Difference between revisions of "Crimson Crimes"
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| − | ''[[Crimson Crimes, or Deeds of Dreadful Note]]'' is a farce attributed to William E. Burton | + | '''There are two plays named ''[[Crimson Crimes]]'', both containing the phrase "Crimson Crimes" in the full title as well:''' |
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| + | =''[[Crimson Crimes, or The Blood-Stained Bandit]]'' (1832)= | ||
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| + | This is described as a [[melodrama]] or [[burletta]] by John Baldwin Buckstone (1802-1879)[https://en.wikipedia.org/wiki/John_Baldwin_Buckstone] | ||
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| + | First performed at the Adelphi Theatre, London on 19 November, 1832. | ||
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| + | =''[[Crimson Crimes, or Deeds of Dreadful Note]]'' (1849)= | ||
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| + | This is a farce ''attributed'' to William E. Burton (1804-1860)[] | ||
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| + | Also found as ''[[Deeds of Dreadful Note!]]'' . | ||
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| + | ==The original text== | ||
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| + | One commentator suggests that it may have been a parody of the one act “romantic tale of terror” published in 1810 by Alfred Dubois (''nom de plume'' of James Stuart Bowes, 1768/69-1863) called '''''[[Wilful Murder, or Deeds of Dreadful Note]]''''' (or simply '''''[[Deeds of Dreadful Note]]'''''), though it could of course also have been Buckstone's play - or a parody of it, or of the genre in general, merely taking the title from the two works. | ||
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| + | ==Translations and adaptations== | ||
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| + | == Performance history in South Africa == | ||
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| + | 1857: Performed in the [[Harrington Street Theatre]] , Cape Town, on 23 September by the [[Sefton Parry]] Company as ''[[Crimson Crimes]]'', a "screaming farce" by an unnamed author. Also performed was ''[[Who Speaks First?]]'' (Dance) and ''[[Monsieur Jacques]]'' (Barnett and Barnett). | ||
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| + | =Sources= | ||
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| + | https://www.umass.edu/AdelphiTheatreCalendar/auth.htm#let06c | ||
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| + | https://www.umass.edu/AdelphiTheatreCalendar/m32d.htm#Label004 | ||
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| + | https://clerkandthecity.wordpress.com/2011/01/23/tuesday-january-23-1849/ | ||
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| + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 59, 61 | ||
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| + | Go to [[ESAT Bibliography]] | ||
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| + | = Return to = | ||
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| + | Return to [[PLAYS I: Original SA plays]] | ||
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| + | Return to [[PLAYS II: Foreign plays]] | ||
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| + | Return to [[PLAYS III: Collections]] | ||
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| + | Return to [[PLAYS IV: Pageants, carnivals and public performances]] | ||
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| + | Return to [[South_African_Festivals|South African Festivals and Competitions]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to [[Main Page]] | ||
Latest revision as of 06:06, 23 September 2019
There are two plays named Crimson Crimes, both containing the phrase "Crimson Crimes" in the full title as well:
Contents
Crimson Crimes, or The Blood-Stained Bandit (1832)
This is described as a melodrama or burletta by John Baldwin Buckstone (1802-1879)[1]
First performed at the Adelphi Theatre, London on 19 November, 1832.
Crimson Crimes, or Deeds of Dreadful Note (1849)
This is a farce attributed to William E. Burton (1804-1860)[]
Also found as Deeds of Dreadful Note! .
The original text
One commentator suggests that it may have been a parody of the one act “romantic tale of terror” published in 1810 by Alfred Dubois (nom de plume of James Stuart Bowes, 1768/69-1863) called Wilful Murder, or Deeds of Dreadful Note (or simply Deeds of Dreadful Note), though it could of course also have been Buckstone's play - or a parody of it, or of the genre in general, merely taking the title from the two works.
Translations and adaptations
Performance history in South Africa
1857: Performed in the Harrington Street Theatre , Cape Town, on 23 September by the Sefton Parry Company as Crimson Crimes, a "screaming farce" by an unnamed author. Also performed was Who Speaks First? (Dance) and Monsieur Jacques (Barnett and Barnett).
Sources
https://www.umass.edu/AdelphiTheatreCalendar/auth.htm#let06c
https://www.umass.edu/AdelphiTheatreCalendar/m32d.htm#Label004
https://clerkandthecity.wordpress.com/2011/01/23/tuesday-january-23-1849/
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp. 59, 61
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants, carnivals and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
