Difference between revisions of "April Sizemore-Barber"
| Line 8: | Line 8: | ||
==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | Relevant publications include a number of articles and reviews and | + | Relevant publications include a number of books, articles and reviews |
| + | |||
| + | Among them: | ||
| + | |||
| + | "The Voice of (Which?) Africa: Miriam Makeba in America" (article in ''[[Safundi: The Journal of South African and American Studies]]'' Vol. 13, Nos. 3-4, July–October 2012, 251–276) and ''Prismatic Performances Queer South Africa and the Fragmentation of the Rainbow Nation'' (University of Michigan Press, 2020), | ||
== Sources == | == Sources == | ||
Revision as of 05:23, 16 January 2024
April Sizemore-Barber is an academic and researcher whose interest lies at the intersection of performance studies, gender/queer studies, and Africana studies.
Contents
Biography
An Assistant Professor of the Practice in Women's and Gender Studies at Georgetown University, USA, she has published quite widely on South African theatre and performance.
Contribution to SA theatre, film, media and/or performance
Relevant publications include a number of books, articles and reviews
Among them:
"The Voice of (Which?) Africa: Miriam Makeba in America" (article in Safundi: The Journal of South African and American Studies Vol. 13, Nos. 3-4, July–October 2012, 251–276) and Prismatic Performances Queer South Africa and the Fragmentation of the Rainbow Nation (University of Michigan Press, 2020),
Sources
https://georgetown.academia.edu/AprilSizemoreBarber
https://www.press.umich.edu/10192303/prismatic_performances
Go to the ESAT Bibliography
Return to
Return to ESAT Personalities S
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
