Difference between revisions of "Union Defence Force Entertainment Unit"
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During the early years of the second world war the [[South African Womans's Auxiliary Service]] organised voluntary | During the early years of the second world war the [[South African Womans's Auxiliary Service]] organised voluntary | ||
| − | concert parties and entertainment at the various military camps in the Union. From this came the idea of having a formally organised entertainment unit for the Union | + | [[concert parties]] and other forms of entertainment at the various military camps in the Union. From this came the idea of having a formally organised entertainment unit for the Union Defence Force. According to Swift (1974) this was first suggested by a Colonel G. Newman, who felt that entertainment was a vital necessity in the battle against boredom which inevitably existed in military camps in the Union. Having found approval from Field Marshal Smuts, they appointed Major [[Myles Bourke]], the founder of the [[Pretoria Repertory Theatre]] and a well known amateur actor, as the Chief Entertainment Officer for the UDF. |
In a memorandum outlining his scheme for troop entertainment, Bourke stressed that the main object of an entertainment unit | In a memorandum outlining his scheme for troop entertainment, Bourke stressed that the main object of an entertainment unit | ||
was to ensure at least one good concert per week in every camp in the Union, and to ensure that the entertainment was of the | was to ensure at least one good concert per week in every camp in the Union, and to ensure that the entertainment was of the | ||
| − | highest quality. He pointed out that | + | highest quality. He pointed out that this was only possible if the entertainment was centrally controlled as a military undertaking, and not undertaken on a voluntary basis as before. It required a Chief Entertainment Officer at its head who could hold himself responsible for the type of entertainment offered and the discipline of the formally appointed artists. With one head the concert parties could visit all camps throughout the Union on specific itineraries, and not only those camps nearby the organizing volunteer company. |
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| − | on a | ||
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| − | Officer could hold himself responsible for the type of entertainment offered | ||
| − | and the artists | ||
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| − | parties | ||
| − | Union on specific itineraries, and not only | ||
| − | those camps | ||
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| − | + | == Formation of the Entertainment Unit == | |
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| − | + | During February 1941, Bourke asked for the transfer of specified members of the Potchefstroom Camp [[Concert party]], which he had seen in their famous revue "''[[Springbok Frolics]]''", which had contributed £3,435 to the war fund. They became the core of nucleus of the Entertainment Unit and consisted of [[Frank Rogaly]], who was made | |
| − | transfer of | + | Chief Production Officer, [[F. Stuart Needham]], [[G. Marriott]], [[Lionel Roche]] and [[G. |
| − | Camp Concert party, which he had | + | Walker]]. Shortly after they were joined by [[A. Swemmer]]. |
| − | seen | + | |
| − | Frolics" which | + | Two more concert parties, besides ''[[Springbok Frolics]]'', were rehearsed at Bourke's residence. They were named as companies called the "[[Gypsies]]", who left on tour in April 1941, and the "[[Crasy Gang]]" who left for a Union tour in May 1941. |
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| − | Unit | ||
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| − | Chief Production Officer, F. Stuart Needham, | ||
| − | G. Marriott, | ||
| − | Walker. | ||
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| − | more concert parties were rehearsed at | ||
| − | Bourke's residence. They were the "Gypsies" | ||
| − | who left on tour in April 1941, and the "Crasy | ||
| − | Gang" who left for a Union tour in May 1941. | ||
Revision as of 06:22, 21 August 2018
Also referred to as the U.D.F. Entertainment Unit or the The Union Defence Force Entertainment Group.
Origins
During the early years of the second world war the South African Womans's Auxiliary Service organised voluntary concert parties and other forms of entertainment at the various military camps in the Union. From this came the idea of having a formally organised entertainment unit for the Union Defence Force. According to Swift (1974) this was first suggested by a Colonel G. Newman, who felt that entertainment was a vital necessity in the battle against boredom which inevitably existed in military camps in the Union. Having found approval from Field Marshal Smuts, they appointed Major Myles Bourke, the founder of the Pretoria Repertory Theatre and a well known amateur actor, as the Chief Entertainment Officer for the UDF.
In a memorandum outlining his scheme for troop entertainment, Bourke stressed that the main object of an entertainment unit was to ensure at least one good concert per week in every camp in the Union, and to ensure that the entertainment was of the highest quality. He pointed out that this was only possible if the entertainment was centrally controlled as a military undertaking, and not undertaken on a voluntary basis as before. It required a Chief Entertainment Officer at its head who could hold himself responsible for the type of entertainment offered and the discipline of the formally appointed artists. With one head the concert parties could visit all camps throughout the Union on specific itineraries, and not only those camps nearby the organizing volunteer company.
Formation of the Entertainment Unit
During February 1941, Bourke asked for the transfer of specified members of the Potchefstroom Camp Concert party, which he had seen in their famous revue "Springbok Frolics", which had contributed £3,435 to the war fund. They became the core of nucleus of the Entertainment Unit and consisted of Frank Rogaly, who was made Chief Production Officer, F. Stuart Needham, G. Marriott, Lionel Roche and [[G. Walker]]. Shortly after they were joined by A. Swemmer.
Two more concert parties, besides Springbok Frolics, were rehearsed at Bourke's residence. They were named as companies called the "Gypsies", who left on tour in April 1941, and the "Crasy Gang" who left for a Union tour in May 1941.
Founded in 1940 by Major Myles Bourke it employed entrepreneurs such as Frank Rogaly and Leo Quayle as organisers and directors. Rogaly’s first wartime revue, Springbok Follies was a produced at the Empire Theatre in 1941 and played to capacity, before it went north to the front. ***** Among the individuals involved in the Unit who would later return to make an impact on theatre in the country were Frank Rogaly, Gordon Mulholland, Sidney James and musical directors Leo Quayle and Harry Rabinowitz. Among the shows put on were ****.After the war, the Unit continued as ***??
See also
Major Myles Bourke; South African concert parties; Middle East; ENSA; ME Live Entertainments Committee; the Crazy Gang; Union Defence Force Band; SAAF Band
For the general principle, see Military Entertainment
Sources
Swift, M.1974. "The Union Defence Force Entertainment Group in South Africa (World War II)". Scientia Militaria - South African Journal of Military Studies, [S.l.], feb. 2012. ISSN 2224-0020. Available at: <http://scientiamilitaria.journals.ac.za/pub/article/view/935/946>. Date accessed: 24 May. 2015.
Percy Tucker, 1997,
Temple Hauptfleisch 1985
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