Difference between revisions of "Mario Schiess"
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He worked in South African theatre and film from the early 1970's. He had a strong interest in Jung, and used the psychologist's theories as the basis of his work with actors. | He worked in South African theatre and film from the early 1970's. He had a strong interest in Jung, and used the psychologist's theories as the basis of his work with actors. | ||
| − | His most memorable achievement was perhaps | + | His most memorable achievement as translator and director was perhaps Kafka's ''[[Report to an Academy]]'', which he had translated from the German, adapted for the stage and directed with [[Marius Weyers]]. It opened at [[The Laager]] in 1979, and would go on to play across the country and internationally. |
| − | He directed ''[[Die Amerikanische Päpstin|Pous Johanna II]]'' (Vilar), ''[[Miracle Man]]'', ''[[Woman Alone]]'', ''[[The Colossus of Brooklyn]]'', ''[[Appassionata]]'', ''[[My Son, My Son]]'' | + | He also directed ''[[The Glass Menagerie]]'' (1971), ''[[Die Amerikanische Päpstin|Pous Johanna II]]'' (Vilar), ''[[Miracle Man]]'', ''[[Woman Alone]]'', ''[[The Colossus of Brooklyn]]'', ''[[Appassionata]]'', ''[[My Son, My Son]]'' and an [[Afrikaans]] translation of ''[[Equus]]'' [[Upstairs at the Market]] (1978). |
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| − | + | He directed Schiess wrote at least ten plays, among others ''[[Nemesis]]'', ''[[Iscariot]]'', ''[[The Chosen]]'', ''[[Charade]]'', ''[[Easter Bells]]'', a play for two, ''[[The Revenge]]'', ''[[Encounters at Midnight]]''. | |
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| + | He also directed some South African feature films, including: ''[[Die Vervlakste Tweeling]]'' (1969), with [[Marius Weyers]], [[Jana Cilliers]], [[Bill Brewer]] and others; ''[[Onwettige Huwelik]]'' (1970), with [[Marius Weyers]], [[Pieter Geldenhuys]], [[Enone van den Bergh]] and others; ''[[Bait]]'' (1974), with [[Marius Weyers]], [[Richard Loring]], [[Diane Ridler]] and others; | ||
[TH, JH] | [TH, JH] | ||
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== Sources == | == Sources == | ||
Revision as of 09:17, 23 September 2018
Mario Schiess (1933-1998) was quantity surveyor, playwright, translator, theatre and film director and producer.
Contents
Biography
Born and raised in Switzerland, he emigrated to South Africa to practice as a quantity surveyor in Pretoria.
Training
Career
Contribution to SA theatre, film, media and/or performance
He worked in South African theatre and film from the early 1970's. He had a strong interest in Jung, and used the psychologist's theories as the basis of his work with actors.
His most memorable achievement as translator and director was perhaps Kafka's Report to an Academy, which he had translated from the German, adapted for the stage and directed with Marius Weyers. It opened at The Laager in 1979, and would go on to play across the country and internationally.
He also directed The Glass Menagerie (1971), Pous Johanna II (Vilar), Miracle Man, Woman Alone, The Colossus of Brooklyn, Appassionata, My Son, My Son and an Afrikaans translation of Equus Upstairs at the Market (1978).
He directed Schiess wrote at least ten plays, among others Nemesis, Iscariot, The Chosen, Charade, Easter Bells, a play for two, The Revenge, Encounters at Midnight.
He also directed some South African feature films, including: Die Vervlakste Tweeling (1969), with Marius Weyers, Jana Cilliers, Bill Brewer and others; Onwettige Huwelik (1970), with Marius Weyers, Pieter Geldenhuys, Enone van den Bergh and others; Bait (1974), with Marius Weyers, Richard Loring, Diane Ridler and others;
[TH, JH]
Sources
See Gosher, 1988
National Arts Festival programme, 1990.
Correspondence with Michèle Schiess, his daughter. (2 June, 2018)
Commentary by Paul Boekkooi, cited in a draft article on Reza de Wet (2018), based on an unpublished interview with Schiess, which he had done in 1989.
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