Difference between revisions of "Frank Staff"

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(1918-1971) Influential ballet dancer and choreographer. Born in Kimberley, he left the country to work internationally for Ballet Rambert, Sadler's Wells, the Metropolitan Ballet  and other companies. Returned in 1955 to found The South African Ballet for which he choreographed 15 dances. His most notable work in terms of theatre history is his works based on South African stories and works and became a precursor of the influential modern dance and physical theatre movements which developed to full strength in the late 1980s. His seminal versions of N.P. van Wyk Louw's poem ''Raka'' and the narrative of the Rain Queen were filmed.  STAFF, Frank. Dancer and choreographer. Married to [[Heather Lloyd-Jones]]. Later divorced. He did the choreography for the hit musical comedy ''[[Irma la Douce]]'', staged by the [[Brooke]] company in 1960, starring [[Heather Lloyd-Jones]], [[Siegfried Mynhardt]], [[John Whiteley]] and [[Robert Haber]]. It toured all the major cities and the Rhodesias. He did choreography for [[Brian Brooke]] and [[John Kavan]]’s co-directed show, ''[[The Minstrel Show]]'', which they stage in 1966.  
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[[Frank Staff]] (1918-1971) was an influential ballet dancer, choreographer, producer and company director.  
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== Biography ==
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Born in Kimberley, he left the country to work internationally for Ballet Rambert, Sadler's Wells, the Metropolitan Ballet  and other companies.
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He was married four times, to Elisabeth Schooling, Jaqueline St. Clere, [[Heather Lloyd-Jones]] and [[Veronica Paeper]], and had a son by each of the wives.
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==Contribution to SA theatre, film, media and/or performance==
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He returned in 1955 to found [[The South African Ballet]] for which he choreographed 15 dances, and worked for the Perfoming Arts Councils (inter alia [[PACOFS]]) and for private companies.
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An investigation into Staff's choreographic contribution to [[Leslie French]]'s 1956 Johannesburg production of ''[[The Tempest]]'' as well as Staff's early involvement with [[Brian Brooke]]'s musical theatre encapsulates his important contribution to South African musical theatre, which was a major interest throughout his life. 1957 was the most important and prolific period for Staff.
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His most notable work in terms of theatre history is his works based on South African stories and works and became a precursor of the influential modern dance and physical theatre movements which developed to full strength in the late 1980s. Prominent among these were his seminal versions of [[N.P. van Wyk Louw]]'s poem ''[[Raka]]'' and the narrative of ''The Rain Queen''. Both performances were also filmed.   
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Other stage productions choreographed by Staff include the choreography for Brian Brooke's ''[[Irma la Douce]]'' (1960) and [[Brian Brooke]] and [[John Kavan]]’s ''[[The Minstrel Show]]'' (1966).  
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Lighting and choreography for ''[[Platonic Nymph]]'' (1960);  musical staging and choreography for ''[[How to Succeed in Business Without Really Trying]]'' (1965).
  
 
== Sources ==  
 
== Sources ==  
Tucker, 1997
 
  
Return to [[ESAT Personalities S]]
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Programme, ''[[Raka]]'', [[Cape Town City Ballet]], [[KKNK]], April,
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Wikipedia [https://en.wikipedia.org/wiki/Frank_Staff].
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[[ESAT Bibliography Tra-Tz|Tucker]], 1997.
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G. Rosen's 1999 [[UCT]] Ph.D.
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''[[The Rand Daily Mail]]'', 18 June 1957.
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Go to [[ESAT Bibliography]]
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== Return to ==
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Return to [[ESAT Personalities S]]
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Return to [[South_African_Theatre/Personalities|South African Theatre
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Personalities]]
  
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
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Return to [[The ESAT Entries]]
  
 
Return to [[Main Page]]
 
Return to [[Main Page]]

Latest revision as of 11:28, 10 August 2022

Frank Staff (1918-1971) was an influential ballet dancer, choreographer, producer and company director.

Biography

Born in Kimberley, he left the country to work internationally for Ballet Rambert, Sadler's Wells, the Metropolitan Ballet and other companies.

He was married four times, to Elisabeth Schooling, Jaqueline St. Clere, Heather Lloyd-Jones and Veronica Paeper, and had a son by each of the wives.

Contribution to SA theatre, film, media and/or performance

He returned in 1955 to found The South African Ballet for which he choreographed 15 dances, and worked for the Perfoming Arts Councils (inter alia PACOFS) and for private companies.

An investigation into Staff's choreographic contribution to Leslie French's 1956 Johannesburg production of The Tempest as well as Staff's early involvement with Brian Brooke's musical theatre encapsulates his important contribution to South African musical theatre, which was a major interest throughout his life. 1957 was the most important and prolific period for Staff.

His most notable work in terms of theatre history is his works based on South African stories and works and became a precursor of the influential modern dance and physical theatre movements which developed to full strength in the late 1980s. Prominent among these were his seminal versions of N.P. van Wyk Louw's poem Raka and the narrative of The Rain Queen. Both performances were also filmed.

Other stage productions choreographed by Staff include the choreography for Brian Brooke's Irma la Douce (1960) and Brian Brooke and John Kavan’s The Minstrel Show (1966).

Lighting and choreography for Platonic Nymph (1960); musical staging and choreography for How to Succeed in Business Without Really Trying (1965).

Sources

Programme, Raka, Cape Town City Ballet, KKNK, April,

Wikipedia [1].

Tucker, 1997.

G. Rosen's 1999 UCT Ph.D.

The Rand Daily Mail, 18 June 1957.

Go to ESAT Bibliography

Return to

Return to ESAT Personalities S

Return to South African Theatre Personalities

Return to The ESAT Entries

Return to Main Page