Difference between revisions of "ESAT Bibliography Sti-Suz"

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[[Amori Stols|Stols, Amori]] 2013. Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensoriëntering. Unpublished master's thesis. Stellenbosch: [[Stellenbosch University]].
 
[[Amori Stols|Stols, Amori]] 2013. Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensoriëntering. Unpublished master's thesis. Stellenbosch: [[Stellenbosch University]].
  
[[Christélle Stoltz|Stoltz, Christélle]] 2000. Die relevansie van sangvaardighede as deel van die akteur se stem- en spraakopleiding. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.  
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[[Christélle Stoltz|Stoltz, Christélle]] 2000. Die relevansie van sangvaardighede as deel van die akteur se stem- en spraakopleiding. Unpublished master’s thesis. Stellenbosch: [[University of Stellenbosch]].  
  
 
[[Clare Stopford|Stopford, Clare]] & [[Anton Krueger|Krueger, Anton]] 2006. Intuition/intellect - sex/sensibility. ''[[South African Theatre Journal]]'', 20:233-251.
 
[[Clare Stopford|Stopford, Clare]] & [[Anton Krueger|Krueger, Anton]] 2006. Intuition/intellect - sex/sensibility. ''[[South African Theatre Journal]]'', 20:233-251.
  
[[Lourens Daniel Marthinus Stopforth|Stopforth, Lourens Daniel Marthinus]] 1955. Drama in South Africa, 1925-1955 :a critical survey. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
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[[Lourens Daniel Marthinus Stopforth|Stopforth, Lourens Daniel Marthinus]] 1955. Drama in South Africa, 1925-1955 :a critical survey. Unpublished doctoral dissertation. Potchefstroom: [[Potchefstroom University for Christian Higher Education]].
  
 
''[[Die Storm]]'' [criticism]. 1978. ''[[Scenaria]]'', June/July: 19.
 
''[[Die Storm]]'' [criticism]. 1978. ''[[Scenaria]]'', June/July: 19.

Latest revision as of 19:14, 22 December 2021

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Sa-Saz Sca-Sce Scha Sche-Schn Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

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Stockenström, Wilma 1968. Malaise van die Afrikaanse beroepstoneel: ‘n diagnose. Teater SA, 1(2):6. December.

Stockil, Emily 2008. Development, belonging and change : a study of a community Theatre-for-Development initiative in KwaZulu-Natal. Unpublished master’s thesis. Cape Town: University of Cape Town.

Stodel, Jack 1962. The Audience Is Waiting. Cape Town: Howard Timmins.

Stoloff, C. 1954. Theatre without actresses. (Riebeeck Square, Cape Town). Playtime, 10(99):27. July-August.

Stoloff, C. 1969. How should a theatre be designed? Architect and Builder, 19(9):8-11.

Stols, Amori 2013. Die ontwikkeling van kritiese denke deur die gebruik van drama as onderrigmetode binne die vak Lewensoriëntering. Unpublished master's thesis. Stellenbosch: Stellenbosch University.

Stoltz, Christélle 2000. Die relevansie van sangvaardighede as deel van die akteur se stem- en spraakopleiding. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Stopford, Clare & Krueger, Anton 2006. Intuition/intellect - sex/sensibility. South African Theatre Journal, 20:233-251.

Stopforth, Lourens Daniel Marthinus 1955. Drama in South Africa, 1925-1955 :a critical survey. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.

Die Storm [criticism]. 1978. Scenaria, June/July: 19.

Storrar, Patricia 1968. Beginners Please: A History of Children's Theatre in South Africa. Johannesburg: Children’s Theatre.

Storrar, Patricia 1988. Drama at Ponta Delgada. Johannesburg: Lowry.

Stott, Catherine 1972. Janet Suzman. Guardian, 14 June:11.

Strange Library of Africana 1964. A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg, compiled by Rosemary Ursula Hoffman. Johannesburg : Johannesburg Public Library.

Strausbaugh, John 1989. Mhlope stages Zandile, assumes Market post. American Theatre, 6(1):34-35. (Gcina Mhlope)

Streicher, E. 1979. From market to theatre. South African Panorama, 24(4): 36-39. April.

The strength of South African theatre. 1985. Writers' Ring, (22):28-30.

Strydom, Eunice 1997. Towards a theatre of reconciliation: Athol Fugard's Playland. Unpublished master’s thesis. Bloemfontein: University of the Orange Free State.

Stuart, Constance 1946. “Tempest” by William Shakespeare [produced with a non-European cast in Cape Town]. Libertas. 6(6):47.

Stuart, E. 1967. Magnificent commemoration. Fair Lady, 3(2):10-14. March 22.

Stuart, E. 1996. Bearer of the torch: biography (Elizabeth Sneddon). Vuka, 1(5):11-12.

Südafrikanischer Nationaltheater. 1958. Afrika-Post, 5(1):67.

Sudworth, Jacqueline Claire 1992. An investigation into the integration of western and non-western theatrical and ritualistic techniques in performance. Unpublished master’s thesis. Pietermaritzburg: University of Natal.

SUKOVS – die eerste 10 jaar, 1963-1973. 1973. Lantern, 22(3):2-9. March.

Sutherland, Alexandra 2005. Writing, identity, and change : a narrative case study of the use of journals to promote reflexivity within a Drama Studies curriculum. Unpublished master’s thesis. Grahamstown: Rhodes University.

Sutherland, Alexandra 2007. Writing and performing change: the use of writing journals to promote reflexivity in a Drama Studies curriculum. South African Theatre Journal, 21:109-122.

Suzman, Janet 1978. [Acting and criticism]. Speak, 1(3):29-31. May-June.

Suzman, Janet 1998. South Africa in Othello, in Bate, Jonathan, Levenson, Jill L. & Mehl, Dieter (eds.). Shakespeare and the twentieth century : the selected proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996. Newark : University of Delaware Press. 23-40.


Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schn Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance