Difference between revisions of "W.F.H. Parker"

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A puppeteer, magician and impresario from England.  
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[[W.F.H. Parker]] was a  puppeteer, magician and impresario from England.  
  
 +
He was the owner of a theatrical company (sometimes referred to as '''[[Mr Parker's Theatre of Mechanics]]''' or the '''[[Mechanical and Picturesque Theatre of Arts]]'''), which toured internationally showing huge, life-size [[Automaton]] figures. They “worked automatically through wires, ropes, steam” or through someone inside the huge puppets.
  
== South African Performances by Parker and his company ==
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== Cape Town career as puppeteer  1837-1839, 1849-1851==
  
=== The [[Automata]] or [[Mr Parker's Theatre of Mechanics]] 1837-1839===
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In 1837 Parker arrived in Cape Town and impressed audiences with the [[Automaton]] figures, billed as the "[[Mechanical and Picturesque Theatre of Arts]]" (Bosman, 1828: p. 231).  It was one of the first recorded puppet displays in Cape Town (a [[M. Decanis]] had preceded Parker, showing only one [[Automaton]] figure in June 1837).
  
 +
The first performance by the [[Automata]] - or as they were billed as "[[Mr Parker's Theatre of Mechanics]]" was on 5 December 1837 and consisted of ''[[Polander]]'' , ''[[The Enchanted Turk]]'', ''[[Children in the Wood]]'' (Morton) and ''[[Joey Grimaldi's Trip to Brentford]]'' (possibly their version of the classic comedy riding act called ''[[Billy Buttons, or the Tailor's Ride to Brentford]]'')
  
In 1837 he impressed Cape Town audiences with his huge, life-size [[Automaton]] figures - his presentations described as "Mechanical and Picturesque Theatre of Arts" (Bosman, 1828: p. 231).  It “worked automatically through wires, ropes, steam” or someone inside the huge puppets.  It was one of the first recorded puppet displays in Cape Town (a [[M. Decanis]] preceded Parker, showing only one [[Automaton]] figure in June 1837).
+
The company apparently performed daily from November 1837 till January 1838 in a space described as "[[The Mechanical and Picturesque Theatre of Arts]]", Long Street ("opposite [[Mr Bam]]'s").  
 
 
The first performance by the [[Automata]] - or as they were billed "[[Mr Parker's Theatre of Mechanics]]" was on 5 December 1837 and consisted of ''[[Polander]]'' , ''[[The Enchanted Turk]]'', ''[[Children in the Wood]]'' (Morton) and ''[[Joey Grimaldi's Trip to Brentford]]'' (possibly their version of the classic comedy riding act called "Billy Buttons or the Tailors Ride to Brentford")
 
 
 
The company apparently performed daily from November 1837 till January 1838 in a space described as "[[The Mechanical and Picturesque Theatre of Arts]]", Long Street (opposite Mr Bam's.  
 
  
 
Later he also showed the [[Automata]] in ''[[The Enchanted Witch, or Mother Shipton]]'', along with scenes from London life, including the Vaux-hall Gardens, the "Ascent of Mr Sadler's Balloon", etc.  
 
Later he also showed the [[Automata]] in ''[[The Enchanted Witch, or Mother Shipton]]'', along with scenes from London life, including the Vaux-hall Gardens, the "Ascent of Mr Sadler's Balloon", etc.  
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In 1838 the company took their show on the road to Stellenbosch, Worcester, Swellendam, George and Uitenhage, finally ending in Cape Town again.
 
In 1838 the company took their show on the road to Stellenbosch, Worcester, Swellendam, George and Uitenhage, finally ending in Cape Town again.
  
In 1839 they were in Grahamstown.
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In in December 1839 they were performing in the [[Commercial Hall]] Grahamstown.  
 
 
=== Parker's Cape Town career as manager 1847-1851===
 
 
 
  
 +
In 1847 or 1848 he was back in Cape Town with the [[Automata]], and apparently continued showing them till some time in 1851.
  
=== Parker as manager ===
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==Cape Town career as manager 1847-1851==
  
According to Broom's reminiscences  ([[Cape Illustrated Magazine]], 1899; cited in [[F.C.L. Bosman|Bosman]], 1928: p. 419) he saw Parker, who was once more in Cape Town,  in 1847 and 1848. Parker had apparently  moved into more formal theatre by leasing the newly renovated [[Drury Lane Theatre]] for one season as manager, to present the [[New English Theatrical Company]] (also referred to as [[Parker's Company]] in some sources) in a season of light dramas and operas. [[F.C.L. Bosman|Bosman]], however casts some doubt on the above dates, stating that his research shows that Parker was definitely in Cape Town in 1848 with his "Theatre of Mechanics", and at that time ''could'' have taken the [[Drury Lane Theatre]], and that he definitely did present plays in 1849, with the company playing on and off till 1851, sometimes in the [[Drury Lane Theatre]]  and at others in the [[Hope Street Theatre]].  After that they seemed to disappear from the scene.
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With his second period in Cape Town,  Parker apparently  also moved into more formal theatre by leasing the new [[Drury Lane Theatre]] for one season as manager, to present the semi-professional  '''[[New English Theatrical Company]]''' (also referred to as '''[[Parker's Company]]''' in some sources) in a season of light dramas and operas. (There are some doubts about the exact dates. According to [[W.G. Groom|Groom]]'s reminiscences  in the ''[[Cape Illustrated Magazine]]'' of 1899 (cited in [[F.C.L. Bosman|Bosman]], 1928: p. 419),  he saw Parker in 1847 and 1848, but [[F.C.L. Bosman|Bosman]], expresses some doubts about the 1847 date, stating that his research shows that while Parker was definitely in Cape Town in 1848 with his "'''[[Theatre of Mechanics]]'''", and at that time thus ''could'' have taken the [[Drury Lane Theatre]]. There is evidence however of a seasons in 1849, 1850 and possibly 1851. The company sometimes appeared in the [[Drury Lane Theatre]]  and at others in the [[Hope Street Theatre]] (by then known as the [[Victoria Theatre]]).   
  
As manager parker seems to have hqads some problems with the drury Lane Theatre, for accorind In January 1849 it received much praise from the [[Cape Town Mail]] for its production of ''[[Luke the Labourer]]'' (Buckstone), but  [[Sam Sly]] responded with a harsh critique of the theatre and the company, suggesting that the [[Cape Town Mail]] review displayed  "exaggerated and false colouring" , for he had found the space noisy and that "the ventilation was abominable and ...the acting was no good..". (quoted in [[F.C.L. Bosman|Bosman]], 1928: p. 419). Apparently this caused the company to close down temporarily.
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After that he seemed to have disappeared from the scene, though a company called the [[English Amateur Company]] now appeared to perform in the [[Garrison Theatre]], till some time in 1853. Whether Parker was still part of the company is uncertain. Given his proclivity to advertise himself, it seems  unlikely.  
  
In 1850 they performed once more, this time at the [[Victoria Theatre]] ([[Hope Street Theatre]]), though the year after they were back at [[Drury Lane Theatre]], after which they seemed to disappear from the scene.
+
As manager Parker seems to have had some problems with the [[Drury Lane Theatre]] in his first season there, as may be seen from [[Sam Sly]]'s harsh critique of the theatre and the company in his review of their production of ''[[Luke the Labourer]]'' (Buckstone) in  January 1849. besides the acting, Sly found found the space noisy and that the ventilation  abominable (cited in [[F.C.L. Bosman|Bosman]], 1928: p. 419). Apparently this even caused the company to close down temporarily.
  
 +
Listed among the company members (which included officers from the [[Garrison Players]] and other amateur actors from local groups), by were [[H. Hughes]] (who was both actor and stage manager), [[Mr Miller]], [[Mr Etton]], [[Mr Rogers]], [[Mr Herbert]], [[Mr Tilbury]],  [[Mrs Parker]], [[Mrs Hughes]] and master [[C. Hill]]. 
  
 
+
The company's repertoire under Parker's management included ''inter alia'' the above mentioned ''[[Luke the Labourer]]'' (Buckstone), as well as ''[[Victorine]]'' (Buckstone) , ''[[The King's Command]]'' (Thompson), ''[[Damp Beds]]'' (Parry), ''[[Woman's the Devil]]'', ''[[Matteo Falcone]]'' (Merimée, tr. Wilson) and ''[[The Midday Ashore]]'' (Bernard). 
=== Performances ===
 
 
 
The company played on and off in Cape Town from then till 1851, playing in the [[Drury Lane Theatre]]  and the [[Hope Street Theatre]].  They apparently performed ''inter alia'' ''[[Luke the Labourer]]'' (Buckstone), ''[[Victorine]]'' (Buckstone) , ''[[The King's Command]]'' (Thompson) and ''[[Damp Beds]]'' (Parry).  
 
  
  
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== Sources ==  
 
== Sources ==  
  
[[F.C.L. Bosman|Bosman]], 1928;
+
[[F.C.L. Bosman]]. 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 231-2, 384-6, 417-423,502.
  
Du Toit1988;
+
[[P.J. du Toit]]. 1988. ''Amateurtoneel in Suid-Afrika''. Pretoria: Academica.
  
Fletcher, 1994
+
[[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg. 
  
 
http://en.wikipedia.org/wiki/Circus_clown
 
http://en.wikipedia.org/wiki/Circus_clown
  
 
http://www.silentclown.com/history-page.htm
 
http://www.silentclown.com/history-page.htm
 +
 +
Go to [[ESAT Bibliography]]
  
 
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Latest revision as of 16:10, 3 March 2020

W.F.H. Parker was a puppeteer, magician and impresario from England.

He was the owner of a theatrical company (sometimes referred to as Mr Parker's Theatre of Mechanics or the Mechanical and Picturesque Theatre of Arts), which toured internationally showing huge, life-size Automaton figures. They “worked automatically through wires, ropes, steam” or through someone inside the huge puppets.

Cape Town career as puppeteer 1837-1839, 1849-1851

In 1837 Parker arrived in Cape Town and impressed audiences with the Automaton figures, billed as the "Mechanical and Picturesque Theatre of Arts" (Bosman, 1828: p. 231). It was one of the first recorded puppet displays in Cape Town (a M. Decanis had preceded Parker, showing only one Automaton figure in June 1837).

The first performance by the Automata - or as they were billed as "Mr Parker's Theatre of Mechanics" was on 5 December 1837 and consisted of Polander , The Enchanted Turk, Children in the Wood (Morton) and Joey Grimaldi's Trip to Brentford (possibly their version of the classic comedy riding act called Billy Buttons, or the Tailor's Ride to Brentford)

The company apparently performed daily from November 1837 till January 1838 in a space described as "The Mechanical and Picturesque Theatre of Arts", Long Street ("opposite Mr Bam's").

Later he also showed the Automata in The Enchanted Witch, or Mother Shipton, along with scenes from London life, including the Vaux-hall Gardens, the "Ascent of Mr Sadler's Balloon", etc.

Another presentation by the company was The Battle of Navarino, between the British, Dutch and French fleets.

In 1838 the company took their show on the road to Stellenbosch, Worcester, Swellendam, George and Uitenhage, finally ending in Cape Town again.

In in December 1839 they were performing in the Commercial Hall Grahamstown.

In 1847 or 1848 he was back in Cape Town with the Automata, and apparently continued showing them till some time in 1851.

Cape Town career as manager 1847-1851

With his second period in Cape Town, Parker apparently also moved into more formal theatre by leasing the new Drury Lane Theatre for one season as manager, to present the semi-professional New English Theatrical Company (also referred to as Parker's Company in some sources) in a season of light dramas and operas. (There are some doubts about the exact dates. According to Groom's reminiscences in the Cape Illustrated Magazine of 1899 (cited in Bosman, 1928: p. 419), he saw Parker in 1847 and 1848, but Bosman, expresses some doubts about the 1847 date, stating that his research shows that while Parker was definitely in Cape Town in 1848 with his "Theatre of Mechanics", and at that time thus could have taken the Drury Lane Theatre. There is evidence however of a seasons in 1849, 1850 and possibly 1851. The company sometimes appeared in the Drury Lane Theatre and at others in the Hope Street Theatre (by then known as the Victoria Theatre).

After that he seemed to have disappeared from the scene, though a company called the English Amateur Company now appeared to perform in the Garrison Theatre, till some time in 1853. Whether Parker was still part of the company is uncertain. Given his proclivity to advertise himself, it seems unlikely.

As manager Parker seems to have had some problems with the Drury Lane Theatre in his first season there, as may be seen from Sam Sly's harsh critique of the theatre and the company in his review of their production of Luke the Labourer (Buckstone) in January 1849. besides the acting, Sly found found the space noisy and that the ventilation abominable (cited in Bosman, 1928: p. 419). Apparently this even caused the company to close down temporarily.

Listed among the company members (which included officers from the Garrison Players and other amateur actors from local groups), by were H. Hughes (who was both actor and stage manager), Mr Miller, Mr Etton, Mr Rogers, Mr Herbert, Mr Tilbury, Mrs Parker, Mrs Hughes and master C. Hill.

The company's repertoire under Parker's management included inter alia the above mentioned Luke the Labourer (Buckstone), as well as Victorine (Buckstone) , The King's Command (Thompson), Damp Beds (Parry), Woman's the Devil, Matteo Falcone (Merimée, tr. Wilson) and The Midday Ashore (Bernard).


[TH, JH]

Sources

F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp. 231-2, 384-6, 417-423,502.

P.J. du Toit. 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica.

Jill Fletcher. 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg.

http://en.wikipedia.org/wiki/Circus_clown

http://www.silentclown.com/history-page.htm

Go to ESAT Bibliography

Return to

Return to ESAT Personalities P

Return to South African Theatre Personalities

Return to PLAYS II: Foreign plays

Return to South African Theatre Venues, Companies, Societies, etc

Return to The ESAT Entries

Return to Main Page