Difference between revisions of "ESAT Bibliography P-Pea"
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Paller, Michael 1988. Visions of [[The Road To Mecca|Mecca]]: [[Fugard, Athol|Athol Fugard]]. ''Theater Week'', 1(38):8-13. May 2. | Paller, Michael 1988. Visions of [[The Road To Mecca|Mecca]]: [[Fugard, Athol|Athol Fugard]]. ''Theater Week'', 1(38):8-13. May 2. | ||
| − | Pappageorge, Amy Abbott 1991. South Africa in | + | [[Amy Abbott Pappageorge|Pappageorge, Amy Abbott]] 1991. South Africa in transform ation: a trigger script as an instrument for revolutionary change. Unpublished master’s thesis. Chapel Hill: University of North Carolina. |
| − | Parker, E. 1968. Gilt and velvet [Theatre in Port Elizabeth]. South African Panorama, 13(12): 46-49. | + | [[E. Parker|Parker, E.]] 1968. Gilt and velvet [Theatre in Port Elizabeth]. ''South African Panorama'', 13(12): 46-49. |
| − | Parker, Zoë Ann 2001. Standing up for the nation : an investigation of stand-up comedy in South Africa post-1994, with specific reference to women, power and the body. Unpublished master’s thesis. Durban: University of Natal. | + | [[Zoë Ann Parker|Parker, Zoë Ann]] 2001. Standing up for the nation : an investigation of stand-up comedy in South Africa post-1994, with specific reference to women, power and the body. Unpublished master’s thesis. Durban: University of Natal. |
| − | Parker, Zoë Ann 2002. Standing up for the nation: An inverstigation of stand-up comedy in South Africa post-1994 with specific reference to women’s power and the body. South African Theatre Journal, 16:8-29. | + | [[Zoë Ann Parker|Parker, Zoë Ann]] 2002. Standing up for the nation: An inverstigation of stand-up comedy in South Africa post-1994 with specific reference to women’s power and the body. ''South African Theatre Journal'', 16:8-29. |
| − | Parr, T. & Hahn, C. 1977a. Some thoughts on a deadly theatre. Speak, 1(1):22-25. December. | + | [[T. Parr|Parr, T.]] & [[C. Hahn|Hahn, C.]] 1977a. Some thoughts on a deadly theatre. ''Speak'', 1(1):22-25. December. |
| − | Parr, T. & Hahn, C. 1977b. Some thoughts on a deadly theatre. Discussion. Speak, 1(3):18-20. May-June. | + | [[T. Parr|Parr, T.]] & [[C. Hahn|Hahn, C.]] 1977b. Some thoughts on a deadly theatre. Discussion. ''Speak'', 1(3):18-20. May-June. |
| − | Partridge, A.C. 1978. Actor and audience. Scenaria, (8):30-31. | + | [[A.C. Partridge|Partridge, A.C.]] 1978. Actor and audience. ''Scenaria'', (8):30-31. |
| − | Partridge, A. 1978. Modern theatre – introduction: the imponderables and the producer. Scenaria, (8):38-39 | + | [[A. Partridge|Partridge, A.]] 1978. Modern theatre – introduction: the imponderables and the producer. ''Scenaria'', (8):38-39 |
| − | Pascal, Julia et al. 1984. Black dog. [collection of newspaper reviews for | + | Pascal, Julia et al. 1984. Black dog. [collection of newspaper reviews for [[Simon, BarneyBarney Simon]]’s play]. ''London Theatre Record'', 4(18):757. Aug. 27. |
Pearce Brian 1997. A Shakespeare adaptation at the Courtyard theatre. Shakespeare in Southern Africa, 10:72. | Pearce Brian 1997. A Shakespeare adaptation at the Courtyard theatre. Shakespeare in Southern Africa, 10:72. | ||
Revision as of 10:43, 14 February 2011
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz
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P.G. du Plessis. 1985. Taalgenoot, 54(11):18.
PACOFS’s Black Theatre Company – the Kopano Group. 1988. Scenaria, (88): 25-26.
PACT 1972 Decade. Pretoria: PACT
Die Paddas (The Frogs): a Greek comedy by Aristophanes. 1977. Scenaria, August/September: 35.
Pakendorf, Gunther 1994. Dubbele siening; Trits, deur Reza de Wet. Reviewed in: New Contrast, 22/4:109.
Pakendorf, Gunther 1997. Opperman se apokaliptiese geskiedenisstuk: Donkerland. New Contrast, 25(4):109.
Paller, Michael 1988. Visions of Mecca: Athol Fugard. Theater Week, 1(38):8-13. May 2.
Pappageorge, Amy Abbott 1991. South Africa in transform ation: a trigger script as an instrument for revolutionary change. Unpublished master’s thesis. Chapel Hill: University of North Carolina.
Parker, E. 1968. Gilt and velvet [Theatre in Port Elizabeth]. South African Panorama, 13(12): 46-49.
Parker, Zoë Ann 2001. Standing up for the nation : an investigation of stand-up comedy in South Africa post-1994, with specific reference to women, power and the body. Unpublished master’s thesis. Durban: University of Natal.
Parker, Zoë Ann 2002. Standing up for the nation: An inverstigation of stand-up comedy in South Africa post-1994 with specific reference to women’s power and the body. South African Theatre Journal, 16:8-29.
Parr, T. & Hahn, C. 1977a. Some thoughts on a deadly theatre. Speak, 1(1):22-25. December.
Parr, T. & Hahn, C. 1977b. Some thoughts on a deadly theatre. Discussion. Speak, 1(3):18-20. May-June.
Partridge, A.C. 1978. Actor and audience. Scenaria, (8):30-31.
Partridge, A. 1978. Modern theatre – introduction: the imponderables and the producer. Scenaria, (8):38-39
Pascal, Julia et al. 1984. Black dog. [collection of newspaper reviews for Simon, BarneyBarney Simon’s play]. London Theatre Record, 4(18):757. Aug. 27.
Pearce Brian 1997. A Shakespeare adaptation at the Courtyard theatre. Shakespeare in Southern Africa, 10:72.
Pearce Brian 1998a. Antony and Cleopatra at the Elizabeth Sneddon Theatre. Shakespeare in Southern Africa, 11:58.
Pearce, Brian 1998b. The director and the South African theatre. South African Theatre Journal, 12(1&2):203-207.
Pearce, Brian 2000, Fifty years of drama at the University of Natal. South African Theatre Journal, 14:99-201.
Pearce Brian 2001a. Editorial (Why study Shakespeare in South Africa?). Shakespeare in Southern Africa. 13:iii.
Pearce, Brian. 2001b. Elizabeth Sneddon. Shakespeare in Southern Africa, 13:100.-101.
Pearce, Brian 2001c. Life copying art: Performance as a means of inverting racial and social stereotypes. South African Theatre Journal, 15:61-168.
Pearce Brian 2002a. Editorial. Shakespeare in Southern Africa, 14:iii.
Pearce, Brian 2002b. Interview with Pieter Scholtz, 17 March 2002. Shakespeare in Southern Africa, 14:33-42.
Pearce, Brian 2003a. Editorial. Shakespeare in Southern Africa, 15:iii.
Pearce, Brian 2003b. Prospero's African magic: a post-colonial production of The Tempest. Shakespeare in Southern Africa, 15:39-45.
Pearce, Brian 2003c. Reflections on theatre criticism. South African Theatre Journal, 17:245-252.
Pearce, Brian 2003d. Twelfth Night directed by Paige Newmark for the Rhodes University Drama Department, presented at Kingswood College, 28th June 2003. Shakespeare in Southern Africa, 15:103.
Pearce, Brian 2004. "Editorial." Shakespeare in Southern Africa, Jan. 2004: 1.
Pearce, Brian 2005. Obituary: Elizabeth Sneddon. Shakespeare in Southern Africa, 17:
Pearce, Brian 2006. Twelfth Night. Shakespeare in Southern Africa, 18:64-66.
Pearce, Brian 2007. Hamlet/Hamlet deconstructed. Shakespeare in Southern Africa, 19:82-83.
Pearce, Brian 2009. Coriolanus, Debbie Lutge: theatre review. Shakespeare in Southern Africa, 21(1): 3-84.
Pearlman, E. 1997. The ‘unity of character’ and Shakespeare’s two Caskas. Shakespeare in Southern Africa, 10:1-12.
Pearson, N. 1967. Subject or child? : book review. Transvaal Educational News, 63(5): 11.
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
