A puppeteer, magician and impresario from England.
South African Performances by Parker and his company
The Automata or Mr Parker's Theatre of Mechanics 1837-1839
In 1837 he impressed Cape Town audiences with his huge, life-size Automaton figures - his presentations described as "Mechanical and Picturesque Theatre of Arts" (Bosman, 1828: p. 231). It “worked automatically through wires, ropes, steam” or someone inside the huge puppets. It was one of the first recorded puppet displays in Cape Town (a M. Decanis preceded Parker, showing only one Automaton figure in June 1837).
The first performance by the Automata - or as they were billed "Mr Parker's Theatre of Mechanics" was on 5 December 1837 and consisted of Polander , The Enchanted Turk, Children in the Wood (Morton) and Joey Grimaldi's Trip to Brentford (possibly their version of the classic comedy riding act called "Billy Buttons or the Tailors Ride to Brentford")
The company apparently performed daily from November 1837 till January 1838 in a space described as "The Mechanical and Picturesque Theatre of Arts", Long Street (opposite Mr Bam's.
Another presentation by the company was The Battle of Navarino, between the British, Dutch and French fleets.
In 1838 the company took their show on the road to Stellenbosch, Worcester, Swellendam, George and Uitenhage, finally ending in Cape Town again.
In 1839 they were in Grahamstown.
Parker's Cape Town career as manager 1847-1851
Parker as manager
According to Broom's reminiscences (Cape Illustrated Magazine, 1899; cited in Bosman, 1928: p. 419) he saw Parker, who was once more in Cape Town, in 1847 and 1848. Parker had apparently moved into more formal theatre by leasing the newly renovated Drury Lane Theatre for one season as manager, to present the New English Theatrical Company (also referred to as Parker's Company in some sources) in a season of light dramas and operas. Bosman, however casts some doubt on the above dates, stating that his research shows that Parker was definitely in Cape Town in 1848 with his "Theatre of Mechanics", and at that time could have taken the Drury Lane Theatre, and that he definitely did present plays in 1849, with the company playing on and off till 1851, sometimes in the Drury Lane Theatre and at others in the Hope Street Theatre (by then known as the Victoria Theatre). After that they seemed to disappear from the scene.
As manager Parker seems to have had some problems with the Drury Lane Theatre, as may be seen from Sam Sly's harsh critique of the theatre and the company in his review of their production of Luke the Labourer (Buckstone) in January 1849. besides the acting, Sly found found the space noisy and that the ventilation abominable (cited in Bosman, 1928: p. 419). Apparently this even caused the company to close down temporarily.
The company played on and off in Cape Town from then till 1851, playing in the Drury Lane Theatre and the Hope Street Theatre. They apparently performed inter alia Luke the Labourer (Buckstone), Victorine (Buckstone) , The King's Command (Thompson) and Damp Beds (Parry).
Du Toit, 1988;
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