Difference between revisions of "Lovers' Vows"
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| − | ''[[Lovers' Vows]]'' is a | + | ''[[Lovers' Vows]]'' is a play by Elizabeth Inchbald (1753–1821)[https://en.wikipedia.org/wiki/Elizabeth_Inchbald]. |
| − | |||
== The original text == | == The original text == | ||
| − | + | The play is infact not original, but an English translation and adaptation of the German play ''[[Das Kind der Liebe]]'' ("The love-child") by August Friedrich Ferdinand von Kotzebue (1761-1819)[https://en.wikipedia.org/wiki/August_von_Kotzebue]. | |
| + | In 1798, Elizabeth Inchbald adapted Kotzebue’s play for the Theatre-Royal at Covent Garden, apparently from what she styled "a literal translation". The play opened at Covent Garden on Thursday, 11 October 1798 and ran for forty-two nights. A very successful play in its time, it is arguably best known today for having been featured in Jane Austen's novel ''Mansfield Park'' (1814). | ||
| − | It was in fact one of at least four [[English]] adaptations of August von Kotzebue's play, all of which were published between 1798 and 1800: ''[[Lovers' Vows]]'' by Elizabeth Inchbald (1798); ''[[The Natural Son]]'' by Anne Plumptre (1798); ''[[Lovers’ Vows; or, The Natural Son]]'' by Benjamin Thompson (1800); ''[[Lovers’ Vows, or The Child of Love]]'' by Stephen Porter (1798). Elizabeth Inchbald's version appears to have been the first performed (Covent Garden, 1798) and | + | It was in fact one of at least four [[English]] adaptations of August von Kotzebue's play, all of which were published between 1798 and 1800: ''[[Lovers' Vows]]'' by Elizabeth Inchbald (1798); ''[[The Natural Son]]'' by Anne Plumptre (1798); ''[[Lovers’ Vows; or, The Natural Son]]'' by Benjamin Thompson (1800); ''[[Lovers’ Vows, or The Child of Love]]'' by Stephen Porter (1798). Elizabeth Inchbald's version appears to have been the first performed (Covent Garden, 1798) and the only English version performed in London at the time, though the other texts were also used later (e.g. Ms Plumptre's play was apparently done in New York under the title ''[[Lovers' Vows]]'' on November 22,1799). |
The Inchbald version caused some controversy in 1798 because of her apparent "censorship" of the original German version, an issue reflected in the critical role the play has in the Austen novel. It is a matter still being debated today. (See for example recent articles by Bode, 2005, and Ford, 2006.) | The Inchbald version caused some controversy in 1798 because of her apparent "censorship" of the original German version, an issue reflected in the critical role the play has in the Austen novel. It is a matter still being debated today. (See for example recent articles by Bode, 2005, and Ford, 2006.) | ||
Revision as of 05:22, 18 April 2017
Lovers' Vows is a play by Elizabeth Inchbald (1753–1821)[1].
The original text
The play is infact not original, but an English translation and adaptation of the German play Das Kind der Liebe ("The love-child") by August Friedrich Ferdinand von Kotzebue (1761-1819)[2].
In 1798, Elizabeth Inchbald adapted Kotzebue’s play for the Theatre-Royal at Covent Garden, apparently from what she styled "a literal translation". The play opened at Covent Garden on Thursday, 11 October 1798 and ran for forty-two nights. A very successful play in its time, it is arguably best known today for having been featured in Jane Austen's novel Mansfield Park (1814).
It was in fact one of at least four English adaptations of August von Kotzebue's play, all of which were published between 1798 and 1800: Lovers' Vows by Elizabeth Inchbald (1798); The Natural Son by Anne Plumptre (1798); Lovers’ Vows; or, The Natural Son by Benjamin Thompson (1800); Lovers’ Vows, or The Child of Love by Stephen Porter (1798). Elizabeth Inchbald's version appears to have been the first performed (Covent Garden, 1798) and the only English version performed in London at the time, though the other texts were also used later (e.g. Ms Plumptre's play was apparently done in New York under the title Lovers' Vows on November 22,1799).
The Inchbald version caused some controversy in 1798 because of her apparent "censorship" of the original German version, an issue reflected in the critical role the play has in the Austen novel. It is a matter still being debated today. (See for example recent articles by Bode, 2005, and Ford, 2006.)
See also the entry on Das Kind der Liebe
Performances in South Africa
1811: Presented in Cape Town on 27 July by the Garrison Players in the African Theatre, with Raising the Wind (Kenney) as afterpiece. Lt Col Dennis and Lt Prescott signed themselves as "Directors" for the evening.
1812: A performance planned in the African Theatre, Cape Town by the Garrison Players on 17 August, but is postponed to some unknown date.
1818: Presented in Cape Town on 31 January by the Gentlemen Amateurs in the African Theatre, with Mr Cooke, Miss Williams and Mrs Cooke in the leading roles. The afterpiece was No Song, No Supper (Prince Hoare), again starring Mrs Cooke.
1824: Presented in Cape Town on 12 June by the English Theatricals in the African Theatre, with The Irish Widow (Garrick) as afterpiece.
1826: Presented in Cape Town on 6 May by the English Theatricals in the African Theatre, with The Jew and the Doctor (Dibdin) as afterpiece.
Sources
Facsimile text of Lovers' Vows (Neal & Mackenzie, 1829 edition)[3]
http://en.wikipedia.org/wiki/Lovers'_Vows
http://en.wikipedia.org/wiki/Elizabeth_Inchbald
https://en.wikipedia.org/wiki/August_von_Kotzebue
Theatrical Register in The Monthly Magazine, and American Review, Volume 2 (1800): p. 143[4]
Christoph Bode 2005. "Unfit for an English Stage? Inchbald’s Lovers' Vows and Kotzebue’s Das Kind der Liebe." European Romantic Review 16: 297-309.
Susan Allen Ford "'It is about Lovers’ Vows': Kotzebue, Inchbald, and the Players of Mansfield Park". Persuasions On-line (Vol.27, No.1 - Winter 2006)[5]
F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [6]: pp. 142, 198-199,
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