Difference between revisions of "Centre for South African Theatre Research"

From ESAT
Jump to navigation Jump to search
 
(12 intermediate revisions by the same user not shown)
Line 1: Line 1:
= The Centre for South African Theatre Research (CESAT) =
+
The [[Centre for South African Theatre Research]] (Acronym: '''[[CESAT]]''', active 1979-1989) was an archive and documentation centre as well as a research facility and clearinghouse housed in the [[Institute for Languages, Literature and Arts]] of the [[Human Sciences Research Council]]
  
An archive and documentation centre as well as a research facility and clearinghouse housed in the [[Institute for Languages, Literature and Arts]] of the [[Human Sciences Research Council]] (1979-1989).
+
Also found as [[Centre for SA Theatre Research]]
  
 +
'''See also: [[Human Sciences Research Council]] and  [[National Documentation Centre for the Performing Arts]]'''
  
 
== Origins ==
 
== Origins ==
  
 +
The centre derives from the [[National Documentation Centre for the Performing Arts]] (1971-1978). In 1979, on the retirement of [[Rinie Stead]],  the [[HSRC]] appointed [[Temple Hauptfleisch]] as head and researcher with the commission to expand it into a far more active  research centre. It was then renamed the '''Centre for South African Theatre Research  (CESAT)''' and, while it continued collecting archival material on South African theatre and performance under the curatorship of  [[Astrid Schwenke]] (née [[Astrid Schüler]]) and [[Joey Fourie]], the centre now also undertook a number of specific research projects. Other [[CESAT]] staff members over the years included [[Paddy Terry]], [[Eunice Reynecke]], [[Wilma Viljoen]], [[Celéste van Greunen]], [[Lina Coetzer]] and [[Elma Young]].
  
The centre derives from the [[National Documentation Centre for the Performing Arts]] (1971-1978). In 1979, on the retirement of [[Rinie Stead]],  the HSRC appointed [[Temple Hauptfleisch]] as head and researcher with the commission to expand it into a far more active  research centre. It was then renamed '''CESAT''' and, while it continued collecting archival material on South African theatre and performance under the curatorship of  [[Astrid Schwenke]] (née [[Astrid Schüler]]) and [[Joey Fourie]], the centre now also undertook a number of specific research projects.
+
== The [[CESAT]] Collection ==
  
 +
This refers to the vast collection of theatre materials originally collected by the [[National Documentation Centre for the Performing Arts]] (1971-1979) and continued by the [[Centre for South African Theatre Research]] ([[CESAT]] – 1979-1989). When the HSRC moved to their own building in 198*, the four arts research centres combined their material in what became known as the [[South African Centre for Information on the Arts]] ([[SACIA]]), housed in a specially designed archival store. However, in a very controversial move by  the [[HSRC]], all the material in the arts collections (theatre, ballet, music and visual arts) held by the [[Human Sciences Research Council]], was handed over to the [[National Archives of South Africa]], Hamilton Street, Pretoria, in 1992, to be housed in the section formerly known as the [[National Film and Video Archives]].
  
== The CESAT Collection ==
 
  
This refers to the vast collection of theatre materials originally collected by the '''National Documentation Centre for the Performing Arts''' (1971-1979) and continued by the Centre for South African Theatre Research ([[CESAT]] – 1979-1989) at the [[Human Sciences Research Council]] (HSRC), but transferred to the [[National Film and Video Archives]] in Pretoria in 1989. Later known as the ** collection.
+
== The [[CESAT]] Research ==
 
 
 
 
== The CESAT Research ==
 
  
  
 
The research undertaken included studies by [[Temple Hauptfleisch]] and [[Eunice Reynecke]] of research methodology in the performing arts (e.g. Hauptfleisch 198* and 198*, Reynecke 198*), studies on the history of theatre (e.g [[Rinie Stead]]’s unpublished history of the [[National Theatre Organisation]] (1980), Hauptfleisch 1984a, Schwenke, 198*), studies on the sociology of theatre and theatre attendance (e.g Hauptfleisch 198*, 198*, 198*) and source guides on theatre in general and on specific topics (e.g. Viljoen, 198*, Hauptfleisch, Schuler and Van Greunen, 198*). The Centre also undertook focussed research on theatre in education over an extended period, with [[Paddy Terry]] and [[Temple Hauptfleisch]] as researchers in this field and served as secretariat for the [[SA Association for Drama and Youth Theatre]] ([[SAADYT]]), editing and publishing the [[SAADYT Journal]] for a number of years. Between 1986 - 1987 the Centre also provided the editorial offices for the newly launched [[South African Theatre Journal]] ([[SATJ]]), founded and edited by [[Temple Hauptfleisch]] and [[Ian Steadman]].
 
The research undertaken included studies by [[Temple Hauptfleisch]] and [[Eunice Reynecke]] of research methodology in the performing arts (e.g. Hauptfleisch 198* and 198*, Reynecke 198*), studies on the history of theatre (e.g [[Rinie Stead]]’s unpublished history of the [[National Theatre Organisation]] (1980), Hauptfleisch 1984a, Schwenke, 198*), studies on the sociology of theatre and theatre attendance (e.g Hauptfleisch 198*, 198*, 198*) and source guides on theatre in general and on specific topics (e.g. Viljoen, 198*, Hauptfleisch, Schuler and Van Greunen, 198*). The Centre also undertook focussed research on theatre in education over an extended period, with [[Paddy Terry]] and [[Temple Hauptfleisch]] as researchers in this field and served as secretariat for the [[SA Association for Drama and Youth Theatre]] ([[SAADYT]]), editing and publishing the [[SAADYT Journal]] for a number of years. Between 1986 - 1987 the Centre also provided the editorial offices for the newly launched [[South African Theatre Journal]] ([[SATJ]]), founded and edited by [[Temple Hauptfleisch]] and [[Ian Steadman]].
  
== The dismantling of CESAT ==
+
== The dismantling of [[CESAT]] ==
  
  
In 1988 Temple Hauptfleisch left the Centre for an academic position and to found the [[Centre for Theatre and Performance Studies]] (CENTAPS) at the [[University of Stellenbosch]] Drama Department. [[Eunice Reynecke]] briefly took over the headship, but in 1989 the [[HSRC]] closed down the centre and transferred the documentation to the [[National Film Archives]] in Pretoria as the [[SACIA]] collection.  The research impetus moved to the [[University of Stellenbosch]] and its [[Centre for Theatre and Performance Studies]].
+
In 1988 [[Temple Hauptfleisch]] left the Centre for an academic position and to found the [[Centre for Theatre and Performance Studies]] ([[CENTAPS]]) at the [[University of Stellenbosch]] Drama Department. [[Eunice Reynecke]] briefly took over the headship, but in 1989 the [[HSRC]] closed down the centre and transferred the documentation to the [[National Film Archives]] in Pretoria as the [[SACIA]] collection (see above).  The research impetus moved to the [[University of Stellenbosch]] and its [[Centre for Theatre and Performance Studies]].
  
 
== Sources ==
 
== Sources ==
  
Hauptfleisch, 1985
+
[[Temple Hauptfleisch]], 1985. ''The Breytie Book''. Johannesburg: [[The Limelight Press]]
  
== For more information ==
 
  
See also: [[Human Sciences Research Council]], [[National Documentation Centre for the Performing Arts]]
 
  
 
=Return to=
 
=Return to=

Latest revision as of 06:50, 10 April 2024

The Centre for South African Theatre Research (Acronym: CESAT, active 1979-1989) was an archive and documentation centre as well as a research facility and clearinghouse housed in the Institute for Languages, Literature and Arts of the Human Sciences Research Council

Also found as Centre for SA Theatre Research

See also: Human Sciences Research Council and National Documentation Centre for the Performing Arts

Origins

The centre derives from the National Documentation Centre for the Performing Arts (1971-1978). In 1979, on the retirement of Rinie Stead, the HSRC appointed Temple Hauptfleisch as head and researcher with the commission to expand it into a far more active research centre. It was then renamed the Centre for South African Theatre Research (CESAT) and, while it continued collecting archival material on South African theatre and performance under the curatorship of Astrid Schwenke (née Astrid Schüler) and Joey Fourie, the centre now also undertook a number of specific research projects. Other CESAT staff members over the years included Paddy Terry, Eunice Reynecke, Wilma Viljoen, Celéste van Greunen, Lina Coetzer and Elma Young.

The CESAT Collection

This refers to the vast collection of theatre materials originally collected by the National Documentation Centre for the Performing Arts (1971-1979) and continued by the Centre for South African Theatre Research (CESAT – 1979-1989). When the HSRC moved to their own building in 198*, the four arts research centres combined their material in what became known as the South African Centre for Information on the Arts (SACIA), housed in a specially designed archival store. However, in a very controversial move by the HSRC, all the material in the arts collections (theatre, ballet, music and visual arts) held by the Human Sciences Research Council, was handed over to the National Archives of South Africa, Hamilton Street, Pretoria, in 1992, to be housed in the section formerly known as the National Film and Video Archives.


The CESAT Research

The research undertaken included studies by Temple Hauptfleisch and Eunice Reynecke of research methodology in the performing arts (e.g. Hauptfleisch 198* and 198*, Reynecke 198*), studies on the history of theatre (e.g Rinie Stead’s unpublished history of the National Theatre Organisation (1980), Hauptfleisch 1984a, Schwenke, 198*), studies on the sociology of theatre and theatre attendance (e.g Hauptfleisch 198*, 198*, 198*) and source guides on theatre in general and on specific topics (e.g. Viljoen, 198*, Hauptfleisch, Schuler and Van Greunen, 198*). The Centre also undertook focussed research on theatre in education over an extended period, with Paddy Terry and Temple Hauptfleisch as researchers in this field and served as secretariat for the SA Association for Drama and Youth Theatre (SAADYT), editing and publishing the SAADYT Journal for a number of years. Between 1986 - 1987 the Centre also provided the editorial offices for the newly launched South African Theatre Journal (SATJ), founded and edited by Temple Hauptfleisch and Ian Steadman.

The dismantling of CESAT

In 1988 Temple Hauptfleisch left the Centre for an academic position and to found the Centre for Theatre and Performance Studies (CENTAPS) at the University of Stellenbosch Drama Department. Eunice Reynecke briefly took over the headship, but in 1989 the HSRC closed down the centre and transferred the documentation to the National Film Archives in Pretoria as the SACIA collection (see above). The research impetus moved to the University of Stellenbosch and its Centre for Theatre and Performance Studies.

Sources

Temple Hauptfleisch, 1985. The Breytie Book. Johannesburg: The Limelight Press


Return to

Return to South African Theatre Venues, Companies, Societies, etc

Return to The ESAT Entries

Return to Main Page