Difference between revisions of "ESAT Bibliography Mde-Mes"

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Mduduzi Hlope – an analysis of theme in his plays. Reality, 15(6): 10-12.
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Mdlalose/Nkulumayo, N. 2009. Stories of old revisited. ''South African Labour Bulletin'', 33(1):
  
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Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African theatre journal, 21: 292-306.
+
[[Hlope, Mduduzi|Mduduzi Hlope]]: An analysis of theme in his plays. ''Reality'', 15(6):10-12.
  
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Megan Kruskal. 1985. Scenaria, (52) : 9-12.
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[[Brent Meersman|Meersman, Brent]] 2007. Democracy, capitalism and theatre in the new South Africa. ''[[South African Theatre Journal]]'', 21:292-306.
  
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Meet you at the Natal Playhouse. 1987. Lantern, 36(2): 3-16.
+
[[Megan Kruskal|Kruskal, Megan]]. 1985. ''[[Scenaria]]'', (52):9-12.
  
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Meij, K. 1978. Is Laat die kerse brand te maklik? Klasgids, 13(3-4): 9-10. November.
+
Meet you at the [[Natal Playhouse]]. 1987. ''Lantern'', 36(2):3-16.
  
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Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1): 31-33. June.
+
Meihuizen, N.C.T. 2000. [[Mongane Wally Serote]], in Scanlon, Paul A. (ed.). ''South African Writers''. Detroit: Gale Group. 422-433.
  
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Meiring, E. 1967. Toneel en werklikheid. Tydskrif vir letterkunde, 5(4): 18-21.
+
[[A. Meij|Meij, A.]] 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. ''Kleuterklanke'', 13(1):31-33. June.
  
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Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir letterkunde, 28(4): 111-116.
+
[[K. Meij|Meij, K.]] 1978. Is ''[[Laat die Kerse Brand]]'' te maklik? ''Klasgids'', 13(3-4):9-10. November.
  
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Meiring, Jean. 2002. Afrikaanse kunste en teater ondanks feeste aan’t sterf. In: Die Burger, March 2, 2002: 13.
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[[Eben Meiring|Meiring, Eben]] 1967. Toneel en werklikheid. ''[[Tydskrif vir Letterkunde]]'', 5(4):18-21.
  
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Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair lady, 16(7): 98-102. November 5.
+
[[E. Meiring|Meiring, E.]] 1990. Beckett en [[Athol Fugard|Fugard]]: ''Waiting for Godot'' en ''[[Boesman and Lena]]''. ''[[Tydskrif vir Letterkunde]]'', 28(4):111-116.
  
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Meiring, Martie. 1998. Fees, feestelik, feesteliker. Insig, 09/98: 46.
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[[M. Meiring|Meiring, M.]] 1980. [[Katinka Heyns]]: activist, innovator and perfectionist. ''Fair Lady'', 16(7):98-102. November 5.
  
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Melpomene, pseud. 1952a. Theatre at the crossroad. Trek, 16(6): 17.
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[[Martie Meiring|Meiring, Martie]] 1998. Fees, feestelik, feesteliker. ''Insig'', 09/98:46.
  
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Melpomene, pseud. 1952b. Theatre and economics. Trek, 16(8): 7.  
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Melpomene, pseud. 1950. The theatre world: review of 1950. ''Trek'', 14(12):39.
  
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Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.
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Melpomene, pseud. 1952a. The standard of theatre: Cape Town theatre. ''Trek'', 16(3):18.
  
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Memela, Sandile. 1995. Life in jail is no fun, honest: play exposes brutality and waste in prisons. In: City Press, June 25, 1995: 34.
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Melpomene, pseud. 1952b. Theatre at the crossroad. ''Trek'', 16(6):17.
  
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Memela, Sandile. 1995a. Change rolls in at arts council. In: City Press, November 5, 1995: 5.
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Melpomene, pseud. 1952c. Theatre and economics. ''Trek'', 16(8):7.  
  
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Memela, Sandile. 1996. Chilling exposé of an all-too-common marital violence. In: City Press, August 11, 1996: 27.
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Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). ''Speak'', 1(2): 48-49.
  
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Memela, Sandile. 1997. The agony of a queue – when waiting means survival. In: City Press, January 19, 1997: 24.
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[[Janis Merand|Merand, Janis]] 1991. An evaluation of the 1989 popular theatre training programme run by the [[Community Arts Project]]. Unpublished honour’s thesis. Cape Town: University of Cape Town.
  
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Memela, Sandile. 2000a. Memoir glosses over apartheid: production fails to capture realities of the past. In: Sowetan Sunday World, June 4, 2000: 4.
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[[Peter Merrington|Merrington, Peter]] 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995.
  
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Memela, Sandile. 2000b. Broken promises of the liberators. In: Sowetan Sunday World, June 18, 2000: 4.
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[[Peter Merrington|Merrington, Peter]] 1995. ‘Pageantry and Primitivism’: [[Dorothea Fairbridge]] and the Aesthetics of Union. ''Journal of Southern African Studies'', 21:4.
  
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Memela, Sandile. 2000c. Aiming to heal old wounds. In: Sowetan Sunday World, June 18, 2000: 6.
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[[Peter Merrington|Merrington, Peter]] 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in [[Loes Nas|Nas, Loes]]& [[Hermann Wittenberg|Wittenberg, Hermann]] (eds.). ''AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996''.  
  
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Memela, Sandile. 2000d. Portraying black men as brutes. In: Sowetan Sunday World, July 23, 2000: 3.
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[[Peter Merrington|Merrington, Peter]] 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. ''Theatre Journal'', 19(1):1-14.
  
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Memela, Sandile. 2001. Taking stock of SA’s new rulers. In: City Press, November 4, 2001: 20.
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[[Peter Merrington|Merrington, Peter]] 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). ''Literature of Region and Nation: Proceedings of the 6th International  Literature of Region and Nation Conference, 2-7 August 1996''. Saint John, NB University of New Brunswick. 278-299.
  
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Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Cape Town: University of Cape Town. (B.Soc. Sc (Hons.) thesis).
+
[[Peter Merrington|Merrington, Peter]], 1999. State of the Union: The "New Pageantry" and the Performance of Identity in
 +
North America and South Africa, 1908-1910, ''[[Journal of Literary Studies]]'' 15 (1-2) (1999): 238-63.
  
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Merrington, Peter 1996. Masques, Monuments, and Masons: The 1910 Pageant of the Union of South Africa. In; Wittenberg, Hermann (ed. and introd.); Nas, Loes (ed. and introd.) AUETSA 96, I-II: Southern African
+
[[Peter Merrington|Merrington, Peter]], 2009. Loyal Memory: The Tercentenary in Colonial Cape Town. In ''The Shakespearean International Yearbook'' Volume 9: Special section, South African Shakespeare in the Twentieth Century. (Guest editor: [[Laurence Wright]]) 29-45.
  
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Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre journal, 19(1): 1-14.
+
[[G. Mersham|Mersham, G.]] & [[G. Baker|Baker, G.]] 2002. Industrial theatre as a negotiated dramaturgy.  ''[[South African Theatre Journal]]'', 16:92-119.
  
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Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa. In Bogaards, Winnifred M. (ed.) Literature of Region and Nation: Proceedings of the 6th International  Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB: Social Sciences and Humanities Research Council of Canada, with University of New Brunswick in Saint John. p. 278-299.
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[[Margaret Mervis|Mervis, Margaret]] 1998a. ''[[The Captain’s Tiger]]''. Reviewed in: ''Current Writing'', 10(2):143-146.
  
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Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92 – 119.
+
[[Tamar Meskin|Meskin, Tamar]] & [[Tanya van der Walt|Van der Walt, Tanya]] 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. ''[[South African Theatre Journal]]'', 21:75-91.
  
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Mervis, Margaret 1998. Fiction for development: ZAKES Mda’s Ways of dying. Current writing, 10(1): 39-56.
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[[Tamar Meskin|Meskin, Tamar]] & [[Tanya van der Walt|Van der Walt, Tanya]] 2010. Photography, archaeology and representation: chronicles of conflict adn the architecture of action. ''[[South African Theatre Journal]]'', 24:125-154.
  
−
Mervis, Margaret 1998. The captain’s tiger. Current writing, 10(2): 143-146.
+
[[Tamar Meskin|Meskin, Tamar]] 2014. ''[[Shaggy]]'' by [[Anton Krueger]] and [[Pravasan Pillay]] reviewed by [[Tamar Meskin]]. ''[[South African Theatre Journal]]'', 27(3):276-280.
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Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation – a theatre-in-education ‘adventure’. South African theatre journal, 21: 75-91.
 
  
  

Latest revision as of 17:14, 17 February 2015

Click on the appropriate letters of the alphabet in the sub-list below.

Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

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Mdlalose/Nkulumayo, N. 2009. Stories of old revisited. South African Labour Bulletin, 33(1):

Mduduzi Hlope: An analysis of theme in his plays. Reality, 15(6):10-12.

Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African Theatre Journal, 21:292-306.

Kruskal, Megan. 1985. Scenaria, (52):9-12.

Meet you at the Natal Playhouse. 1987. Lantern, 36(2):3-16.

Meihuizen, N.C.T. 2000. Mongane Wally Serote, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 422-433.

Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1):31-33. June.

Meij, K. 1978. Is Laat die Kerse Brand te maklik? Klasgids, 13(3-4):9-10. November.

Meiring, Eben 1967. Toneel en werklikheid. Tydskrif vir Letterkunde, 5(4):18-21.

Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir Letterkunde, 28(4):111-116.

Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair Lady, 16(7):98-102. November 5.

Meiring, Martie 1998. Fees, feestelik, feesteliker. Insig, 09/98:46.

Melpomene, pseud. 1950. The theatre world: review of 1950. Trek, 14(12):39.

Melpomene, pseud. 1952a. The standard of theatre: Cape Town theatre. Trek, 16(3):18.

Melpomene, pseud. 1952b. Theatre at the crossroad. Trek, 16(6):17.

Melpomene, pseud. 1952c. Theatre and economics. Trek, 16(8):7.

Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.

Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Unpublished honour’s thesis. Cape Town: University of Cape Town.

Merrington, Peter 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995.

Merrington, Peter 1995. ‘Pageantry and Primitivism’: Dorothea Fairbridge and the Aesthetics of Union. Journal of Southern African Studies, 21:4.

Merrington, Peter 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in Nas, Loes& Wittenberg, Hermann (eds.). AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996.

Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre Journal, 19(1):1-14.

Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB University of New Brunswick. 278-299.

Merrington, Peter, 1999. State of the Union: The "New Pageantry" and the Performance of Identity in North America and South Africa, 1908-1910, Journal of Literary Studies 15 (1-2) (1999): 238-63.

Merrington, Peter, 2009. Loyal Memory: The Tercentenary in Colonial Cape Town. In The Shakespearean International Yearbook Volume 9: Special section, South African Shakespeare in the Twentieth Century. (Guest editor: Laurence Wright) 29-45.

Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92-119.

Mervis, Margaret 1998a. The Captain’s Tiger. Reviewed in: Current Writing, 10(2):143-146.

Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. South African Theatre Journal, 21:75-91.

Meskin, Tamar & Van der Walt, Tanya 2010. Photography, archaeology and representation: chronicles of conflict adn the architecture of action. South African Theatre Journal, 24:125-154.

Meskin, Tamar 2014. Shaggy by Anton Krueger and Pravasan Pillay reviewed by Tamar Meskin. South African Theatre Journal, 27(3):276-280.


Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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