Difference between revisions of "The Sport of My Mad Mother"

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A play by [[Ann Jellicoe]]. A play about the rootless youth in the jungle of the modern city, which marked an important step in the movement initiated by Beckett with ''[[Waiting for Godot]]''.   
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A play by [[Ann Jellicoe]]. A play about the rootless youth in the jungle of the modern city, which marked an important step in the movement initiated by Beckett with ''[[Waiting for Godot]]''.  Set in a cockney neighborhood of London, it combines realism, mysticism, music, dance, and ritual to create a powerful, feminist myth about modern civilization.
 
 
  
 
== The original text ==
 
== The original text ==
 +
A prize-winner in the 1956  playwright’s competition by ''The Observer'',  it was first staged by the Royal Court Theatre in 1958 and directed by George Devine and Jellicoe. Although originally a commercial failure, the play was later performed all over the world in many different languages.  Jellicoe revised the original 1958 version in 1962 to create a better play.
  
 
==Translations and adaptations==
 
==Translations and adaptations==
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Directed by [[Robert Mohr]] during the 1961 [[Student’s Art Festival]] entitled “Imagination ‘61” and was performed in the "temporary room” on the UCT campus. The production was later invited to Loughborough Student’s Winter Festival in England, in 1962. [*??]  
 
Directed by [[Robert Mohr]] during the 1961 [[Student’s Art Festival]] entitled “Imagination ‘61” and was performed in the "temporary room” on the UCT campus. The production was later invited to Loughborough Student’s Winter Festival in England, in 1962. [*??]  
  
The first professional production in South Africa was by *** Later productions include ** , [[Space Theatre|The Space]] (Cape Town, 197*, directed by [[David Lan]]), ** (See Inskip 197*, Astbury, 1979) ?*
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The first professional production in South Africa was by ***  
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Performed in South Africa at the [[Space Theatre]] in the 1970s directed by [[David Lan]], with **, [[Stefan Bubenzer]], **. (See Inskip 197*, Astbury, 1979) ?
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Directed by [[Sarah Roberts]] for the Standard Bank [[National Arts Festival]] student drama competition in July 1989.
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 +
 
 +
== Sources ==
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''AfricaWide'' Database.
 +
 
 +
Go to [[South African Theatre/Bibliography]]
 +
 
 +
 
 +
== Return to ==
 +
 
 +
Return to [[ESAT Plays 2 S|S]] in Plays 2 Foreign Plays
 +
 
 +
Return to [[South_African_Theatre/Plays]]
 +
 
 +
Return to [[The ESAT Entries]]
 +
 
 +
Return to [[Main Page]]
 +
 
 +
 
  
  

Revision as of 14:08, 9 March 2015

A play by Ann Jellicoe. A play about the rootless youth in the jungle of the modern city, which marked an important step in the movement initiated by Beckett with Waiting for Godot. Set in a cockney neighborhood of London, it combines realism, mysticism, music, dance, and ritual to create a powerful, feminist myth about modern civilization.

The original text

A prize-winner in the 1956 playwright’s competition by The Observer, it was first staged by the Royal Court Theatre in 1958 and directed by George Devine and Jellicoe. Although originally a commercial failure, the play was later performed all over the world in many different languages. Jellicoe revised the original 1958 version in 1962 to create a better play.

Translations and adaptations

Performance history in South Africa

Directed by Robert Mohr during the 1961 Student’s Art Festival entitled “Imagination ‘61” and was performed in the "temporary room” on the UCT campus. The production was later invited to Loughborough Student’s Winter Festival in England, in 1962. [*??]

The first professional production in South Africa was by ***

Performed in South Africa at the Space Theatre in the 1970s directed by David Lan, with **, Stefan Bubenzer, **. (See Inskip 197*, Astbury, 1979) ?

Directed by Sarah Roberts for the Standard Bank National Arts Festival student drama competition in July 1989.


Sources

AfricaWide Database.

Go to South African Theatre/Bibliography


Return to

Return to S in Plays 2 Foreign Plays

Return to South_African_Theatre/Plays

Return to The ESAT Entries

Return to Main Page



Sources

Return to

Return to S in Plays 2 Foreign Plays

Return to South_African_Theatre/Plays

Return to The ESAT Entries

Return to Main Page