Difference between revisions of "April Sizemore-Barber"
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==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | + | She has published quite widely on South African theatre and performance and relevant publications include: | |
| − | + | "The Voice of (Which?) Africa: Miriam Makeba in America" (article in ''[[Safundi: The Journal of South African and American Studies]]'' Vol. 13, Nos. 3-4, July–October 2012, 251–276) | |
| − | + | ''Prismatic Performances Queer South Africa and the Fragmentation of the Rainbow Nation'' (University of Michigan Press, 2020), | |
== Sources == | == Sources == | ||
Revision as of 05:31, 16 January 2024
April Sizemore-Barber is an academic and researcher whose interest lies at the intersection of performance studies, gender/queer studies, and Africana studies.
Contents
Biography
April Sizemore-Barber, has taught at the Department of Theater, Dance and Performance Studies,University of California, Berkeley, and been an Assistant Professor of the Practice in Women's and Gender Studies at Georgetown University, USA,
april.sizemore.barber@berkeley.edu
Contribution to SA theatre, film, media and/or performance
She has published quite widely on South African theatre and performance and relevant publications include:
"The Voice of (Which?) Africa: Miriam Makeba in America" (article in Safundi: The Journal of South African and American Studies Vol. 13, Nos. 3-4, July–October 2012, 251–276)
Prismatic Performances Queer South Africa and the Fragmentation of the Rainbow Nation (University of Michigan Press, 2020),
Sources
https://georgetown.academia.edu/AprilSizemoreBarber
https://www.press.umich.edu/10192303/prismatic_performances
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