Difference between revisions of "The Daughter of the Regiment (Fitzball)"

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1875: Performed again as ''[[The Daughter of the Regiment]]'' by [[Disney Roebuck]] and company in the [[Bijou Theatre]], Cape Town, on 9 September, with a dance by [[Miss Duggan]] and ''[[Lost in London]]'' (Phillips).
 
1875: Performed again as ''[[The Daughter of the Regiment]]'' by [[Disney Roebuck]] and company in the [[Bijou Theatre]], Cape Town, on 9 September, with a dance by [[Miss Duggan]] and ''[[Lost in London]]'' (Phillips).
  
1878: Performed on 19 June, as ''[[The Daughter of the Regiment (Fitzball)|The Daughter of the Regiment]]'' (and now specifically mentioned as a musical comedy in three acts, ascribed to Fitzball, with music by Donizetti) by [[Disney Roebuck]] and company in the [[Theatre Royal]], Cape Town, with the ''[[The Day after the Wedding]]'' (Kemble) and  ''[[Princess Pocahontas]]'' (Anon).
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1878: Performed on 19 June, as ''[[The Daughter of the Regiment (Fitzball)|The Daughter of the Regiment]]'' (and now rather interestingly mentioned as a musical comedy in '''three''' acts, specifically ascribed to Fitzball, with music by Donizetti) by [[Disney Roebuck]] and company in the [[Theatre Royal]], Cape Town, with the ''[[The Day after the Wedding]]'' (Kemble) and  ''[[Princess Pocahontas]]'' (Anon).
  
 
== Sources ==
 
== Sources ==

Revision as of 06:16, 18 June 2019

The Daughter of the Regiment is a drama in two acts by Edward Fitzball (1792-1873)[].

See also the entries on La Fille du Régiment (Donizetti), Madeleine, or The Daughter of the Regiment (Stirling) and Josephine, the Child of the Regiment, or The Fortune of War (Buckstone), which are all also referred to as The Daughter of the Regiment on occasion.

The original text

Based on La Fille du Régiment[1] (La Figlia del Reggimento in the Italian version), an opera in two acts by Gaetano Donizetti (1797-1848), with a French libretto by Jules Henry Vernoy de Saint-Georges, ‎Jean François Alfred Bayard (first performed in French on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse).

Fitzball's play, using Donizetti's music, was first performed at the Theatre Royal Drury Lane, London, in May 28th 1844. Published by J. Dicks in the series Dicks' standard plays (no. 761) in 1883(?)

Translations and adaptations

Performance history in South Africa

No author is given for the first performances of the play in 1875 by Disney Roebuck, so the text in question could really be any one of the three English stage plays from the 19th century based on the opera. Bosman (1980, p.509) confuses the matter further by suggesting that it was the text by Fitzball, but at the same time referring the reader to the Stirling text called Madeleine, or The Daughter of the Regiment. In his later productions from 1878, however, Roebuck did credit Fitzball and Donizetti - which seems to suggest that he used Fitzball's version of the French comic opera for all his productions. (However, in view of the confusion, the 1875 performances are also mentioned in the entry on Stirling's text.)

1875: A "musical comedietta" called The Daughter of the Regiment was performed on 23 June, by Disney Roebuck and company in the Bijou Theatre, Cape Town, with the The Day after the Wedding (Kemble) and Princess Pocahontas (Anon).

1875: Performed again as The Daughter of the Regiment by Disney Roebuck and company in the Bijou Theatre, Cape Town, on 26 June, with a recital of The Charge of the Light Brigade (Tennyson) by Miss Berenger and the two act drama Ben Bolt (Johnstone).

1875: Performed again as The Daughter of the Regiment by Disney Roebuck and company in the Bijou Theatre, Cape Town, on 9 September, with a dance by Miss Duggan and Lost in London (Phillips).

1878: Performed on 19 June, as The Daughter of the Regiment (and now rather interestingly mentioned as a musical comedy in three acts, specifically ascribed to Fitzball, with music by Donizetti) by Disney Roebuck and company in the Theatre Royal, Cape Town, with the The Day after the Wedding (Kemble) and Princess Pocahontas (Anon).

Sources

https://babel.hathitrust.org/cgi/pt?id=uc1.31175035136228&view=1up&seq=3

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