Difference between revisions of "ESAT Bibliography Pia-Pie"

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Picardie, Michael 2009. The drama and theatre of two South African plays under apartheid. Aberystwyth: Aberystwyth University. (M.Phil. dissertation).
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[[Michael Picardie|Picardie, Michael]] 2009. The drama and theatre of two South African plays under apartheid. Unpublished master’s thesis. Aberystwyth: Aberystwyth University.  
  
Pienaar, B. 1985. Deon : hoe yswind sy gesig verlam het [Deon van Zyl].  Huisgenoot, 12-13. Oktober 17.
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[[B. Pienaar|Pienaar, B.]] 1985. Deon: hoe yswind sy gesig verlam het ([[Van Zyl, Deon|Deon van Zyl]])''Huisgenoot'', 12-13. Oktober 17.
  
Pienaar, B. 1985. Mooie Amanda : pyn agter die glimlag [Amanda Strydom}. Huisgenoot, 14-15. Julie 25.
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[[B. Pienaar|Pienaar, B.]] 1985. Mooie Amanda: pyn agter die glimlag ([[Strydom, Amanda|Amanda Strydom]]). ''Huisgenoot'', 14-15. Julie 25.
  
Pienaar, Hans. 1999.  Die Engelse KKNK...  Insig, 08/99: 41.
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[[Hans Pienaar|Pienaar, Hans]] 1999.  Die Engelse KKNK...  ''Insig'', 08/99: 41.
  
Pienaar, Hans. 2002. Audience reaction shows that past is still present: Karoo festival play on land issues staged for poor of Schoemanshoek. In: The Sunday Independent, April 7, 2002: 10.
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[[L. Pienaar|Pienaar, L.]] 1952. Dramaturg en die regisseur. ''Helikon'', 1(3):88-91.
  
Pienaar, Hans. 2004. The perpetual crisis of succession. In: The Sunday Independent, April 18, 2004: 11.
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[[Léonie Pienaar|Pienaar, Léonie]] 1941. Toneelonderrig in die skool. ''Huisgenoot'', 26(1029):23. Desember 12.
  
Pienaar, L. 1952. Dramaturg en die regisseur. Helikon, 1(3): 88-91.
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[[Samantha Pienaar|Pienaar, Samantha]] 1997. ''Fitting the Word to the Action: An Ethnographic Journey Into Theatre'', by [[Bose, Neilesh|Neilesh Bose]]. Reviewed in: ''South African Theatre Journal'', 11(1&2):323-324.
  
Pienaar, Léonie 1941. Toneelonderrig in die skool. Huisgenoot. 26(1029):23. Desember 12.
+
[[Samantha Pienaar|Pienaar, Samantha]] 1997. ''Interculturalism and South African Indian Fusion Dance'', by [[Govender, Suria|Suria Govender]]. Reviewed in: ''South African Theatre Journal'', 11(1&2):322.
  
Pienaar, Samantha 1997. Fitting the word to the actionan ethnographic journey into theatre, by Neilesh Bose. Reviewed in: South African theatre journal, 11(1&2):323-324.
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[[Samantha Pienaar|Pienaar, Samantha]] 1998. ''Alien BodiesRepresentations of Modernity,’ Race’ and Nation In Early Modern Dance'', by [[Burt, Ramsay|Ramsay Burt]]. Reviewed in: ''South African Theatre Journal'', 12(1&2):262-265.
  
Pienaar, Samantha 1997. Interculturalism and South African Indian fusion dance, by Suria Govender. Reviewed in: South African theatre journal, 11(1&2):322..
+
[[Samantha Pienaar|Pienaar, Samantha]] 2002. ''Songs of the Women Migrants: Performance and Identity in South Africa'', by [[James, Deborah|Deborah James]]. Reviewed in: ''South African Theatre Journal'', 16:228-229.
  
Pienaar, Samantha  1998. Alien bodies:  representations of modernity,’ race’ and nation in early modern dance, by Ramsay Burt. Reviewed in: South African theatre journal, 12(1&2):262-265.
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[[Hennie Pieterse|Pieterse, Hennie]] 1991. ''[[Die Keiser]]'' – ‘n teksontledingstrategie. ''Tydskrif vir Letterkunde'', 29(2):112-135.
  
Pienaar, Samantha  2002. Songs of the women migrants:  performance and identity in South Africa, by Deborah James. Reviewed in: South African theatre journal, 16: 228 – 229.
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[[D. Pietersen|Pietersen D.]] 1999. Patterns of change; audience, attendance, and music at the 1994 [[National Arts Festival|Grahamstown Festival]]. ''Contemporary Theatre Review'', 9(2):61.
  
Pienaar BOSE, NEILESH.  Fitting the Word to the Action:  An Ethnographic Journey into Theatre () South African Theatre Journal, Vol.    11(1&2):323-324
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[[Isaac Dudley Pietersen|Pietersen, Issaac Dudley]] 1998. South African drama and theories of the apocalypse. Unpublished master’s thesis. Bellville: University of the Western Cape.  
 
 
Pienaar BURT, RAMSAY.  Alien Bodies:  Representations of Modernity, ‘Race’ and Nation in early Modern Dance (Samantha) South African Theatre Journal, Vol.    12(1&2):262-265
 
 
 
Pienaar GOVENDER, SURIA.  Interculturalism and South African Indian Fusion Dance (Samantha) South African Theatre Journal, Vol.    11(1&2):322
 
 
 
Pienaar JAMES, DEBORAH.  Songs of the women migrants:  performance and identity in South Africa. (Samantha)  Vol 16: 228 – 229.
 
 
 
Pieterse, Hennie 1991. Die keiser – ‘n teksontledingstrategie. Tydskrif vir letterkunde, 29(2): 112-135.
 
 
 
Pietersen D. 1999. Patterns of change; audience, attendance, and music at the 1994
 
Grahamstown Festival. Contemporary theatre review, 9(2): 61.
 
 
 
Pietersen, Issaac Dudley 1998. South African drama and theories of the apocalypse. Bellville: University of the Western Cape. (MA-thesis.)
 
  
  

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Picardie, Michael 2009. The drama and theatre of two South African plays under apartheid. Unpublished master’s thesis. Aberystwyth: Aberystwyth University.

Pienaar, B. 1985. Deon: hoe yswind sy gesig verlam het (Deon van Zyl). Huisgenoot, 12-13. Oktober 17.

Pienaar, B. 1985. Mooie Amanda: pyn agter die glimlag (Amanda Strydom). Huisgenoot, 14-15. Julie 25.

Pienaar, Hans 1999. Die Engelse KKNK... Insig, 08/99: 41.

Pienaar, L. 1952. Dramaturg en die regisseur. Helikon, 1(3):88-91.

Pienaar, Léonie 1941. Toneelonderrig in die skool. Huisgenoot, 26(1029):23. Desember 12.

Pienaar, Samantha 1997. Fitting the Word to the Action: An Ethnographic Journey Into Theatre, by Neilesh Bose. Reviewed in: South African Theatre Journal, 11(1&2):323-324.

Pienaar, Samantha 1997. Interculturalism and South African Indian Fusion Dance, by Suria Govender. Reviewed in: South African Theatre Journal, 11(1&2):322.

Pienaar, Samantha 1998. Alien Bodies: Representations of Modernity,’ Race’ and Nation In Early Modern Dance, by Ramsay Burt. Reviewed in: South African Theatre Journal, 12(1&2):262-265.

Pienaar, Samantha 2002. Songs of the Women Migrants: Performance and Identity in South Africa, by Deborah James. Reviewed in: South African Theatre Journal, 16:228-229.

Pieterse, Hennie 1991. Die Keiser – ‘n teksontledingstrategie. Tydskrif vir Letterkunde, 29(2):112-135.

Pietersen D. 1999. Patterns of change; audience, attendance, and music at the 1994 Grahamstown Festival. Contemporary Theatre Review, 9(2):61.

Pietersen, Issaac Dudley 1998. South African drama and theories of the apocalypse. Unpublished master’s thesis. Bellville: University of the Western Cape.



Click on the appropriate letters of the alphabet in the sub-list below.

P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance