Difference between revisions of "Die Verminktes"
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| − | '' | + | ''[[Die Verminktes]]'' ("''[[The Maimed]]''") is an [[Afrikaans]] play by [[Bartho Smit]] (1924–1986). |
| − | [[ | + | |
| + | ==The original text== | ||
| + | |||
| + | A controversial [[Afrikaans]] play on miscegenation and Calvinist angst. Written in the 1950s. | ||
| + | |||
| + | Submitted to both [[National Theatre Organisation]] (in Afrikaans) and London's [[Royal Court Theatre]] (in English) in 1959, it was rejected for production by the state funded [[NTO]], though the English version was performed in Britain in 1960 where it won the [[Encyclopaedia Britannica Award]]. It was for many years denied performance in [[Afrikaans]]. | ||
| + | The original Afrikaans text was published in 1960 by [[Afrikaanse Pers Boekhandel]] and dedicated to "Hermien" (actress, director and theatre historian [[Hermien Dommisse]]). A second, revised, version was published by [[Perskor]] in 1976. The latter text was finally staged in [[Afrikaans]] by [[PACT]] in 1977. | ||
| + | |||
| + | ==Translations and adaptations== | ||
| + | |||
| + | Translated into English as ''[[The Maimed]]'' by the author himself in 1959. The English version remains unpublished. However, a bound copy of the typed text, entitled ''[[The Maimed or Abelard & Heloise]]'' was recently discovered in the (now defunct) [[PACT]] archives by [[Bronwyn Lovegrove]] and [[Marisa Keuris]]. [[Bartho Smit]] is given as sole author. However, [[Erika Terblanche]] lists a [[Pieter Venter]] as the translator of ''[[Die Verminktes]]'' as well as of '''''[[Christine]]''''' . | ||
| + | |||
== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | |||
| − | + | 1959: Submitted to both [[National Theatre Organisation]] (in Afrikaans) and London's [[Royal Court Theatre]] (in English). Rejected for production by the state funded [[NTO]], it was for many years denied performance in [[Afrikaans]]. | |
| − | + | 1960: Accepted and performed to great acclaim in English as ''[[The Maimed]]'' at the Royal Court Theatre, London, directed by [[Keith Johnstone]] as part of "The Sunday night productions without decor" series of ninety-nine fully rehearsed plays, each presented with minimal scenery or costumes for one or two nights from 1957-1975, starring Wesley Pithey as "Bart Harmse", opening on 27 November. The play won an [[Encyclopaedia Britannica Award]]. | |
| − | + | 1977: Staged in [[Afrikaans]] by [[PACT]], directed by [[Louis van Niekerk]], with [[Patrick Mynhardt]] (Senator Bart Harmse), [[Elise Hibbert]] (Elize), [[Johan Malherbe]] (Prof. Jones), [[Don Lamprecht]] (Frans Harmse), [[Nigel Vermaas]] (Jan Barnard), [[Louise Mollett-Prinsloo]] (Martha), [[John Harley]] (Zoeloe) and [[Gerben Kamper]] (Skollie). Decor by [[Martin Pelser]] and costumes by [[Frances Michaletos]]. | |
| − | + | ||
| + | 198*?: Presented in [[Afrikaans]] by [[Theatre Workshop]], directed by [[Farouk Valley-Omar]], starring [[Sauli Esau]], [[Suzie Jenneker]], [[David Mettler]], [[Addey Moolman]], [[Richard Appies]], [[Marillize Brink]], [[Farouk Valley-Omar]]. | ||
== Sources == | == Sources == | ||
| − | Theatre programme | + | Undated [[Theatre Workshop]] theatre programme. |
[[PACT]] theatre programme, 1977. | [[PACT]] theatre programme, 1977. | ||
[[Petru Wessels|Petru]] & [[Carel Trichardt]] theatre programme collection. | [[Petru Wessels|Petru]] & [[Carel Trichardt]] theatre programme collection. | ||
| + | |||
| + | E-mail correspondence between [[Temple Hauptfleisch]] and [[Marisa Keuris]], 5 and 6 April, 2020. | ||
| + | |||
| + | Bolar, Gordon Maxwell, "The Sunday Night Productions Without Decor at the Royal Court Theatre, 1957-1975 (England, Playwriting, Drama)." (1984). LSU Historical Dissertations and Theses. 4006. [https://digitalcommons.lsu.edu/gradschool_disstheses/4006]. | ||
| + | |||
| + | [[Erika Terblanche]]. 2018. "[[Bartho Smit]] (1924–1987)" [[ATKV|LitNet-Skrywersalbum]][https://www.litnet.co.za/bartho-smit-1924-1987/] | ||
Go to [[South African Theatre/Bibliography|ESAT Bibliography]] | Go to [[South African Theatre/Bibliography|ESAT Bibliography]] | ||
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== Return to == | == Return to == | ||
| − | Return to [[ | + | Return to [[PLAYS I: Original SA plays]] |
| − | Return to [[ | + | Return to [[PLAYS II: Foreign plays]] |
| + | |||
| + | Return to [[PLAYS III: Collections]] | ||
| + | |||
| + | Return to [[PLAYS IV: Pageants and public performances]] | ||
| + | |||
| + | Return to [[South_African_Festivals|South African Festivals and Competitions]] | ||
| + | |||
| + | Return to [[South_African_Radio/Plays|South African Radio Plays and Serials]] | ||
| + | |||
| + | Return to [[South_African_Television/Plays|South African Television Plays and Series]] | ||
| + | |||
| + | Return to [[South_African_Films]] | ||
Return to [[The ESAT Entries]] | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to [[Main Page]] | ||
| + | |||
Latest revision as of 16:38, 21 January 2024
Die Verminktes ("The Maimed") is an Afrikaans play by Bartho Smit (1924–1986).
Contents
The original text
A controversial Afrikaans play on miscegenation and Calvinist angst. Written in the 1950s.
Submitted to both National Theatre Organisation (in Afrikaans) and London's Royal Court Theatre (in English) in 1959, it was rejected for production by the state funded NTO, though the English version was performed in Britain in 1960 where it won the Encyclopaedia Britannica Award. It was for many years denied performance in Afrikaans.
The original Afrikaans text was published in 1960 by Afrikaanse Pers Boekhandel and dedicated to "Hermien" (actress, director and theatre historian Hermien Dommisse). A second, revised, version was published by Perskor in 1976. The latter text was finally staged in Afrikaans by PACT in 1977.
Translations and adaptations
Translated into English as The Maimed by the author himself in 1959. The English version remains unpublished. However, a bound copy of the typed text, entitled The Maimed or Abelard & Heloise was recently discovered in the (now defunct) PACT archives by Bronwyn Lovegrove and Marisa Keuris. Bartho Smit is given as sole author. However, Erika Terblanche lists a Pieter Venter as the translator of Die Verminktes as well as of Christine .
Performance history in South Africa
1959: Submitted to both National Theatre Organisation (in Afrikaans) and London's Royal Court Theatre (in English). Rejected for production by the state funded NTO, it was for many years denied performance in Afrikaans.
1960: Accepted and performed to great acclaim in English as The Maimed at the Royal Court Theatre, London, directed by Keith Johnstone as part of "The Sunday night productions without decor" series of ninety-nine fully rehearsed plays, each presented with minimal scenery or costumes for one or two nights from 1957-1975, starring Wesley Pithey as "Bart Harmse", opening on 27 November. The play won an Encyclopaedia Britannica Award.
1977: Staged in Afrikaans by PACT, directed by Louis van Niekerk, with Patrick Mynhardt (Senator Bart Harmse), Elise Hibbert (Elize), Johan Malherbe (Prof. Jones), Don Lamprecht (Frans Harmse), Nigel Vermaas (Jan Barnard), Louise Mollett-Prinsloo (Martha), John Harley (Zoeloe) and Gerben Kamper (Skollie). Decor by Martin Pelser and costumes by Frances Michaletos.
198*?: Presented in Afrikaans by Theatre Workshop, directed by Farouk Valley-Omar, starring Sauli Esau, Suzie Jenneker, David Mettler, Addey Moolman, Richard Appies, Marillize Brink, Farouk Valley-Omar.
Sources
Undated Theatre Workshop theatre programme.
PACT theatre programme, 1977.
Petru & Carel Trichardt theatre programme collection.
E-mail correspondence between Temple Hauptfleisch and Marisa Keuris, 5 and 6 April, 2020.
Bolar, Gordon Maxwell, "The Sunday Night Productions Without Decor at the Royal Court Theatre, 1957-1975 (England, Playwriting, Drama)." (1984). LSU Historical Dissertations and Theses. 4006. [1].
Erika Terblanche. 2018. "Bartho Smit (1924–1987)" LitNet-Skrywersalbum[2]
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to South African Radio Plays and Serials
Return to South African Television Plays and Series
Return to South_African_Films
Return to The ESAT Entries
Return to Main Page
