Difference between revisions of "Die Toneelstuk"

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("The Play") by [[Breyten Breytenbach]]. A controversial and highly symbolic play about **.  First published by [[Human & Rousseau]] in 2001.
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("The Play") by [[Breyten Breytenbach]]. A controversial and highly symbolic play about **.  First published by [[Human & Rousseau]] in 2001.  
 
 
  
 
== Background ==
 
== Background ==

Revision as of 13:42, 25 February 2014

("The Play") by Breyten Breytenbach. A controversial and highly symbolic play about **. First published by Human & Rousseau in 2001.

Background

Die Toneelstuk, subtitled ‘n Belydenis in Twee Bedrywe [A Confession in Two Acts] Looks, like Breytenbach's earlier The Life and Times of Johnny Cockroach at the present through a mirror reflecting the past. While he was in solitary confinement serving a prison sentence for high treason during the apartheid era, Breytenbach had a dream one night which decades later became the stimulus for writing Die Toneelstuk. In his dream another political prisoner, the great Russian author Fyodor Dostoyevsky, appeared in the door of Breytenbach’s cell surrounded by a bright light and he asked the poet to complete the unfinished poem mentioned in his novel The Brothers Karamazov (Basson, 2001). This was the inspiration for another richly worded, overwhelming spectacle full of subtle, often obscure references and outrageous images. [Van Heerden (2008)][1]. p. 123.

Performance history in South Africa

First produced at the Klein Karoo Nasionale Kunstefees in Oudtshoorn in 2001, directed by Marthinus Basson. With Antoinette Kellermann, Albert Maritz, Christopher Gxalaba, Jan Ellis, Chan Marti, Anton Smuts, Rob van Vuuren. Lighting by Albert Snyman.

Translations and adaptations

Sources

Programme notes


Go to ESAT Bibliography


or

by Rouxnette du Preez. One-act. Cast: mixed.



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