Difference between revisions of "Ben Dehaeck"
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==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | He and his family came to South Africa in 1965 at the behest of [[Fred Engelen]], to work as a drama lecturer at the [[University of Stellenbosch]], initially for two years, but he ultimately remained at the Department of Drama till 1987. | + | He and his family came to South Africa in 1965 at the behest of [[Fred Engelen]], to work as a drama lecturer at the [[University of Stellenbosch]], initially for two years, but he ultimately remained at the Department of Drama till 1987. An immensely energetic and creative lecturer, actor, director and guide, he inspired two generations of students, particularly with his interests in the absurdist theatre, puppetry and improvisational work. In this period he also began to write original plays and do numerous translations. |
founder and director of the [[Breughel Theatre|Breughel Theatre Group]]. | founder and director of the [[Breughel Theatre|Breughel Theatre Group]]. | ||
Revision as of 11:28, 26 November 2016
Ben Dehaeck (1922-) is a lawyer, property owner, mime artist, puppeteer, theatre manager, actor, director, playwright, lecturer Also written Ben de Haeck, Benoni Dehaeck, Benoni de Haeck.
Contents
Biography
Born Benoni Dehaeck in Roebrugge-Haringhe on 29 December 1922, the son of a baker. He trained as lawyer at Katholieke Universiteit van Leuven, then worked as an advocate in Ghent from 1950 till 1964, but as a passionate lover of theatre, poetry and philosophy, he actively participated in theatre and poetry readings in the city.
He met and married Jesje in 195* and the couple had * children.
Contribution to SA theatre, film, media and/or performance
He and his family came to South Africa in 1965 at the behest of Fred Engelen, to work as a drama lecturer at the University of Stellenbosch, initially for two years, but he ultimately remained at the Department of Drama till 1987. An immensely energetic and creative lecturer, actor, director and guide, he inspired two generations of students, particularly with his interests in the absurdist theatre, puppetry and improvisational work. In this period he also began to write original plays and do numerous translations.
founder and director of the Breughel Theatre Group.
(29/12/1922 - ) Belgium born lawyer, property owner, actor, mime artist, puppeteer, director, playwright, lecturer in the University of Stellenbosch, Department of Drama (1965 – 1987), founder and director of the Breughel Theatre Group.
Author of plays such as Die Ballade van Rama en Mara (first performance 1975); Lucy Strata (Joint winner at the Kellerprinz-Drama Festival, 1986), Die Koningin en die Nar (1987 ATKV Kampustoneel and H.B. Thom Theatre); Commedia Rituale (1991 ATKV Kampustoneel and Breughel Theatre); Die Wraak van Ex-koningin Bobbit (1994, awarded best youth drama in Afrikaans by the Department of Education and Culture in the Western Cape); Die Gangsters (1997, toured Belgium); Die Komiese Danser (1999).
Performed leading roles in many H.B. Thom productions such as Macbeth (1967, directed by Fred Engelen); Legende van die Liefde (1979, directed by Ria Olivier); Germanicus (1971, directed by Ria Olivier); Die Streke van Reinaard die Vos (1977, directed by Herman Pretorius); Noag (1979, directed by Jannie Gildenhuys).
Directed H.B. Thom productions such as Yerma (1966); Koning Ubu (1968); Die Jakkalsstreke van Scapino (1986). For the Libertas Theatre Club he performed in Ionesco's The Lesson (1975). Directed many productions for the Breughel Theatre, including a number of his own works (see above). Received a Vita Award in 1990 for his contribution to drama training and community theatre in the Western Cape and a Fleur du Cap Lifetime Award in 1997 for the same reason.
(See also Breughel Theatre Group.)
Awards, etc
Vita Award Lifetime Achievement in Theatre
Woordfees Award for Lifetime Achievement 2016
Sources
Erns Grundlingh[1]. 2016. "Applous vir 'n Legende". Stellenbosch Visio, Autumn 2016: pp. 92-95.
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