968. Case for the banning of smoking in theatres. ''Municipal Affairs'', 33(389):31-37. January. | [[A.D. Bensusan|Bensusan, A.D.]] 1968. Case for the banning of smoking in theatres. ''Municipal Affairs'', 33(389):31-37. January. | ||
| + | |||
| + | [[Edmond Bentley|Bentley, Edmond]] 1960. "All the world's a stage": a plea for live theatre in South Africa. ''Talent'', 1(1):10-12. | ||
[[M. Benz|Benz, M.]] 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. ''Brandwag'', 28(5):29. April 3. | [[M. Benz|Benz, M.]] 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. ''Brandwag'', 28(5):29. April 3. | ||
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[[Ralph Berold|Berold, Ralph]] et al. 2000. ''Interactive Drama for Environmental Educators''. Howick: Share-net. | [[Ralph Berold|Berold, Ralph]] et al. 2000. ''Interactive Drama for Environmental Educators''. Howick: Share-net. | ||
| + | |||
| + | [[Gerrit Besselaar|Besselaar, Gerrit]]. 1914.''Zuid-Afrika in de Letterkunde''. J.H. de Bussy, Amsterdam/ J. Dusseau, Kaapstad.[http://dbnl.nl/tekst/bess001zuid01_01/bess001zuid01_01.pdf] | ||
| + | |||
| + | Bester, G. and Bester C.A. 2006. Affektiewe faktore wat met drama op sekondere skoolvlak verband hou. ''Journal for Language Teaching'', 40(2): | ||
| Line 100: | Line 113: | ||
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
Latest revision as of 05:55, 1 July 2020
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Bateman, Genevieve 2006. Creative misreadings : allegory in Tracey Rose's Ciao Bella. Unpublished master’s thesis. Grahamstown: Rhodes University.
Bateman, Philip 1951a. Do we need national theatre? Outspan, 49(1258):37. April 6.
Bateman, Philip 1951b. We musn't let hard times kill the theatre. Outspan, 48(1247):21. January 19.
Bateman, Philip 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. Outspan, 51(1332):53. September 5.
Bateman, Philip 1952b. Will National theatre silence the critics? Outspan, 50(1297):25. January 4.
Baxter, Veronica 1992. Popular performance in South Africa in the 1980s. Unpublished master’s thesis. Durban: University of Natal.
Baxter, Veronica 2000 Unizima Lomthawala: Satisfying everyone all of the time in drama and theatre as education. South African Theatre Journal, 14:55-72.
Baxter, Veronica 2005. Forum theatre: learning to live with limitations. South African Theatre Journal, 19:130-142.
Baxter, Veronica and Aitchison, James 2006. The playful theatre of Nicholas Ellenbogen. 1985-1990. South African Theatre Journal, 20:48-64.
Baxter, Veronica and Aitchison, James 2010. Embodying 'lightness' in the new South Africa: the theatre of Ellis Pearson and Bheki Mkhwane 1993-2008. South African Theatre Journal, 24:51-66.
Baxter, Veronica and Low, Katharine E. 2017. Applied Theatre: Performing Health and Wellbeing. London: Bloomsbury Publishing.
The Baxter Theatre. 1977. Scenaria, August/ September:12-13.
Baxter Theatre. [Air conditioning, heating and ventilation]. 1978. Construction in Southern Africa, 23(6):54-63. September.
Baxter’s first five years. 1982. Scenaria, (32):17-19.
Beard, Margot 2002. King Lear: a production of the North West Arts Drama Youth group, directed by Mpumelelo Grootboom at the Grahamstown Festival, June/July 2002. Shalespeare in Southern Africa, 14:59-60.
Becker, Florian Nikolas 2010. Capitalism and crime: Brechtian economies in the Threepenny Opera and Love, Crime and Johannesburg (Junction Avenue Theatre Company). Modern Drama, 53(2):159-186.
Bedford, Jacoba W. 1988. The presence of the past in selected works by Pieter-Dirk Uys. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for C.H.E.
Behrens, Aldo Georg 1978. Speelgoed van glas [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Unpublished master’s thesis.Potchefstroom: Potchefstroom University for C.H.E.
Behrens, Aldo 1985. Dominante en determinante in die ensceneringsproses. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for C.H.E.
Belasting op die toneel. 1945. Huisgenoot, 30(1225):5. September 14.
Bell, David and Jacobs, Johan U. 2009. Ways of writing : critical essays on Zakes Mda. Scottsville : University of KwaZulu-Natal Press.
Bell, Elizabeth Anne Charlton 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Unpublished master’s thesis. Durban: University of Natal.
Bell, Lynette 1978. An approach to theatre make-up. Scenaria, December/January: 41.
Belling, Veronica Penkin 2004. A Yiddish actor in Port Elizabeth (Henry Ariel). Jewish Affairs, 59(1):40-42.
Belling, Veronica Penkin 2006. Yiddish theatre in South Africa. Jewish Affairs, 61(4):5-16.
Belling, Veronica Penkin 2008. Yiddish theatre in South Africa: :a history from the late nineteenth century to 1960. Cape Town : Isaac and Jessie Kaplan Centre for Jewish Studies and Research.
Belowende begin. [Nasionale toneel se eerste opvoerings]. 1948. Huisgenoot, 32(1353):15. February 27.
Beneke, Johannes Jacobus Petrus 1980. Die dramatiese funksie van die flits. Unpublished doctoral dissertation. Johannesburg: Rand Afrikaans University.
Beneke, Johannes Jacobus Petrus 1984. Christine: model van die flitsvertelling, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 51-63.
Benjy Francis: director/actor, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 156-159.
Bennett, Vane 1885. Biographical and Memorial Sketch of Francis Algernon Disney Roebuck, Late Capt. 23rd Royal Welsh Fusiliers. Cape Town: Saul Solomon and Co.
Benson, Eugene and Connolly, L.W. 1994 Encyclopedia of Post-Colonial Literatures in English. Routledge (Revised 2004).
Benson, Mary 1972. Athol Fugard and "one little corner of the world". London Magazine, 11:13140.
Benson, Mary 1973 Athol Fugard and "one little corner of the world". Yale / Theatre, IV, no.1 (Winter 1973):55-62
Benson, Mary 1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre Quarterly, 7(28):77-83.
Benson, Mary 1997. Athol Fugard and Barney Simon: Bare Stage, A Few Props, Great Theatre. Johannesburg: Ravan Press.
Bensusan, A.D. 1968. Case for the banning of smoking in theatres. Municipal Affairs, 33(389):31-37. January.
Bentley, Edmond 1960. "All the world's a stage": a plea for live theatre in South Africa. Talent, 1(1):10-12.
Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. Brandwag, 28(5):29. April 3.
Berk, Anita 2001. Female bodies as text : disobedient representations of the witch. Unpublished master’s thesis. Cape Town: University of Cape Town.
Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with special reference to the contribution of Leonard Rayne. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand.
Berold, Ralph et al. 2000. Interactive Drama for Environmental Educators. Howick: Share-net.
Besselaar, Gerrit. 1914.Zuid-Afrika in de Letterkunde. J.H. de Bussy, Amsterdam/ J. Dusseau, Kaapstad.[1]
Bester, G. and Bester C.A. 2006. Affektiewe faktore wat met drama op sekondere skoolvlak verband hou. Journal for Language Teaching, 40(2):
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
