Difference between revisions of "Edith Cartwright"

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(b. **/**/1881 – d. **/**/****). British actress. Though she originally acted under the name of Edith Morley, which was her father’s family name, Edith Cartwright was the daughter of Victorian actor Charles Cartwright (1855-1915) and between February and August 1898 she accompanied her father on his second theatrical tour of Australia.  She is said to have made her first appearance on any stage on 19 February in ''The Squire of Dames'' at the Bijou in Melbourne.  While her number of performances was limited  because of injuries sustained  in a riding accident, she  was well received by Australian audiences.  One enthusiastic critic wrote:  “Miss Morley is an attractive brunette, and divinely tall.  Her features suggest intellectual power, and throughout she displays a high intelligence and a faculty of expression which should stand her in good stead.”  Other plays in which she appeared were ''The Idler'', ''The Tree of Knowledge'' and ''The Middleman''.
 
(b. **/**/1881 – d. **/**/****). British actress. Though she originally acted under the name of Edith Morley, which was her father’s family name, Edith Cartwright was the daughter of Victorian actor Charles Cartwright (1855-1915) and between February and August 1898 she accompanied her father on his second theatrical tour of Australia.  She is said to have made her first appearance on any stage on 19 February in ''The Squire of Dames'' at the Bijou in Melbourne.  While her number of performances was limited  because of injuries sustained  in a riding accident, she  was well received by Australian audiences.  One enthusiastic critic wrote:  “Miss Morley is an attractive brunette, and divinely tall.  Her features suggest intellectual power, and throughout she displays a high intelligence and a faculty of expression which should stand her in good stead.”  Other plays in which she appeared were ''The Idler'', ''The Tree of Knowledge'' and ''The Middleman''.
  
While in Australia she still acted under the name of Edith Morley, back home she took the name of Edith Cartwright.  In England she appeared in such plays as ''Tatterley'' (1899), ''The King of Fools'' (1900), ''Colonel Cromwell'' (1900), ''The Shadow Dance'' (1901) and ''Merely Mary Ann'' (1904), ''The Shadow Dance'' being an adaptation of "The Hunchback of Notre Dame" in which she played Esmeralda opposite her father’s Quasimodo.  In 1905 she made her first visit to North America as a member of the Ellis Jeffreys Company, returning in 1906, 1919 and 1912.  Plays in which she appeared included ''The Prince Consort'' (1905), ''The Squaw Ma''n (1906), ''The Concert'' (1910), ''The Paper Chase'' (1912) and ''The Woman Who Atoned'' (1913).  In between she continued to act in Great Britain in plays such as ''Dombey and Son'' (1907), ''In the Bishop’s Carriage'' (1907), ''The Three of Us'' (1908) and ''The Marriage of William Ashe'' (1908), ''Peg o’ My Heart'' (1915).
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While in Australia she still acted under the name of Edith Morley, back home she became Edith Cartwright.  In England she appeared in such plays as ''Tatterley'' (1899), ''The King of Fools'' (1900), ''Colonel Cromwell'' (1900), ''The Shadow Dance'' (1901) and ''Merely Mary Ann'' (1904), ''The Shadow Dance'' being an adaptation of "The Hunchback of Notre Dame" in which she played Esmeralda opposite her father’s Quasimodo.  In 1905 she made her first visit to North America as a member of the Ellis Jeffreys Company, returning in 1906, 1919 and 1912.  Plays in which she appeared included ''The Prince Consort'' (1905), ''The Squaw Ma''n (1906), ''The Concert'' (1910), ''The Paper Chase'' (1912) and ''The Woman Who Atoned'' (1913).  In between she continued to act in Great Britain in plays such as ''Dombey and Son'' (1907), ''In the Bishop’s Carriage'' (1907), ''The Three of Us'' (1908) and ''The Marriage of William Ashe'' (1908), ''Peg o’ My Heart'' (1915).
  
 
In December 1919 she made her first stage appearance in South Africa when she starred in ''[[Palace, Bedroom and Bath]''] at [[His Majesty’]]s in Johannesburg.  Also in the cast were [[Cecil Kellaway]], [[Elise Hamilton]], [[Hilda Attenboro]], [[Florence Roberts]] and [[Harcourt Collett]], while the play was produced by [[William Mollison]].  In addition she acted in the film version of [[H. De Vere Stacpoole]]’s ''[[The Vulture’s Prey]]'' ([[Dick Cruikshanks]] & [[William Bowden]]/1922) in the role of Margaret Harker (alias Sonia Perovski).  In 1922 an Edith Morley appeared in a British film entitled ''No. 7 Brick Row'', directed by Fred W. Durrant and two shorts directed by Edwin Greenwood and it is likely that was her as well.  The last appearance we have for her is in a revue called ''Picnic'' at the Arts Theatre in London, which also featured [[Leslie French]].  After that she disappears from sight.  (FO)
 
In December 1919 she made her first stage appearance in South Africa when she starred in ''[[Palace, Bedroom and Bath]''] at [[His Majesty’]]s in Johannesburg.  Also in the cast were [[Cecil Kellaway]], [[Elise Hamilton]], [[Hilda Attenboro]], [[Florence Roberts]] and [[Harcourt Collett]], while the play was produced by [[William Mollison]].  In addition she acted in the film version of [[H. De Vere Stacpoole]]’s ''[[The Vulture’s Prey]]'' ([[Dick Cruikshanks]] & [[William Bowden]]/1922) in the role of Margaret Harker (alias Sonia Perovski).  In 1922 an Edith Morley appeared in a British film entitled ''No. 7 Brick Row'', directed by Fred W. Durrant and two shorts directed by Edwin Greenwood and it is likely that was her as well.  The last appearance we have for her is in a revue called ''Picnic'' at the Arts Theatre in London, which also featured [[Leslie French]].  After that she disappears from sight.  (FO)

Revision as of 09:57, 21 January 2014

(b. **/**/1881 – d. **/**/****). British actress. Though she originally acted under the name of Edith Morley, which was her father’s family name, Edith Cartwright was the daughter of Victorian actor Charles Cartwright (1855-1915) and between February and August 1898 she accompanied her father on his second theatrical tour of Australia. She is said to have made her first appearance on any stage on 19 February in The Squire of Dames at the Bijou in Melbourne. While her number of performances was limited because of injuries sustained in a riding accident, she was well received by Australian audiences. One enthusiastic critic wrote: “Miss Morley is an attractive brunette, and divinely tall. Her features suggest intellectual power, and throughout she displays a high intelligence and a faculty of expression which should stand her in good stead.” Other plays in which she appeared were The Idler, The Tree of Knowledge and The Middleman.

While in Australia she still acted under the name of Edith Morley, back home she became Edith Cartwright. In England she appeared in such plays as Tatterley (1899), The King of Fools (1900), Colonel Cromwell (1900), The Shadow Dance (1901) and Merely Mary Ann (1904), The Shadow Dance being an adaptation of "The Hunchback of Notre Dame" in which she played Esmeralda opposite her father’s Quasimodo. In 1905 she made her first visit to North America as a member of the Ellis Jeffreys Company, returning in 1906, 1919 and 1912. Plays in which she appeared included The Prince Consort (1905), The Squaw Man (1906), The Concert (1910), The Paper Chase (1912) and The Woman Who Atoned (1913). In between she continued to act in Great Britain in plays such as Dombey and Son (1907), In the Bishop’s Carriage (1907), The Three of Us (1908) and The Marriage of William Ashe (1908), Peg o’ My Heart (1915).

In December 1919 she made her first stage appearance in South Africa when she starred in [[Palace, Bedroom and Bath]] at His Majesty’s in Johannesburg. Also in the cast were Cecil Kellaway, Elise Hamilton, Hilda Attenboro, Florence Roberts and Harcourt Collett, while the play was produced by William Mollison. In addition she acted in the film version of H. De Vere Stacpoole’s The Vulture’s Prey (Dick Cruikshanks & William Bowden/1922) in the role of Margaret Harker (alias Sonia Perovski). In 1922 an Edith Morley appeared in a British film entitled No. 7 Brick Row, directed by Fred W. Durrant and two shorts directed by Edwin Greenwood and it is likely that was her as well. The last appearance we have for her is in a revue called Picnic at the Arts Theatre in London, which also featured Leslie French. After that she disappears from sight. (FO)

Sources

The Star, Christchurch, 24 March 1898

The Era, London, 1 July 1899

The Morning Telegraph, New York, 2 February 1905

S.A. Pictorial, 13 December 1919

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