Difference between revisions of "ESAT Bibliography Rid-Rol"
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| − | [[F.M. Ringwood|Ringwood, F.M.]] 2010. Othello: theatre reviews. | + | [[F.M. Ringwood|Ringwood, F.M.]] 2010. ''[[Othello]]'': theatre reviews. ''Shakespeare in Southern Africa'', 22:42-54. |
| + | |||
| + | [[Richard Rive|Rive, Richard]] 1978. Around the back: ''[[The Orange Earth]]'', by [[Adam Small]]. Reviewed in: ''Speak'', 1(5):54-55. | ||
[[Frank Rizzo|Rizzo, Frank]] 2009. You can go home again. ''American Theatre'', 26(1):30. | [[Frank Rizzo|Rizzo, Frank]] 2009. You can go home again. ''American Theatre'', 26(1):30. | ||
| − | [[ | + | [[Sarah Roberts|Roberts, Sarah]]. 2015. The 'Pioneers'. In [[Martin Middeke]], [[Peter Paul Schnierer]] and [[Greg Homann]] (editors). ''The Methuen Drama Guide to Contemporary South African Theatre''. London: Bloomsbury Publishing. |
| + | |||
| + | [[Sheila Roberts|Roberts, Sheila]] 1972. Walter Saunders, ''[[Emperor Bolly, or, When the balloon went up]]''. [Literary criticism]. ''Unisa English Studies'', 10(3):85-86. September. | ||
[[Sheila Roberts|Roberts, Sheila]] 1980. South African bilingual and multilingual drama of the seventies. ''Canadian Drama'', 6(1):134-150. | [[Sheila Roberts|Roberts, Sheila]] 1980. South African bilingual and multilingual drama of the seventies. ''Canadian Drama'', 6(1):134-150. | ||
| − | [[ | + | [[Sheila Roberts|Roberts, Sheila]] 1982. “No lessons learnt”: reading the texts of [[Athol Fugard|Fugard]]’s ''[[A Lesson from Aloes|A Lesson From Aloes]]'' and ''[[Master Harold ... and the boys|Master Harold … and the Boys]]''. ''English in Africa'', 9(2):27-33. |
| + | |||
| + | [[Sheila Roberts|Roberts, Sheila]] 1998. Silence in my father's house: memory, nationalism, and narratives of the body, in [[Sarah Nuttall|Nuttall, Sarah]] & [[Carli Coetzee|Coetzee, Carli]] (eds.). ''Negotiating the Past. The Making of Memory in South Africa''. Cape Town: Oxford University Press. | ||
| − | [[ | + | [[Nan Robertson|Robertson, Nan]]. 1986. "''Woza Afrika!'' spotlights Black South Africans". ''New York Times'' (Theater): July 24, 1986 |
[[Helen Robinson|Robinson, Helen]] 2005. ''Shakespeare at [[Maynardville]]''. Wynberg [South Africa] : Houghton House. | [[Helen Robinson|Robinson, Helen]] 2005. ''Shakespeare at [[Maynardville]]''. Wynberg [South Africa] : Houghton House. | ||
| − | [[Helen Robinson|Robinson, H.]] 2006. [[ | + | [[Helen Robinson|Robinson, H.]] 2006. [[René Ahrenson]] and [[Cecilia Sonnenberg]]: their contribution to theatre in Cape Town. ''Jewish Affairs'', 61(4):73-78. |
[[Ninon Roets|Roets, Ninon]] 1974. Die ontwikkeling van die Afrikaanse drama sedert 1955. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. | [[Ninon Roets|Roets, Ninon]] 1974. Die ontwikkeling van die Afrikaanse drama sedert 1955. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. | ||
Latest revision as of 12:48, 31 December 2018
Click on the appropriate letters of the alphabet in the sub-list below.
Ra-Res Ret-Ric Rid-Rol Rom-Rop Ros-Rot Rou-Rz
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Ringwood, F.M. 2010. Othello: theatre reviews. Shakespeare in Southern Africa, 22:42-54.
Rive, Richard 1978. Around the back: The Orange Earth, by Adam Small. Reviewed in: Speak, 1(5):54-55.
Rizzo, Frank 2009. You can go home again. American Theatre, 26(1):30.
Roberts, Sarah. 2015. The 'Pioneers'. In Martin Middeke, Peter Paul Schnierer and Greg Homann (editors). The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury Publishing.
Roberts, Sheila 1972. Walter Saunders, Emperor Bolly, or, When the balloon went up. [Literary criticism]. Unisa English Studies, 10(3):85-86. September.
Roberts, Sheila 1980. South African bilingual and multilingual drama of the seventies. Canadian Drama, 6(1):134-150.
Roberts, Sheila 1982. “No lessons learnt”: reading the texts of Fugard’s A Lesson From Aloes and Master Harold … and the Boys. English in Africa, 9(2):27-33.
Roberts, Sheila 1998. Silence in my father's house: memory, nationalism, and narratives of the body, in Nuttall, Sarah & Coetzee, Carli (eds.). Negotiating the Past. The Making of Memory in South Africa. Cape Town: Oxford University Press.
Robertson, Nan. 1986. "Woza Afrika! spotlights Black South Africans". New York Times (Theater): July 24, 1986
Robinson, Helen 2005. Shakespeare at Maynardville. Wynberg [South Africa] : Houghton House.
Robinson, H. 2006. René Ahrenson and Cecilia Sonnenberg: their contribution to theatre in Cape Town. Jewish Affairs, 61(4):73-78.
Roets, Ninon 1974. Die ontwikkeling van die Afrikaanse drama sedert 1955. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Rogaly, Frank 1947. South African audiences like to laugh. Outspan, 42(1077):29. October 17.
Rogers Sydney Martin 1988. Die bydrae wat Anna Cloete (Norval) tot die ontwikkeling van die Suid-Afrikaanse toneel vanaf 1935 tot 1988 gelewer het. Unpublished honours thesis. Pretoria: University of Pretoria.
Rogoff. A.E. 1990. Unsilenced stages: the oppression and survival of South African theatre under censorship. Unpublished master’s thesis. San Francisco State University.
Rolfes, C. 1982. Pascual – olé ! Fair Lady, 18(1):142-148. November 3. (Costume design).
Click on the appropriate letters of the alphabet in the sub-list below.
Ra-Res Ret-Ric Rid-Rol Rom-Rop Ros-Rot Rou-Rz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
