Difference between revisions of "Piekniek by Dingaan"

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("Picnic with Dingane"). An aggressive and controversial Afrikaans political cabaret, a seminal production which interrogated various aspects of South African history, the value systems and fears of the Afrikaners, and the dark future that awaited them if they could not adapt. Compiled and directed by [[Gerrit Schoonhoven]] in 1988, apparently based on a set of text-notes and songs by [[André Letoit]] and [[Johannes Kerkorrel]], with young singers and actors from [[CAPAB]], including, [[Willie Fritz]], [[Gustav Geldenhuys]], [[Marion Holm]], [[Elma van Wijk]], [[Nataniël]], [[Johannes Kerkorrel]], [[Mark Hoeben]], [[Marthinus Basson]],  with musicians [[Willem Möller]] and [[Hanepoot van Tonder]].
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''[[Piekniek by Dingaan]]'' ("Picnic with Dingane") is an [[Afrikaans]] political cabaret compiled by [[Gerrit Schoonhoven]], based on a set of text-notes and songs by [[André Letoit]].  
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An aggressive and controversial work, it became a seminal production which interrogated various aspects of South African history, the value systems and fears of the Afrikaners, and the dark future that awaited them if they could not adapt.  
  
  
Originally banned from performance by die Chairman of the [[CAPAB]] board (a furore breaking out about the firing of [[Johan Esterhuizen]] as Drama Manager, when he spoke out about it to the press), it was performed to acclamation at the [[National Arts Festival|Grahamstown Festival]] (where it won the 1988 [[Fringe Award]]) and the [[Baxter Theatre]].
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It was both compiled and directed by [[Gerrit Schoonhoven]] in 1988, apparently based on a set of text-notes and songs by [[André Letoit]] (later better known as [[Koos Kombuis]]) and featured [[Johannes Kerkorrel]], with young singers and actors from [[CAPAB]], including, [[Willie Fritz]], [[Gustav Geldenhuys]], [[Marion Holm]], [[Elma van Wijk]], [[Nataniël]], [[Johannes Kerkorrel]], [[Mark Hoeben]], [[Marthinus Basson]],  as well as musicians [[Willem Möller]] and [[Hanepoot van Tonder]].
Dit is saamgestel en geregiseer deur Gerrit Schoonhoven.
 
2. Die geselskap het bestaan uit: 
 
Marthinus Basson
 
Willie Fritz
 
Gustav Geldenhuys
 
Mark Hoeben
 
Marion Holm
 
Johannes Kerkorrel
 
Nataniël
 
Elma van Wyk
 
En die musikante (saam met Nataniël) was:
 
Willem Möller
 
Hanepoot van Tonder
 
  
  
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Originally banned from performance by die Chairman of the [[CAPAB]] board (a furore breaking out about the firing of [[Johan Esterhuizen]] as Drama Manager, when he spoke out about it to the press), it was performed (directed by [[Gerrit Schoonhoven]]) to acclamation at the [[National Arts Festival|Grahamstown Festival]] (where it won the 1988 [[Fringe Award]]) and the [[Baxter Theatre]].
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== Sources ==
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E-mail correspondence from [[Marion Holm]], 11 November 2014.
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== Return to ==
  
 
Return to [[ESAT Plays 1 P|P]]
 
Return to [[ESAT Plays 1 P|P]]

Latest revision as of 12:31, 14 December 2018

Piekniek by Dingaan ("Picnic with Dingane") is an Afrikaans political cabaret compiled by Gerrit Schoonhoven, based on a set of text-notes and songs by André Letoit. An aggressive and controversial work, it became a seminal production which interrogated various aspects of South African history, the value systems and fears of the Afrikaners, and the dark future that awaited them if they could not adapt.


It was both compiled and directed by Gerrit Schoonhoven in 1988, apparently based on a set of text-notes and songs by André Letoit (later better known as Koos Kombuis) and featured Johannes Kerkorrel, with young singers and actors from CAPAB, including, Willie Fritz, Gustav Geldenhuys, Marion Holm, Elma van Wijk, Nataniël, Johannes Kerkorrel, Mark Hoeben, Marthinus Basson, as well as musicians Willem Möller and Hanepoot van Tonder.


Originally banned from performance by die Chairman of the CAPAB board (a furore breaking out about the firing of Johan Esterhuizen as Drama Manager, when he spoke out about it to the press), it was performed (directed by Gerrit Schoonhoven) to acclamation at the Grahamstown Festival (where it won the 1988 Fringe Award) and the Baxter Theatre.


Sources

E-mail correspondence from Marion Holm, 11 November 2014.


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