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Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
  
[[ESAT Bibliography Da-Daz|Da-Daz]] [[ESAT Bibliography D|D]] [[ESAT Bibliography D|D]] [[ESAT Bibliography D|D]] [[ESAT Bibliography D|D]] [[ESAT Bibliography D|D]] [[ESAT Bibliography D|D]]
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[[ESAT Bibliography Da-Daz|Da-Daz]] [[ESAT Bibliography Dea-Deu|Dea-Deu]] [[ESAT Bibliography Dev-Dir|Dev-Dir]] [[ESAT Bibliography Dis-Doz|Dis-Doz]] [[ESAT Bibliography Dr-Dup|Dr-Dup]] [[ESAT Bibliography Dur-Dz|Dur-Dz]]
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below
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[[E.K. Dahms|Dahms, E.K.]] 1983. Décor designer. ''My Career'', 34:17-18.
  
Dahms, E.K.. 1983. Décor designer. My career, 34 : 17-18.
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[[Yolisa Dalamba|Dalamba, Yolisa]] 2000. Towards an African Renaissance: Some thoughts on the Renaissance Conference September 28 & 29, 1998 and its future implications. ''Critical Arts'',14(1):44.
  
Dalamba, Yolisa. 2000. Towards and African Renaissance: Some thoughts on the Renaissance Conference September 28 & 29, 1998 and its future implications. Critical Arts 14/1: 44.
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[[Lynn Dalrymple|Dalrymple, Lynn]] 1983. Ritual performance and theatre : with special reference to Zulu ceremonial. Unpublished master’s thesis. Durban: University of Natal.
  
DALRO. Wat kan ons opvoer? Deel 1 (Eenbedrywe). Johannesburg: Dramatiese, Artistieke en Letterkundige Regte Organisasie.
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[[Lynn Dalrymple|Dalrymple, Lynn]] 1987a. Explorations in drama, theatre and education :a critique of theatre studies in South Africa. Unpublished doctoral dissertation. Durban: University of Natal.
  
Dalrymple, Lynn 1983. Ritual performance and theatre : with special reference to Zulu ceremonial. Durban: University of Natal. (MA thesis).
+
[[Lynn Dalrymple|Dalrymple, Lynn]] 1987b Some thoughts on identity, culture and the curriculum and the future of South African theatre. ''[[South African Theatre Journal]]'', 1(2):20-51.
  
Dalrymple, Lynn 1987a. Explorations in drama, theatre and education :a critique of theatre studies in South Africa. Durban: University of Natal. (Ph.D. thesis).
+
[[Lynn Dalrymple|Dalrymple, Lynn]] 1989. Drama to the people :the challenge of the 1990's : an inaugural address delivered on 14 April 1992 at the University of Zululand.  South Africa: University of Zululand.  
  
Dalrymple, Lynn 1987b Some thoughts on identity, culture and the curriculum and the future of South African theatre. South African theatre journal, 1(2): 20-51.
+
[[Lynn Dalrymple|Dalrymple, Lynn]] 1990. From ritual to rationality: a semiotic analysis of schooling rites. ''[[South African Theatre Journal]]'', 4(1):119-147.
  
Dalrymple, Lynn 1989. Drama to the people :the challenge of the 1990's : an inaugural address delivered on 14 April 1992 at the University of Zululand. South Africa : University of Zululand.  
+
[[Lynn Dalrymple|Dalrymple, Lynn]] 1992. Drama to the people: the challenge of the 1990’s. Kwa Dlangeswa: University of Zululand.
  
Dalrymple, Lynn 1990. From ritual to rationality: a semiotic analysis of schooling rites. South African theatre journal, 4(1): 119-147.
+
[[Lynn Dalrymple|Dalrymple, Lynn]] & [[J. Mlungwana|Mlungwana, J.]] 1993. AIDS: drama in the villages: health education in KwaNgwanase. ''Matlhasedi'', 12(2):36-39.
  
Dalrymple, Lynn I. 1992. Drama to the people: the challenge of the 1990’s. Kwa Dlangeswa: University of Zululand.
+
[[Lynn Dalrymple|Dalrymple, Lynn]] 1995a. Personal perspectives on three conferences: Researching drama and theatre in education (Exeter; Ilitha Arts Education (Grahamstown); Idea ’95: Reflections in the river (Brisbane). ''[[South African Theatre Journal]]'', 9(2):137-146.
  
Dalrymple, Lynn & Mlungwana, J. 1993. AIDS: drama in the villages: health education in KwaNgwanase. Matlhasedi, 12(2): 36-39.
+
[[Lynn Dalrymple|Dalrymple, Lynn]] 1995b. Researching drama and theatre in education in South Africa. ''[[South African Theatre Journal]]'', 9(2):61-82.
  
Dalrymple, Lynn 1995a. Personal perspectives on three conferences: Researching drama and theatre in education (Exeter; Ilitha Arts Education (Grahamstown); Idea ’95:  Reflections in the river (Brisbane). South African theatre journal, 9(2):137-146.
+
[[Lynn Dalrymple|Dalrymple, Lynn]] 2005. Drama Studies in the twenty-first century: dangers and opportunities. ''[[South African Theatre Journal]]'', 19:157-170.
  
Dalrymple, Lynn 1995b. Researching drama and theatre in education in South Africa. South African theatre journal, 9(2): 61-82.
+
[[Lynn Dalrymple|Dalrymple, Lynn]] 2006. Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context. ''Research in Drama Education'', 11(2):201-218.  
  
Dalrymple, Lynn 2006. Has it made a difference? Understanding and measuring the impact of  applied theatre with young people in the South African context. Research in drama education, 11(2): 201-218.  
+
[[Lynn Dalrymple|Dalrymple, Lynn]] and [[Kieran Tavener-Smith|Tavener-Smith, Kieran]] 2013. ''Acting on HIV: using drama to create possibilities for change'', edited by D. Francis. Reviewed in: ''[[Critical Arts]]'', 27(4):454-458.
  
Daneel, Roeline 2008. Still evolving: the 14th Klein Karoo Nasionale Kunstefees. South African theatre journal, 22: 193-197.
+
[[Samantha Daly|Daly, Samantha]] & [[Ndabenhle Christopher Tobo|Tobo, Ndabenhle Christopher]] 2010. The [[Centre for Creative Arts]] 12th JOMBA! contemporary dance experience: reflections and  ruminations. ''[[South African Theatre Journal]]'', 24:298-310.
  
Dannhauser, D. 1985. Two decades of ‘magic’. South African panorama, 30(5) : 32-35.
+
Dam, J.K.L. & Mitchell, E. 1996. ''[[Valley Song]]'', [[Athol Fugard]]: review. ''Time'', 147(3).
  
Darroll, L. 2004. Private investment in public space - redevelopment of the Theatre Precinct, Braamfontein : urban renewal. The urban green file, 9(3): 28-31.
+
[[M. Damane|Damane, M.]] 1974 ''Lithoko: Sotho praise-poems''. Oxford: The Clarendon Press.
  
Daugherty J. 2001. A comparison of the use of space in Alfred Jarry's Ubu roi and Jane Taylor's Ubu & the Truth Commission, in Wilson, Rita & Von Maltzan, Carlotta (eds.). Spaces and crossings: Essays on literature and culture in Africa and beyond. New York, NY: Peter Lang. 349-361.
+
[[Roeline Daneel|Daneel, Roeline]] 2008. Still evolving: the 14th [[KKNK|Klein Karoo Nasionale Kunstefees]]. ''[[South African Theatre Journal]]'', 22:193-197.
  
Davidoff, Terri 2006. Deconstructing Jay Pather’s location specific theatre: creating space for transformative dialogue. South African theatre journal, 20: 128-149.
+
[[D. Dannhauser|Dannhauser, D.]] 1985. Two decades of ‘magic’. ''South African Panorama'', 30(5):32-35.
  
Davids, Nadia 2007. Inherited memories: performing the archive. Cape town: University of Cape Town. (Ph. D. Thesis, Drama).
+
[[L. Darroll|Darroll, L.]] 2004. Private investment in public space - redevelopment of the Theatre Precinct, Braamfontein : urban renewal. ''The Urban Green File'', 9(3):28-31.
  
Davie, Elaine 1978. PACT playwork [children’s theatre]. Scenaria, December/January: 36-37.
+
[[J. Daugherty|Daugherty J.]] 2001. A comparison of the use of space in Alfred Jarry's Ubu roi and [[Jane Taylor]]'s ''[[Ubu and the Truth Commission]]'', in [[Rita Wilson|Wilson, Rita]] & [[Carlotta von Maltzan|Von Maltzan, Carlotta]] (eds.). ''Spaces and Crossings: Essays on Literature and Culture in Africa and Beyond''. New York, NY: Peter Lang. 349-361.
  
Davis, G. 1991. Acting the drama of education. Educamus 37(5): 45-46.
+
[[Terri Davidoff|Davidoff, Terri]] 2006. Deconstructing [[Jay Pather]]’s location specific theatre: creating space for transformative dialogue. ''[[South African Theatre Journal]]'', 20:128-149.
  
Davis, Geoffrey V. 1995. Theatre for a post-apartheid society. Journal of  
+
[[Nadia Davids|Davids, Nadia]] 2007. Inherited memories: performing the archive. Unpublished doctoral dissertation. Cape Town: University of Cape Town.  
Commonwealth literature, 30(1): 5.
 
  
Davis, Geoffrey V. & Fuchs, Anne 1996a. ‘I will remain an African’: an interview with Maishe Maponya. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 183-192.
+
[[Elaine Davie|Davie, Elaine]] 1978. [[PACT]] playwork [children’s theatre]. ''[[Scenaria]]'', December/January: 36-37.
  
Davis, Geoffrey V. & Fuchs, Anne 1996b. ‘An interest in the making of things’: an interview with William Kentridge. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 140-154.
+
[[Adriana Davies|Davies, Adriana]] 1978. Concrete cube: ''[[The Jail Diary of Albie Sachs]]''. Reviewed in: ''Speak'', 1(5):52-53.
  
Davis, Geoffrey V. & Fuchs, Anne 1996c. It’s time to have a South African culture: an interview with Ramolao Makhene. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 272-297.
+
[[C. Davis|Davis, C.]] 2013. "Fugard and the Three Crowns Series" in ''Creating Postcolonial Literature: African Writers and British Publishers'', New York: Springer.[https://books.google.co.za/books?id=VOKIXdIQO9gC&pg=PT152&lpg=PT152&dq=Hello+and+Goodbye+(Three+Crowns)&source=bl&ots=25fTa1RR7R&sig=ACfU3U2T8J1K-T0fXMydSPbkXuuMVrsCuA&hl=en&sa=X&ved=2ahUKEwil7YXr-ZDhAhWHnhQKHSwABPQQ6AEwE3oECAQQAQ#v=onepage&q=Hello%20and%20Goodbye%20(Three%20Crowns)&f=false]
  
Davis, Geoffrey V. & Fuchs, Anne (eds.) 1996d. Theatre and change in South Africa. Amsterdam: Overseas Publishers Association.
 
  
Davis, Geoffrey V. & Fuchs, Anne 1996e. ‘This compost heap of a country’: an interview with Barney Simon. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Australia:: Harwood Academic Publishing. p. 225-241.
 
  
DAVIS, Geoffrey V. 1997. Beyond the echoes of Soweto, Five Plays by Matsemela Manaka. The Netherlands: Harwood.  
+
[[G. Davis|Davis, G.]] 1991. Acting the drama of education. ''Educamus'', 37(5): 45-46.
  
Davis, Geoffrey V. 1999a. Addressing the silences of the past: truth and reconciliation in post-apartheid theatre. In Hutchinson [i.e. Hutchison] Yvette & Breitinger Eckhard (eds.) History and theatre in Africa. Bayreuth, Germany : E. Breitinger ; [Stellenbosch? South Africa] : Centre for Theatre and Performance Studies, University of Stellenbosch, c2000. p. 59-72. Bibliografiese inligting soos in SACat
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[[Geoffrey V. Davis|Davis, Geoffrey V.]] 1995. Theatre for a post-apartheid society. ''Journal of Commonwealth Literature'', 30(1):5-21.
Of net : South African theatre journal, 13(1&2):59-72.
 
  
Davis, Geoffrey V. 1999b. “Days of miracle and wonder”: Standard Bank National Arts Festival, Grahamstown, South Africa, July 3-13, 1997. In Fuchs, A. New theatre in francophone and anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.287-292.
+
[[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] 1996a. ‘I will remain an African’: an interview with [[Isaiah Maishe Maponya|Maishe Maponya]], in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 183-192.
  
Davis, Geoffrey V. 1999c. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid. In Fuchs, A. New theatre in francophone and anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.183-208.
+
[[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] 1996b. ‘An interest in the making of things’: an interview with [[William Kentridge]], in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing.140-154.
  
Davis, Geoffrey V. 2000. Addressing the silences of the past: truth and reconciliation in post-Apartheid theatre. South African theatre journal, 13(1-2): 59-72.
+
[[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] 1996c. It’s time to have a South African culture: an interview with [[Ramolao Makhene]], in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 272-297.
  
Davis, Geoffrey V. 2002 “The critical and the dissident, the irreverent and the plaful”: drama in the new South Africa. In Maufort, Marc & Bellarsi, Franca (eds.), Crucible of cultures: Anglophone drama at the dawn of a new Millennium. Brussels. P.I.E. Peter Lang. p. 255-270.
+
[[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.) 1996d. ''Theatre and Change in South Africa''. Amsterdam: Overseas Publishers Association.  
  
Davis, Geoffrey V. 2005. Role-play in South African theatre, by H. Frank. Reviewed in: English in Africa, 32(2): 253-258.
+
[[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] 1996e. ‘This compost heap of a country’: an interview with [[Barney Simon]], in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 225-241.
  
Davis, I. 1983. Dramatist: Henry Hlope. Informa, 30(6): 8-9.
+
[[Geoffrey V. Davis|Davis, Geoffrey V.]] (ed.). 1997. ''Beyond the Echoes of Soweto, Five Plays by [[Matsemela Manaka]]''. The Netherlands: Harwood.  
  
Davis, L.E. 1979. That controversial opera house: [Pretoria Opera House]. Construction in Southern Africa, 23(10): 24-37. January.
+
[[Geoffrey V. Davis|Davis, Geoffrey V.]] 1999a. Addressing the silences of the past: truth and reconciliation in post-apartheid theatre. ''[[South African Theatre Journal]]'', 13(1&2):59-72.
  
Davis, L.E. 1980. Pretoria Opera House. Professional builder, 4(1): 13-15.
+
[[Geoffrey V. Davis|Davis, Geoffrey V.]] 1999b. “Days of miracle and wonder”: Standard Bank [[National Arts Festival]], Grahamstown, South Africa, July 3-13, 1997, in [[Anne Fuchs|Fuchs, Anne]]. ''New Theatre in Francophone and Anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995''. p.287-292.
  
Davis, Myra 1987. Vuka: sharing the image. Critical arts, 4(3): 29-38.
+
[[Geoffrey V. Davis|Davis, Geoffrey V.]] 1999c. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid, in [[Anne Fuchs|Fuchs, Anne]]. ''New Theatre in Francophone and Anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995''. p.183-208.
  
Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds) 1984. Momentum. on recent South African writing. Pietermaritzburg: University of Natal Press.
+
[[Geoffrey V. Davis|Davis, Geoffrey V.]] 1999d. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid. ''Matatu: Journal for African Culture and Society'', 20:183-208.
 +
 
 +
[[Geoffrey V. Davis|Davis, Geoffrey V.]] 2000. Addressing the silences of the past: truth and reconciliation in post-Apartheid theatre. ''[[South African Theatre Journal]]'', 13(1-2):59-72.
 +
 
 +
[[Geoffrey V. Davis|Davis, Geoffrey V.]] 2002. “The critical and the dissident, the irreverent and the playful”: drama in the new South Africa, in [[Marc Maufort| Maufort, Marc]] & [[Franca Bellarsi|Bellarsi, Franca]] (eds.), ''Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium''. Brussels. P.I.E. Peter Lang. 255-270.
 +
 
 +
[[Geoffrey V. Davis|Davis, Geoffrey V.]] 2003. ''Voices of Justice and Reason: Apartheid and Beyond in South African Literature''. Amsterdam: Rodopi.
 +
 
 +
[[Geoffrey V. Davis|Davis, Geoffrey V.]] 2005. ''Role-play in South African Theatre'', by [[H. Frank]]. Reviewed in: ''English in Africa'', 32(2):253-258.
 +
 
 +
[[Geoffrey V. Davis|Davis, Geoffrey V.]] 2012. ''Performing South Africa's [[The Truth and Reconciliation Commission|Truth Commission]]: Stages of Transition'', by Catherine M. Cole. Reviewed in: ''Theatre Research International'', 37(2):195-196.
 +
 
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[[Vicky Davis|Davis, Heloise Victoria]] 2012. Theatre as intervention tool in HIV/AIDS education with specific reference to “Lucky, the hero!” Unpublished master's thesis. Stellenbosch : Stellenbosch University.
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[[I. Davis|Davis, I.]] 1983. Dramatist: [[Henry Hlope]]. ''Informa'', 30(6):8-9.
 +
 
 +
[[L.E. Davis|Davis, L.E.]] 1979. That controversial opera house: ([[Pretoria Opera House]]). ''Construction in Southern Africa'', 23(10):24-37. January.
 +
 
 +
[[L.E. Davis|Davis, L.E.]] 1980. [[Pretoria Opera House]]. ''Professional Builder'', 4(1):13-15.
 +
 
 +
[[Myra Davis|Davis, Myra]] 1987. ''[[Vuka]]'': sharing the image. ''Critical Arts'', 4(3):29-38.
 +
 
 +
[[Margaret J. Daymond|Daymond, Margaret J.]] 1978a. Illyria located! ''Twelfth Night''. Reviewed in: Speak, 1(2):19-21.
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 +
[[Margaret J. Daymond|Daymond, Margaret J.]] 1978b. It's the system: a new Durban play which looks at human resposibility and human pain. ''[[Working Class Hero]]'', by [[Kessie Govender]]. Reviewed in: ''Speak'', 1(2):48-49.
 +
 
 +
[[Margaret J. Daymond|Daymond, Margaret J.]], [[Johan Jacobs|Jacobs, Johan]] & [[Margaret Lenta|Lenta, Margaret]] (eds.). 1984. “Momentum: On Recent South African Writing”. Pietermaritzburg: University of Natal Press.
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Click on the appropriate letters of the alphabet in the sub-list below.
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[[ESAT Bibliography Da-Daz|Da-Daz]] [[ESAT Bibliography Dea-Deu|Dea-Deu]] [[ESAT Bibliography Dev-Dir|Dev-Dir]] [[ESAT Bibliography Dis-Doz|Dis-Doz]] [[ESAT Bibliography Dr-Dup|Dr-Dup]] [[ESAT Bibliography Dur-Dz|Dur-Dz]]
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To return to any other letter, click on the list below
 +
 
 +
[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]

Latest revision as of 16:59, 20 March 2019

Click on the appropriate letters of the alphabet in the sub-list below.

Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Dahms, E.K. 1983. Décor designer. My Career, 34:17-18.

Dalamba, Yolisa 2000. Towards an African Renaissance: Some thoughts on the Renaissance Conference September 28 & 29, 1998 and its future implications. Critical Arts,14(1):44.

Dalrymple, Lynn 1983. Ritual performance and theatre : with special reference to Zulu ceremonial. Unpublished master’s thesis. Durban: University of Natal.

Dalrymple, Lynn 1987a. Explorations in drama, theatre and education :a critique of theatre studies in South Africa. Unpublished doctoral dissertation. Durban: University of Natal.

Dalrymple, Lynn 1987b Some thoughts on identity, culture and the curriculum and the future of South African theatre. South African Theatre Journal, 1(2):20-51.

Dalrymple, Lynn 1989. Drama to the people :the challenge of the 1990's : an inaugural address delivered on 14 April 1992 at the University of Zululand. South Africa: University of Zululand.

Dalrymple, Lynn 1990. From ritual to rationality: a semiotic analysis of schooling rites. South African Theatre Journal, 4(1):119-147.

Dalrymple, Lynn 1992. Drama to the people: the challenge of the 1990’s. Kwa Dlangeswa: University of Zululand.

Dalrymple, Lynn & Mlungwana, J. 1993. AIDS: drama in the villages: health education in KwaNgwanase. Matlhasedi, 12(2):36-39.

Dalrymple, Lynn 1995a. Personal perspectives on three conferences: Researching drama and theatre in education (Exeter; Ilitha Arts Education (Grahamstown); Idea ’95: Reflections in the river (Brisbane). South African Theatre Journal, 9(2):137-146.

Dalrymple, Lynn 1995b. Researching drama and theatre in education in South Africa. South African Theatre Journal, 9(2):61-82.

Dalrymple, Lynn 2005. Drama Studies in the twenty-first century: dangers and opportunities. South African Theatre Journal, 19:157-170.

Dalrymple, Lynn 2006. Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context. Research in Drama Education, 11(2):201-218.

Dalrymple, Lynn and Tavener-Smith, Kieran 2013. Acting on HIV: using drama to create possibilities for change, edited by D. Francis. Reviewed in: Critical Arts, 27(4):454-458.

Daly, Samantha & Tobo, Ndabenhle Christopher 2010. The Centre for Creative Arts 12th JOMBA! contemporary dance experience: reflections and ruminations. South African Theatre Journal, 24:298-310.

Dam, J.K.L. & Mitchell, E. 1996. Valley Song, Athol Fugard: review. Time, 147(3).

Damane, M. 1974 Lithoko: Sotho praise-poems. Oxford: The Clarendon Press.

Daneel, Roeline 2008. Still evolving: the 14th Klein Karoo Nasionale Kunstefees. South African Theatre Journal, 22:193-197.

Dannhauser, D. 1985. Two decades of ‘magic’. South African Panorama, 30(5):32-35.

Darroll, L. 2004. Private investment in public space - redevelopment of the Theatre Precinct, Braamfontein : urban renewal. The Urban Green File, 9(3):28-31.

Daugherty J. 2001. A comparison of the use of space in Alfred Jarry's Ubu roi and Jane Taylor's Ubu and the Truth Commission, in Wilson, Rita & Von Maltzan, Carlotta (eds.). Spaces and Crossings: Essays on Literature and Culture in Africa and Beyond. New York, NY: Peter Lang. 349-361.

Davidoff, Terri 2006. Deconstructing Jay Pather’s location specific theatre: creating space for transformative dialogue. South African Theatre Journal, 20:128-149.

Davids, Nadia 2007. Inherited memories: performing the archive. Unpublished doctoral dissertation. Cape Town: University of Cape Town.

Davie, Elaine 1978. PACT playwork [children’s theatre]. Scenaria, December/January: 36-37.

Davies, Adriana 1978. Concrete cube: The Jail Diary of Albie Sachs. Reviewed in: Speak, 1(5):52-53.

Davis, C. 2013. "Fugard and the Three Crowns Series" in Creating Postcolonial Literature: African Writers and British Publishers, New York: Springer.[1]


Davis, G. 1991. Acting the drama of education. Educamus, 37(5): 45-46.

Davis, Geoffrey V. 1995. Theatre for a post-apartheid society. Journal of Commonwealth Literature, 30(1):5-21.

Davis, Geoffrey V. & Fuchs, Anne 1996a. ‘I will remain an African’: an interview with Maishe Maponya, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 183-192.

Davis, Geoffrey V. & Fuchs, Anne 1996b. ‘An interest in the making of things’: an interview with William Kentridge, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing.140-154.

Davis, Geoffrey V. & Fuchs, Anne 1996c. It’s time to have a South African culture: an interview with Ramolao Makhene, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 272-297.

Davis, Geoffrey V. & Fuchs, Anne (eds.) 1996d. Theatre and Change in South Africa. Amsterdam: Overseas Publishers Association.

Davis, Geoffrey V. & Fuchs, Anne 1996e. ‘This compost heap of a country’: an interview with Barney Simon, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 225-241.

Davis, Geoffrey V. (ed.). 1997. Beyond the Echoes of Soweto, Five Plays by Matsemela Manaka. The Netherlands: Harwood.

Davis, Geoffrey V. 1999a. Addressing the silences of the past: truth and reconciliation in post-apartheid theatre. South African Theatre Journal, 13(1&2):59-72.

Davis, Geoffrey V. 1999b. “Days of miracle and wonder”: Standard Bank National Arts Festival, Grahamstown, South Africa, July 3-13, 1997, in Fuchs, Anne. New Theatre in Francophone and Anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.287-292.

Davis, Geoffrey V. 1999c. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid, in Fuchs, Anne. New Theatre in Francophone and Anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.183-208.

Davis, Geoffrey V. 1999d. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid. Matatu: Journal for African Culture and Society, 20:183-208.

Davis, Geoffrey V. 2000. Addressing the silences of the past: truth and reconciliation in post-Apartheid theatre. South African Theatre Journal, 13(1-2):59-72.

Davis, Geoffrey V. 2002. “The critical and the dissident, the irreverent and the playful”: drama in the new South Africa, in Maufort, Marc & Bellarsi, Franca (eds.), Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium. Brussels. P.I.E. Peter Lang. 255-270.

Davis, Geoffrey V. 2003. Voices of Justice and Reason: Apartheid and Beyond in South African Literature. Amsterdam: Rodopi.

Davis, Geoffrey V. 2005. Role-play in South African Theatre, by H. Frank. Reviewed in: English in Africa, 32(2):253-258.

Davis, Geoffrey V. 2012. Performing South Africa's Truth Commission: Stages of Transition, by Catherine M. Cole. Reviewed in: Theatre Research International, 37(2):195-196.

Davis, Heloise Victoria 2012. Theatre as intervention tool in HIV/AIDS education with specific reference to “Lucky, the hero!” Unpublished master's thesis. Stellenbosch : Stellenbosch University.

Davis, I. 1983. Dramatist: Henry Hlope. Informa, 30(6):8-9.

Davis, L.E. 1979. That controversial opera house: (Pretoria Opera House). Construction in Southern Africa, 23(10):24-37. January.

Davis, L.E. 1980. Pretoria Opera House. Professional Builder, 4(1):13-15.

Davis, Myra 1987. Vuka: sharing the image. Critical Arts, 4(3):29-38.

Daymond, Margaret J. 1978a. Illyria located! Twelfth Night. Reviewed in: Speak, 1(2):19-21.

Daymond, Margaret J. 1978b. It's the system: a new Durban play which looks at human resposibility and human pain. Working Class Hero, by Kessie Govender. Reviewed in: Speak, 1(2):48-49.

Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. “Momentum: On Recent South African Writing”. Pietermaritzburg: University of Natal Press.




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