Difference between revisions of "Formal acting"

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The term "formal" in the phrases [[formal acting]], [[formal performer]], [[formal performance]], [[formal play]], [[formal actor]], [[formal actress]], etc. are used in [[ESAT]] to distinguish traditional acting in formally written plays form improvisational work, where the [[performer]] is also a co-creator of the text, and other alternative forms of performance.  
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The term "'''formal'''" as found in the phrases [[formal acting]], [[formal performer]], [[formal performance]], [[formal play]], [[formal actor]], [[formal actress]], etc. is used in '''[[ESAT]]''' specifically to distinguish what may loosely be termed "traditional" or "classical"[https://en.wikipedia.org/wiki/Classical_acting] stage acting in performances of written plays (i.e. performing the text as written by a [[playwright]]) from more [[improvisational]] work, where the [[performer]] is probably also a co-creator of the [[text]], and other [[alternative]] forms of performance that have been a particular feature of the post 1960s international theatre, and a dominant approach in South Africa since the 1970s.  
  
==Source==
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==Sources==
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https://en.wikipedia.org/wiki/Classical_acting
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Go to [[ESAT Bibliography]]
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== Return to ==
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Return to [[The South African Context/General Terminology and Thematic Entries]]
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Return to [[South African Theatre/Terminology and Thematic Entries]]
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Return to [[South African Film /Terminology and Thematic Entries]]
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Return to [[South African Media/Terminology and Thematic Entries]]
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Return to [[The ESAT Entries]]
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Return to [[Main Page]]
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Latest revision as of 05:51, 12 October 2022

The term "formal" as found in the phrases formal acting, formal performer, formal performance, formal play, formal actor, formal actress, etc. is used in ESAT specifically to distinguish what may loosely be termed "traditional" or "classical"[1] stage acting in performances of written plays (i.e. performing the text as written by a playwright) from more improvisational work, where the performer is probably also a co-creator of the text, and other alternative forms of performance that have been a particular feature of the post 1960s international theatre, and a dominant approach in South Africa since the 1970s.

Sources

https://en.wikipedia.org/wiki/Classical_acting

Go to ESAT Bibliography

Return to

Return to The South African Context/General Terminology and Thematic Entries

Return to South African Theatre/Terminology and Thematic Entries

Return to South African Film /Terminology and Thematic Entries

Return to South African Media/Terminology and Thematic Entries

Return to The ESAT Entries

Return to Main Page