Difference between revisions of "ESAT Bibliography Hut"
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[[Yvette Hutchison|Hutchison, Yvette]] 1996b. ''Politics and Performance: Theatre, Poetry and Song in Southern Africa'', by [[Gunner, Liz|Liz Gunner]]. Reviewed in: ''South African Theatre Journal'', 10(1):125-126. | [[Yvette Hutchison|Hutchison, Yvette]] 1996b. ''Politics and Performance: Theatre, Poetry and Song in Southern Africa'', by [[Gunner, Liz|Liz Gunner]]. Reviewed in: ''South African Theatre Journal'', 10(1):125-126. | ||
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1996c. ''Scars of Conquest/Masks of Resistance : The Invention of Cultural Identities in African, African-American and Caribbean Drama'', by | + | [[Yvette Hutchison|Hutchison, Yvette]] 1996c. ''Scars of Conquest/Masks of Resistance : The Invention of Cultural Identities in African, African-American and Caribbean Drama'', by Tejumola Olaniyan. Reviewed in: ''South African Theatre Journal'', 10(1):126-129. |
[[Yvette Hutchison|Hutchison, Yvette]] 1996d. Theories of drama, theatre and performance in Africa (editorial). ''South African Theatre Journal'', 10(1):1-2. | [[Yvette Hutchison|Hutchison, Yvette]] 1996d. Theories of drama, theatre and performance in Africa (editorial). ''South African Theatre Journal'', 10(1):1-2. | ||
Revision as of 12:43, 14 February 2011
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Hutchison, Yvette 1991. Playabout: Ten One-Act Plays, by Sue Scott and Patrick Delahunty. Reviewed in: South African Theatre Journal, 5(2):113-115.
Hutchison, Yvette 1994a. Learning by Performing Arts: From Indigenous to Endogenous Cultural Development, by Kees Epskamp. Reviewed in: South African Theatre Journal, 8(1):84-87.
Hutchison, Yvette 1994b. Masks today: mediators of a complex reality. South African Theatre Journal, 8(1):45-62.
Hutchison, Yvette 1995a. African Literature in South Africa: Towards a Renaissance Conference, by A. Huismans and R. Marais. Reviewed in: South African Theatre Journal, 9(1):96-99.
Hutchison, Yvette 1995. Plays for Young Africa, (2 volumes), by Pieter Scholtz. Reviewed in: South African Theatre Journal, 9(1):126-128.
Hutchison, Yvette 1996a. “Access to rather than ownership of”: South African theatre history and theory at a crossroads. South African Theatre Journal, 10(1): 35-47.
Hutchison, Yvette 1996b. Politics and Performance: Theatre, Poetry and Song in Southern Africa, by Liz Gunner. Reviewed in: South African Theatre Journal, 10(1):125-126.
Hutchison, Yvette 1996c. Scars of Conquest/Masks of Resistance : The Invention of Cultural Identities in African, African-American and Caribbean Drama, by Tejumola Olaniyan. Reviewed in: South African Theatre Journal, 10(1):126-129.
Hutchison, Yvette 1996d. Theories of drama, theatre and performance in Africa (editorial). South African Theatre Journal, 10(1):1-2.
Hutchison, Yvette 1997. Theatre and Drama in Francophone Africa, by John Conteh-Morgan. Reviewed in: South African Theatre Journal, 11(1&2):290-292.
Hutchison, Yvette 1999a. Black South African Women: An Anthology of Plays, by Kathy A. Perkins. Reviewed in: South African Theatre Journal, 13:206-208.
Hutchison, Yvette 1999b. Memory is a weapon: the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch.
Hutchison, Yvette 1999c. Present trends in South African theatre, in Smit, J.A. (ed.). The Dancing Dwarf From the Land of Spirits. Durban: CSSALL. 119-130.
Hutchison, Yvette 1999d. The seductive dance between history and literature: The Moremi legend by historian Samuel Johnson and playwrights Duro Ladipo and Femi Osofisan. South African Theatre Journal, 13(1&2):32-47.
Hutchison, Yvette 2000. Township Plays, Port Elizabeth Plays and Interior Plays, by Athol Fugard. (3 volumes re-published in 2000). Reviewed in: South African Theatre Journal, 14:225-229.
Hutchison, Yvette 2002a. African Theatre and the Unmaking of Colonial Marginality, by Bhekizizwe Peterson. Reviewed in: South African Theatre Journal, 16:244-247.
Hutchison, Yvette 2002b. Beyond the Echoes of Soweto: Five Plays, by Matsemela Manaka; Born in the RSA: Four Workshopped Plays, by Barney Simon; Ubu and the Truth Commission, by Jane Taylor. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.).; Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. 158-161.
Hutchison, Yvette 2003. Barney Simon: brokering cultural interventions. Contemporary Theatre Review, 13(3): 4-15.
Hutchison, Yvette 2004a. Memory and desire in South Africa: the museum as space for performing cultural identity? In Banham, Martin, Gibbs, James & Osofisan, Femi (eds.). African Theatre: Southern Africa. Oxford: James Currey. p. 51-67.
Hutchison, Yvette 2004b. South African theatre, in Banham, Martin (ed.). A History of Theatre in Africa. Cambridge: Cambridge University Press. 312-379.
Hutchison, Yvette 2005. Truth or bust: consensualising a historic narrative or provoking through theatre. The place of the personal narrative in the Truth and Reconciliation Commission. Contemporary Theatre Review, 15(3):354-362.
Hutchison, Yvette 2008. Theatre, Performance and New Media in Africa, edited by Susan Arndt, Eckhard Breitinger & Marek Spitczok von Brisinski. Reviewed in: South African Theatre Journal, 22:210-211.
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
