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- ...hembe]] at the holy city of Ekuphakameni in 1911. It had a rich liturgical tradition based on modified forms of traditional [[Zulu]] dancing and hosted an annu Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]895 bytes (119 words) - 06:03, 16 March 2011
- ...rogramme of verse, prose and/or dramatic sketches as part of an evening of theatre, various public occasions, solo performances, etc. Often done by a trained ...nto the 20th century, and even regained important stature in the Afrikaans tradition during the evolution of the Afrikaans [[Festival|festival circuit]] in in t4 KB (626 words) - 06:28, 6 December 2010
- ...city of Ekuphakameni. Shembe provided his followers with a rich liturgical tradition based on modified forms of traditional Zulu dancing and established an ann Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]988 bytes (130 words) - 06:04, 16 March 2011
- Izinganekwane is a Zulu word for a popular rural tradition of folktale narratives, similar to the Xhosa [[Ntsomi|ntsomi]] (Kruger, 199 Return to [[South_African_Theatre/Themes|South African Theatre Terminology and Thematic Entries]]295 bytes (41 words) - 10:00, 10 September 2010
- A Xhosa word for referring to a traditional storyteller and the popular rural tradition of folktale narratives, similar to the Zulu [[Izinganekwane]]. Return to [[South_African_Theatre/Themes|South African Theatre Terminology and Thematic Entries]]308 bytes (43 words) - 09:57, 10 September 2010
- ...hembe]] at the holy city of Ekuphakameni in 1911. It had a rich liturgical tradition based on modified forms of traditional [[Zulu]] dancing and hosted an annu Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]1 KB (161 words) - 06:03, 16 March 2011
- == Oral Tradition in Performance == The [[Ntsomi]] is a popular rural tradition of folktale narratives among the Xhosa.2 KB (330 words) - 17:07, 17 September 2010
- ...rican schools in the late 19th century, and become established as a vested tradition in American high schools till this day. However, the USA understanding of t The British term occurs in South Africa in the [[Garrison theatre]] tradition, e.g. with such groups as the [[Lanarkshire Glee Club]] (1869).2 KB (257 words) - 05:54, 22 January 2019
- ...aughters move in and out of a time zone of memory to confront an unearthly tradition Choreographed by [[Mongi Mthombeni]] and directed by [[Yve Pelser]]. First Return to [[South_African_Theatre/Plays|South African Theatre Plays]]457 bytes (70 words) - 18:28, 28 June 2012
- ...It was one of many which had developed out of the [[Minstrels|minstrelsy]] tradition of the 1920s, led by renowned pianist Emily Makanana, (wife of [[Griffiths Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]534 bytes (76 words) - 13:13, 9 November 2010
- ...ar globally, and would be most commonly associated with the [[minstrelsy]] tradition. Early white performers in blackface used burnt cork and later greasepaint ...d in a number of associated performance traditions, e.g. in the Mardi Gras tradition in the USA (see Staub, 1992) and the [[Coon Carnival]] in South Africa.3 KB (392 words) - 06:54, 17 February 2019
- ...It was one of many which had developed out of the [[Minstrels|minstrelsy]] tradition of the 1920s. Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]570 bytes (78 words) - 15:58, 5 January 2011
- An [[Eisteddfod]] is a concept deriving from a 12th century Welsh tradition of arts festivals, but is today used to refer to what is basically a compet ...evival through the emergence of a number of informal eisteddfodau, and the tradition spread through the British Empire over the next two centuries.4 KB (613 words) - 06:53, 8 February 2017
- ...ich had developed out of the [[Minstrel shows in South Africa|minstrelsy]] tradition of the 1920s, and they took their shows on the road throughout the Union of Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]637 bytes (92 words) - 17:10, 17 April 2019
- ...eatrical works which in a sense “cross over” from one (or more) theatrical tradition(s) to another and seeks to blend elements from the constituting traditions/ See also [[Hybrid theatre]] and [[Syncretism]]734 bytes (117 words) - 10:18, 12 August 2010
- ...key role supporting performances of the plays over the years and it became tradition that on the last performance of every season he would take his bow at the e Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]753 bytes (123 words) - 07:14, 6 January 2015
- ...to win a young girl's heart with the aid of charms. It also dealt with the tradition which forbids the marriage of a younger sister until the elder sisters are Return to [[South_African_Theatre/Plays|South African Theatre Plays]]730 bytes (106 words) - 18:06, 13 July 2012
- ...] playwrights for much of the 20th century, since they tended to work in a tradition that favoured his kind of issue-driven, slightly sensationalist style of so Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]985 bytes (144 words) - 07:39, 13 April 2016
- ...g a thin wire or rope, and an awe inspiring acrobatic skill. It has a long tradition in various countries and is commonly associated with the [[circus]], [[musi Return to [[South African Theatre/Terminology and Thematic Entries]]992 bytes (144 words) - 06:17, 4 January 2016
- ...nse the wily spider, comes from Ghana and is part of an indigenous theatre tradition. It can be staged with or without music. Performed at the Market Theatre directed by [[Peter Se-Puma]].(?)832 bytes (127 words) - 06:54, 1 February 2018
