Un Service à Blanchard

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Un Service à Blanchard ("A service to Blanchard") is a vaudeville in 1 one act by Eugène Lemoine-Moreau (1806-1876)[1] and Alfred Delacour (1817-1783)[2]

The original text

First performed in Paris at the , Gymnase, on 6 April 1852.

Translations and adaptations

Adapted from the French vaudeville as To Oblige Benson by Tom Taylor (1817-1880)[3] and termed a comedietta in one act. First performed on 6 March 1854, at the Royal Olympic Theatre, London. The English text published by Samuel French, 1854.

Performance history in South Africa

Sources

The Victorian Plays Project, Volume 14[4]

https://www.amazon.fr/Service-Blanchard-vaudeville-Delacour-Gymnase/dp/B001C5KB2Y

https://fr.wikipedia.org/wiki/Eug%C3%A8ne_Moreau

https://en.wikipedia.org/wiki/Alfred_Delacour

Facsimile version of the Samuel French English text, Hathi Trust Digital Library[5]

Ludwig Wilhelm Berthold Binge. 1969. Ontwikkeling van die Afrikaanse toneel (1832-1950). Pretoria: J.L. van Schaik: pp.

D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [6]: pp.

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.

Conradie, Elizabeth. 1934. Hollandse skrywers uit Suid-Afrika. Deel 1 (1652-1875) 'n Kultuur-historische studie. Pretoria, J.H. de Bussy and Cape Town H.A.U.M..[7]

Conradie, Elizabeth, 1949. Hollandse skrywers uit Suid-Afrika. Deel 2 (1875-1905) 'n Kultuur-historische studie. Pretoria, J.H. de Bussy and Cape Town H.A.U.M..[8]

P.J. du Toit. 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica

Jill Fletcher. 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg: p.

Sydney Paul Gosher. 1988. A historical and critical survey of the South African one-act play written in English. Unpublished doctoral dissertation. Pretoria: University of South Africa.

William Groom. 1899-1900. Drama in Cape Town. Cape Illustrated Magazine, 10(4): 478-481, 517-520, 547-552, 580-584, 640-643, 670-672, 706-708.

Temple Hauptfleisch. 1997. Theatre and Society in South Africa: Reflections in a Fractured Mirror. Pretoria: Van Schaik[9]: pp.

Peter Joyce. 1999. A Concise Dictionary of South African Biography. Cape Town: Francolin Publishers.

J.C. Kannemeyer 1978. Geskiedenis van die Afrikaanse Literatuur I. Pretoria: Academica. (Second edition, 1984[10], pp.

J.C. Kannemeyer. 1984. ‘’Geskiedenis van die Afrikaanse Literatuur’’2[11]: pp.

Ingmar Koch. 1997. Het ochtendgloren boven Kaapstad. Nederlandse rederijkers in Kaapstad, Tydskrif vir Nederlands & Afrikaans. (4de Jaargang, Nommer 2. Desember)[12]

Loren Kruger 1999. The Drama of South Africa: Plays, Pageants and Publics Since 1910 London: Routledge


P.W. Laidler. 1926. The Annals of the Cape Stage. Edinburgh: William Bryce: p.

Anna Minnaar-Vos 1969. Die Spel Gaan Voort: Die Verhaal van Hendrik en Mathilde Hanekom. Kaapstad: Tafelberg, pp. 96-110.

Brian Astbury. 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.


Percy Tucker. 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.

Allardyce Nicoll. 1975. A History of English Drama 1660-1900: Late 19th Century Drama 1850-1900 Cambridge University Press[13]

J.A. Worp. 1972. Geschiedenis van het Drama en van het Tooneel in Nederland. Deel 2, Digitale Bibliotheek voor de Nederlandse Letteren (DBNL)[14]

Joris Baers (1888-1975): Algemeene Tooneelbibliotheek Een[15]

http://www.domus.ac.za/afrikaans/images/Programme%20in%20DOMUS(2).pdf

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