Difference between revisions of "William Haviland"

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[[William Haviland]] (1860-1917)[https://shakespeare.emory.edu/william-haviland/] was a British Shakespearian actor and manager.
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[[William Haviland]] (1860-1917)[https://shakespeare.emory.edu/william-haviland/] was a British Shakespearian actor, director  and manager.
  
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== Biography ==
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Born William Alexander Irwin, he used the stage name [[William Haviland]] for most of his life. He began his stage career when he joined the company of Sir Henry Irving in 1882, performing minor and major roles in the thirteen years he played and toured with Irving.
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He married [[Amy Coleridge]] in Chicago on 18 February 1884. They had two children , and were later divorced, possibly 1901.
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He and his family left Irving in 1895 to tour South Africa with the Holloway and his Shakespearean company under the auspices of [[The Wheelers]], and in 1897 he  and [[Gerald Lawrence]] (1873-1957)[http://en.wikipedia.org/wiki/Gerald_Lawrence], founded the [[William Haviland and Gerald Lawrence Shakespearean Company]] to tour in South Africa once again. 
  
== Biography ==
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In 1899 he (or the company) did a season in Cape Town that included ''[[David Garrick]]'', ''[[The Lyons Mail]]'', ''[[Hamlet]]'' and ''[[The Bells]]''.
  
William Haviland began his stage career when he joined the company of Sir Henry Irving in 1882, performing minor and major roles in the thirteen years he played and toured with Irving. He left Irving in 1895 to found the [[William Haviland and Gerald Lawrence Shakespearean Company]] with Gerald Lawrence ()[], ''inter alia'' to tour in South Africa in 1897. On his return he joined the company of Johnston Forbes-Robertson and then that of Martin Harvey for his sixth tour of America in 1902.
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On his return to England he joined the company of Johnston Forbes-Robertson and then that of Martin Harvey for his sixth tour of America in 1902.  
  
 
In 1903 he joined Max Beerbohm Tree’s company and remained with him until 1905, returning to South Africa with Tree for his fourth tour. His final performance in Shakespeare came in a Dublin production of Richard II with Tree in 1913.  
 
In 1903 he joined Max Beerbohm Tree’s company and remained with him until 1905, returning to South Africa with Tree for his fourth tour. His final performance in Shakespeare came in a Dublin production of Richard II with Tree in 1913.  
  
He apparently listed “rehearsing” among his recreations.  
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He apparently listed “rehearsing” among his recreations.
  
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== Contribution to South African theatre ==
  
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Haviland visited South Africa quite regularly as actor-manager over the years.
  
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In September of 1896 he and [[Frank de Jong]] formed the [[De Jong and Haviland]] company and which leased the Cape Town [[Opera House]] almost continuously from 1896-1905. 
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In the period 1897-1898: He and [[Gerald Lawrence]] brought their [[Haviland and Lawrence Shakespearian & Dramatic Company]] to South Africa. He directed and performed in a large number of plays, including ''[[The Taming of the Shrew]]'', ''[[The Merchant of Venice]]'', ''[[Hamlet]]'',  ''[[Much Ado About Nothing]]''.
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In 1899 he was back in Cape Town with ''inter alia''  ''[[David Garrick]]'', ''[[The Lyons Mail]]'', ''[[Hamlet]]'' and ''[[The Bells]]'' (Robertson).
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During the 1905 season Haviland and his company presented productions of ''[[Leah Kleschna]]'' (McLellan) and ''[[Ressurrection]]'' (Tolstoy) at the [[Opera House]], Cape Town, and during July and August of 1906 he appeared in another season with productions of  ''[[The Taming of the Shrew]]'', ''[[Hamlet]]'', ''[[Macbeth]]'', ''[[The Bells]]'' and ''[[The Man Who Was]]'' - according to [[D.C. Boonzaier]] (1923), unfortunately with a poor quality company that included [[Edith Latimer]] as leading lady. 
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Among his many roles over time Boonzaier (1923) specifically notes his "Svengali" in ''[[Trilby]]'', "Iago" in ''[[Hamlet]]'', "Matthias" in ''[[The Bells]]'',  "Macaire" in and his performance in ''[[The Lyons Mail]]''.
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== Sources ==
  
 
https://shakespeare.emory.edu/william-haviland/
 
https://shakespeare.emory.edu/william-haviland/
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http://en.wikipedia.org/wiki/Gerald_Lawrence
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http://www.rootschat.com/forum/index.php?topic=202183.0
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[[D.C. Boonzaier]]. 1923. "My playgoing days – 30 years in the history of the Cape Town stage",  in ''SA Review'', 9 March and 24 August 1923. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)
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[[F.C.L. Bosman]]. 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp.422, 425
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''The S.A. Merry-Go-Round'', 2(4):28. August 21st, 1929.
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Go to the  [[ESAT Bibliography]]
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== Return to ==
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Return to [[ESAT Personalities  L]]
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Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
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Return to [[The ESAT Entries]]
 +
 +
Return to [[Main Page]]

Revision as of 06:55, 19 August 2020

William Haviland (1860-1917)[1] was a British Shakespearian actor, director and manager.

Biography

Born William Alexander Irwin, he used the stage name William Haviland for most of his life. He began his stage career when he joined the company of Sir Henry Irving in 1882, performing minor and major roles in the thirteen years he played and toured with Irving.

He married Amy Coleridge in Chicago on 18 February 1884. They had two children , and were later divorced, possibly 1901.

He and his family left Irving in 1895 to tour South Africa with the Holloway and his Shakespearean company under the auspices of The Wheelers, and in 1897 he and Gerald Lawrence (1873-1957)[2], founded the William Haviland and Gerald Lawrence Shakespearean Company to tour in South Africa once again.

In 1899 he (or the company) did a season in Cape Town that included David Garrick, The Lyons Mail, Hamlet and The Bells.

On his return to England he joined the company of Johnston Forbes-Robertson and then that of Martin Harvey for his sixth tour of America in 1902.

In 1903 he joined Max Beerbohm Tree’s company and remained with him until 1905, returning to South Africa with Tree for his fourth tour. His final performance in Shakespeare came in a Dublin production of Richard II with Tree in 1913.

He apparently listed “rehearsing” among his recreations.

Contribution to South African theatre

Haviland visited South Africa quite regularly as actor-manager over the years.

In September of 1896 he and Frank de Jong formed the De Jong and Haviland company and which leased the Cape Town Opera House almost continuously from 1896-1905.

In the period 1897-1898: He and Gerald Lawrence brought their Haviland and Lawrence Shakespearian & Dramatic Company to South Africa. He directed and performed in a large number of plays, including The Taming of the Shrew, The Merchant of Venice, Hamlet, Much Ado About Nothing.

In 1899 he was back in Cape Town with inter alia David Garrick, The Lyons Mail, Hamlet and The Bells (Robertson).

During the 1905 season Haviland and his company presented productions of Leah Kleschna (McLellan) and Ressurrection (Tolstoy) at the Opera House, Cape Town, and during July and August of 1906 he appeared in another season with productions of The Taming of the Shrew, Hamlet, Macbeth, The Bells and The Man Who Was - according to D.C. Boonzaier (1923), unfortunately with a poor quality company that included Edith Latimer as leading lady.

Among his many roles over time Boonzaier (1923) specifically notes his "Svengali" in Trilby, "Iago" in Hamlet, "Matthias" in The Bells, "Macaire" in and his performance in The Lyons Mail.

Sources

https://shakespeare.emory.edu/william-haviland/

http://en.wikipedia.org/wiki/Gerald_Lawrence

http://www.rootschat.com/forum/index.php?topic=202183.0

D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [3]: pp.422, 425


The S.A. Merry-Go-Round, 2(4):28. August 21st, 1929.

Go to the ESAT Bibliography

Return to

Return to ESAT Personalities L

Return to South African Theatre Personalities

Return to The ESAT Entries

Return to Main Page