Difference between revisions of "Kene Igweonu"

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interest in actor and performance training, directing, black British theatre, theatre and performance in Africa and its Diasporas, as well as cultural and performance theory.  
 
interest in actor and performance training, directing, black British theatre, theatre and performance in Africa and its Diasporas, as well as cultural and performance theory.  
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He was the founding chair of the [[African Theatre working Group]] of the [[IFTR]]
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==Contribution to SA theatre, film, media and/or performance==
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He serves on the editorial board of the ''[[South African Theatre Journal]]''
 
He serves on the editorial board of the ''[[South African Theatre Journal]]''
  
== Training ==
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Editor of ''[[Trends in Twenty-First-Century African Theatre and Performance]]'' and author of
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== Career ==
 
  
  
==Contribution to SA theatre, film, media and/or performance==
 
  
  
== Awards, etc ==
 
  
 
== Sources ==
 
== Sources ==

Revision as of 07:55, 17 April 2017

Kene Igweonu (19**-19**) is an academic, specialising in African theatre.


Biography

I have a doctorate in drama and theatre from Royal Holloway, University of London, a postgraduate certificate in teaching (HE) also from Royal Holloway and an honours degree in performing arts from the University of Ilorin. I am a Fellow of the Higher Education Academy and a qualified practitioner of the Feldenkrais Method. Before joining Christ Church, I was founding Coordinator of the Centre for Innovative Performance Practice and Research at University of Wales Trinity Saint David (Swansea Metropolitan). I have also taught at Royal Holloway and University of Benin.

Principal Lecturer and Faculty Director of Knowledge, School of Music and Performing Arts, Cant

interest in actor and performance training, directing, black British theatre, theatre and performance in Africa and its Diasporas, as well as cultural and performance theory.

He was the founding chair of the African Theatre working Group of the IFTR



Contribution to SA theatre, film, media and/or performance

He serves on the editorial board of the South African Theatre Journal

Editor of Trends in Twenty-First-Century African Theatre and Performance and author of





Sources

Go to the ESAT Bibliography

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