Difference between revisions of "Dinkteater"

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A Pretoria based and highly regarded experimental theatre group founded by [[Danie Burger]] and [[Pieter Brand]] in 1974. Based on the principles of pioneered by [[Peter Brook]] and Jerzy Grotowsky, the group sought to do ''avant garde'' theatre work in [[Afrikaans]]. The cast was a mix of former drama students and amateurs, all performing without remuneration, but seeking to conform to professional standards in rehearsal and performance.  
 
A Pretoria based and highly regarded experimental theatre group founded by [[Danie Burger]] and [[Pieter Brand]] in 1974. Based on the principles of pioneered by [[Peter Brook]] and Jerzy Grotowsky, the group sought to do ''avant garde'' theatre work in [[Afrikaans]]. The cast was a mix of former drama students and amateurs, all performing without remuneration, but seeking to conform to professional standards in rehearsal and performance.  
  
Among their productions were a number of Afrikaans versions of  Elizabethan and Jacobean plays (e.g. ''[[The Duchess of Malfi]]'', *** ), as well as more contemporary works by [[Eugène Ionesco]] and others.  
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Among their productions were a number of Afrikaans versions of  Elizabethan and Jacobean plays (e.g. ''[[The Duchess of Malfi]]'', ''[[Exit the King]]'' by [[Eugène Ionesco]] ), as well as more contemporary works by various writers.  
  
A number of original new [[Afrikaans]] plays were also produced, including ''[[Bloedlyn]]'' (1974) and ''[[Wie is Leopold?]]'' (197*), both by [[Temple Hauptfleisch]], and ''[[Die Duiwel, sy handlanger en die drie ligtekooie]]'' by [[Marlene van Niekerk]] (all directed by Burger), and ''[[Ballade van Rama en Mara|Die Ballade van Rama en Mara]]'' by [[Benoni de Haeck]] (197*) and **** by [[Johan Visser]] (197*), directed by Brand.  
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A number of original new [[Afrikaans]] plays were also produced, including ''[[Bloedlyn]]'' (1974) and ''[[Wie is Leopold?]]'' (197*), both by [[Temple Hauptfleisch]], ''[[Die Duiwel, sy handlanger en die drie ligtekooie]]'' by [[Marlene van Niekerk]] (all three the foregoing directed by Burger), ''[[Ballade van Rama en Mara|Die Ballade van Rama en Mara]]'' by [[Benoni de Haeck]] (197*) and **** by [[Johan Visser]] (197*), the latter two directed by Brand.  
  
In 1979 they produced ''[[Papawerwyn]]'' by [[Hennie Aucamp]]. They utilized a converted warehouse loft in Potgieter street for many years, calling it [[Dinkteater/Think Theatre]].  
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In 1979 they produced ''[[Papawerwyn]]'' by [[Hennie Aucamp]].  
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The company utilized a converted warehouse loft in Potgieter street for many years, calling it [[Dinkteater/Think Theatre]].  
  
 
In the early 1980s it briefly became a theatre club, utilizing various established venues in Pretoria, but then closed as both partners went on to other careers.   
 
In the early 1980s it briefly became a theatre club, utilizing various established venues in Pretoria, but then closed as both partners went on to other careers.   

Revision as of 05:48, 30 May 2023

A Pretoria based and highly regarded experimental theatre group founded by Danie Burger and Pieter Brand in 1974. Based on the principles of pioneered by Peter Brook and Jerzy Grotowsky, the group sought to do avant garde theatre work in Afrikaans. The cast was a mix of former drama students and amateurs, all performing without remuneration, but seeking to conform to professional standards in rehearsal and performance.

Among their productions were a number of Afrikaans versions of Elizabethan and Jacobean plays (e.g. The Duchess of Malfi, Exit the King by Eugène Ionesco ), as well as more contemporary works by various writers.

A number of original new Afrikaans plays were also produced, including Bloedlyn (1974) and Wie is Leopold? (197*), both by Temple Hauptfleisch, Die Duiwel, sy handlanger en die drie ligtekooie by Marlene van Niekerk (all three the foregoing directed by Burger), Die Ballade van Rama en Mara by Benoni de Haeck (197*) and **** by Johan Visser (197*), the latter two directed by Brand.

In 1979 they produced Papawerwyn by Hennie Aucamp.

The company utilized a converted warehouse loft in Potgieter street for many years, calling it Dinkteater/Think Theatre.

In the early 1980s it briefly became a theatre club, utilizing various established venues in Pretoria, but then closed as both partners went on to other careers.

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