Difference between revisions of "Woyzeck on the Highveld"

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by [[William Kentridge]] and the [[Handspring Puppet Company]] (1992).  
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''[[Woyzeck on the Highveld]]'' is a collaborative theatre production by [[William Kentridge]] (1955-) and the [[Handspring Puppet Company]].  
  
'''See ''[[Woyzeck]]'' in  Plays II.'''
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==The original text==
  
See also the [[Handspring Puppet Company]] website[http://www.handspringpuppet.co.za/handspring-productions/woyzeck-on-the-highveld/]
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This is a major adaptation of Georg Büchner's unfinished play ''[[Woyzeck]]'' and was undertaken as the first collaborative theatre project by artist [[William Kentridge]] and the [[Handspring Puppet Company]].
  
Return to [[ESAT Plays 1 W|W]]
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The play comments on South Africa at the start of the 1990s  through a multi-layered structure taking place on three levels: the rear-projected animation of filmed charcoal drawings and ink-drawn shadow puppets, the roughly carved wooden rod puppets in front of the screen, each manipulated by four puppeteers, and a live actor. The distance between the inner world as projected on the screen and the action on stage forms the thin line between Woyzeck's twisted dream and reality.
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Return to [[South_African_Theatre/Plays|South African Theatre Plays]]
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After opening in 1992, the play went on to tour the world for years. After appearing in Israel in 1996, the puppets were sold to the Munich City Museum’s puppet collection. However they
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The text published in
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==Translations and adaptations==
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== Performance history in South Africa ==
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1992: The play opened at the [[Grahamstown Festival]], directed by [[William Kentridge]] with [[Adrian Kohler]], [[Basil Jones]], [[Louis Seboko]], [[Busie Zokufa]] and [[Tale Motsepe]] as puppeteers.
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1992: The production played at the [[Market Theatre]] and at the [[Baxter Theatre]].
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1994: Performed at the Athenaeum Theatre in Chicago.
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1996: The production was presented during the Israel Festival, Jerusalem at the Rebecca Crown Auditorium, May 31 - June 2. Later the puppets were sold to the Munich City Museum's puppet collection.
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2008: The puppets were borrowed from Munich City Museum for a revival for the UNIMA Festival in Perth, Australia, with [[Mncedisi Shabangu]] taking Motsepe’s place.  This also played in South Africa
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2011: Performed at The Barbican, London[https://www.theguardian.com/stage/2011/sep/07/woyzeck-on-the-highveld-review]
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== Sources ==
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The [[Handspring Puppet Company]] website[http://www.handspringpuppet.co.za/handspring-productions/woyzeck-on-the-highveld/]
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[[Ruphin Coudyzer]]. 2023. Annotated list of his photographs of [[Market Theatre]] productions. (Provided by Coudyzer)
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https://www.youtube.com/watch?v=r6rDZYmTvX8
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https://www.theguardian.com/stage/2011/sep/07/woyzeck-on-the-highveld-review
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Go to [[ESAT Bibliography]]
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== Return to ==
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Return to [[PLAYS I: Original SA plays]]
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Return to [[PLAYS II: Foreign plays]]
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Return to [[PLAYS III: Collections]]
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Return to [[PLAYS IV: Pageants and public performances]]
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Return to [[South_African_Festivals|South African Festivals and Competitions]]
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Return to [[South_African_Radio/Plays|South African Radio Plays and Serials]]
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Return to [[South_African_Television/Plays|South African Television Plays and Series]]
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Return to [[South_African_Films]]
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Return to [[The ESAT Entries]]
  
 
Return to [[Main Page]]
 
Return to [[Main Page]]

Latest revision as of 17:24, 19 January 2024

Woyzeck on the Highveld is a collaborative theatre production by William Kentridge (1955-) and the Handspring Puppet Company.

The original text

This is a major adaptation of Georg Büchner's unfinished play Woyzeck and was undertaken as the first collaborative theatre project by artist William Kentridge and the Handspring Puppet Company.

The play comments on South Africa at the start of the 1990s through a multi-layered structure taking place on three levels: the rear-projected animation of filmed charcoal drawings and ink-drawn shadow puppets, the roughly carved wooden rod puppets in front of the screen, each manipulated by four puppeteers, and a live actor. The distance between the inner world as projected on the screen and the action on stage forms the thin line between Woyzeck's twisted dream and reality.

After opening in 1992, the play went on to tour the world for years. After appearing in Israel in 1996, the puppets were sold to the Munich City Museum’s puppet collection. However they

The text published in

Translations and adaptations

Performance history in South Africa

1992: The play opened at the Grahamstown Festival, directed by William Kentridge with Adrian Kohler, Basil Jones, Louis Seboko, Busie Zokufa and Tale Motsepe as puppeteers.

1992: The production played at the Market Theatre and at the Baxter Theatre.

1994: Performed at the Athenaeum Theatre in Chicago.

1996: The production was presented during the Israel Festival, Jerusalem at the Rebecca Crown Auditorium, May 31 - June 2. Later the puppets were sold to the Munich City Museum's puppet collection.

2008: The puppets were borrowed from Munich City Museum for a revival for the UNIMA Festival in Perth, Australia, with Mncedisi Shabangu taking Motsepe’s place. This also played in South Africa

2011: Performed at The Barbican, London[1]

Sources

The Handspring Puppet Company website[2]

Ruphin Coudyzer. 2023. Annotated list of his photographs of Market Theatre productions. (Provided by Coudyzer)

https://www.youtube.com/watch?v=r6rDZYmTvX8

https://www.theguardian.com/stage/2011/sep/07/woyzeck-on-the-highveld-review

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to South African Radio Plays and Serials

Return to South African Television Plays and Series

Return to South_African_Films

Return to The ESAT Entries

Return to Main Page