Difference between revisions of "Theatre Workshop '71"
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| − | + | [[Theatre Workshop '71]] was a training workshop, that gradually it evolved into a professional company. | |
| − | + | Also referred to simply as '''[[Workshop '71]]'''. | |
| − | + | ''See also [[Workshop theatre]]'' | |
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| − | + | == The company == | |
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| + | The company was originally founded in 1971 by Witwatersrand University lecturer [[Robert Kavanagh]] (also known as [[Robert Mshengu Kavanagh]], [[Robert McLaren]] or [[Mshengu]]) to serve as a training workshop in improvised theatre-making, but gradually it evolved into a professional company. | ||
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| + | The company's aim was to undertake experimental political theatre aimed at changing South African society. Among their more significant productions were ''[[UHlanga – The Reed ]]'' (1975) by [[James Mthoba]], '' [[Survival]]'' (1976), their last show before they took it to the USA and remained in exile. | ||
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| + | The history of the company is documented in Kavanagh’s doctoral thesis, published as ''Theatre and Cultural Struggle in South Africa'' (1985). | ||
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| + | == Their productions == | ||
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| + | ==Sources== | ||
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| + | [[Robert Mshengu Kavanagh|Kavanagh, Robert Mshengu]]. 1978. Tradition and innovation in the theatre of Workshop ’71. ''Theatre Quarterly'', 7(28):63-67. | ||
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| + | [[Robert Mshengu Kavanagh|Kavanagh, Robert Mshengu]]. (ed.). 1981. ''South African People's Plays''. London: Heinemann. | ||
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| + | [[Robert Mshengu Kavanagh|Kavanagh, Robert Mshengu]]. 1985. ''Theatre and Cultural Struggle in South Africa''. London: Zed Books. | ||
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| + | Go to [[ESAT Bibliography]] | ||
== Return to == | == Return to == | ||
Latest revision as of 06:01, 20 August 2017
Theatre Workshop '71 was a training workshop, that gradually it evolved into a professional company.
Also referred to simply as Workshop '71.
See also Workshop theatre
The company
The company was originally founded in 1971 by Witwatersrand University lecturer Robert Kavanagh (also known as Robert Mshengu Kavanagh, Robert McLaren or Mshengu) to serve as a training workshop in improvised theatre-making, but gradually it evolved into a professional company.
The company's aim was to undertake experimental political theatre aimed at changing South African society. Among their more significant productions were UHlanga – The Reed (1975) by James Mthoba, Survival (1976), their last show before they took it to the USA and remained in exile.
The history of the company is documented in Kavanagh’s doctoral thesis, published as Theatre and Cultural Struggle in South Africa (1985).
Their productions
Sources
Kavanagh, Robert Mshengu. 1978. Tradition and innovation in the theatre of Workshop ’71. Theatre Quarterly, 7(28):63-67.
Kavanagh, Robert Mshengu. (ed.). 1981. South African People's Plays. London: Heinemann.
Kavanagh, Robert Mshengu. 1985. Theatre and Cultural Struggle in South Africa. London: Zed Books.
Go to ESAT Bibliography
Return to
Return to South African Theatre Venues, Companies, Societies, etc
Return to The ESAT Entries
Return to Main Page
