Difference between revisions of "Woyzeck on the Highveld"
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The play comments on South Africa at the start of the 1990s through a multi-layered structure taking place on three levels: the rear-projected animation of filmed charcoal drawings and ink-drawn shadow puppets, the roughly carved wooden rod puppets in front of the screen, each manipulated by four puppeteers, and a live actor. The distance between the inner world as projected on the screen and the action on stage forms the thin line between Woyzeck's twisted dream and reality. | The play comments on South Africa at the start of the 1990s through a multi-layered structure taking place on three levels: the rear-projected animation of filmed charcoal drawings and ink-drawn shadow puppets, the roughly carved wooden rod puppets in front of the screen, each manipulated by four puppeteers, and a live actor. The distance between the inner world as projected on the screen and the action on stage forms the thin line between Woyzeck's twisted dream and reality. | ||
| − | + | After opening in 1992, the play went on to tour the world for years. After appearing in Israel in 1996, the puppets were sold to the Munich City Museum’s puppet collection. However they | |
| − | + | The text published in | |
| − | + | ==Translations and adaptations== | |
| − | Return to [[ | + | == Performance history in South Africa == |
| − | + | ||
| − | Return to [[ | + | 1992: The play opened at the [[Grahamstown Festival]], with [[Adrian Kohler]], [[Basil Jones]], [[Louis Seboko]], [[Busie Zokufa]] and [[Tale Motsepe]] as puppeteers, |
| + | |||
| + | 1992: The production played at the [[Market Theatre]] and at the [[Baxter Theatre]]. | ||
| + | |||
| + | 1996: The production was presented during the Israel Festival, Jerusalem at the Rebecca Crown Auditorium, May 31 - June 2. Later the puppets were sold to the Munich City Museum's puppet collection. | ||
| + | |||
| + | 2008: The puppets were borrowed from Munich City Museum for a revival for the UNIMA Festival in Perth, Australia, with [[Mncedisi Shabangu]] taking Motsepe’s place. This also played in South Africa | ||
| + | |||
| + | == Sources == | ||
| + | |||
| + | The [[Handspring Puppet Company]] website[http://www.handspringpuppet.co.za/handspring-productions/woyzeck-on-the-highveld/] | ||
| + | |||
| + | Go to [[ESAT Bibliography]] | ||
| + | |||
| + | == Return to == | ||
| + | |||
| + | Return to [[PLAYS I: Original SA plays]] | ||
| + | |||
| + | Return to [[PLAYS II: Foreign plays]] | ||
| + | |||
| + | Return to [[PLAYS III: Collections]] | ||
| + | |||
| + | Return to [[PLAYS IV: Pageants and public performances]] | ||
| + | |||
| + | Return to [[South_African_Festivals|South African Festivals and Competitions]] | ||
| + | |||
| + | Return to [[South_African_Radio/Plays|South African Radio Plays and Serials]] | ||
| + | |||
| + | Return to [[South_African_Television/Plays|South African Television Plays and Series]] | ||
| + | |||
| + | Return to [[South_African_Films]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Revision as of 07:00, 28 April 2023
Woyzeck on the Highveld is a collaborative theatre production by William Kentridge () and the Handspring Puppet Company.
Contents
The original text
This is a major adaptation of Georg Büchner's unfinished play Woyzeck and was undertaken as the first collaborative theatre project by artist William Kentridge and the Handspring Puppet Company.
The play comments on South Africa at the start of the 1990s through a multi-layered structure taking place on three levels: the rear-projected animation of filmed charcoal drawings and ink-drawn shadow puppets, the roughly carved wooden rod puppets in front of the screen, each manipulated by four puppeteers, and a live actor. The distance between the inner world as projected on the screen and the action on stage forms the thin line between Woyzeck's twisted dream and reality.
After opening in 1992, the play went on to tour the world for years. After appearing in Israel in 1996, the puppets were sold to the Munich City Museum’s puppet collection. However they
The text published in
Translations and adaptations
Performance history in South Africa
1992: The play opened at the Grahamstown Festival, with Adrian Kohler, Basil Jones, Louis Seboko, Busie Zokufa and Tale Motsepe as puppeteers,
1992: The production played at the Market Theatre and at the Baxter Theatre.
1996: The production was presented during the Israel Festival, Jerusalem at the Rebecca Crown Auditorium, May 31 - June 2. Later the puppets were sold to the Munich City Museum's puppet collection.
2008: The puppets were borrowed from Munich City Museum for a revival for the UNIMA Festival in Perth, Australia, with Mncedisi Shabangu taking Motsepe’s place. This also played in South Africa
Sources
The Handspring Puppet Company website[1]
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to South African Radio Plays and Serials
Return to South African Television Plays and Series
Return to South_African_Films
Return to The ESAT Entries
Return to Main Page
