Difference between revisions of "The Padlock"

From ESAT
Jump to navigation Jump to search
 
(9 intermediate revisions by the same user not shown)
Line 1: Line 1:
''[[The Padlock]]'' is a two-act "afterpiece" opera by Isaac Bickerstaffe (1733 – 1812?)[https://en.wikipedia.org/wiki/Isaac_Bickerstaffe] (whose name is also written '''Bickerstaff''' in many sources), with music added by Charles Dibdin (1745-1814).
+
''[[The Padlock]]'' is a two-act "afterpiece" opera by Isaac Bickerstaffe (1733 – 1812?)[https://en.wikipedia.org/wiki/Isaac_Bickerstaffe] (the text) and Charles Dibdin (1745-1814)[https://en.wikipedia.org/wiki/Charles_Dibdin] (composer).
 +
 
 +
In some sources (e.g. Wikipedia) the main author is given as the composer, Dibden, according to musical custom.  
 
   
 
   
 
== The original text ==
 
== The original text ==
  
The play was based on ''El celoso estremeño'' by Miguel de Cervantes (a work usually translated into English as ''The Jealous Husband''), and made its debut in 1768 at the Drury Lane Theatre in London, England, with Dibdin playing the character "Mungo".
+
The play was based on the short story by Miguel de Cervantes called ''El Celoso extremeño'' (usually translated into English as ''The Jealous Husband''). The story was published in 1613.  
  
First published: 1768 for W. Griffin.  
+
The play made its debut in 1768 at the Drury Lane Theatre in London, England, with Dibdin playing the character "Mungo".  It was first published in  1768 by W. Griffin.  
  
 
==Translations and adaptations==
 
==Translations and adaptations==
  
 
== Performance history in South Africa ==
 
== Performance history in South Africa ==
 +
 +
1807: Was planned for performance as afterpiece to ''[[She Stoops to Conquer]]'' (Goldsmith) by the [[Garrison Players|Officers of the Garrison]] on 29 August, but was replaced by ''[[Love à la Mode]]'' (Macklin) because all the music could not be obtained. 
  
 
1808: Performed in the [[African Theatre]], Cape Town by the [[Garrison Players|Officers of the Garrison]] on Saturday 16 July, with ''[[All the World's a Stage]]'' (Jackman), as a Benefit Performance for the Widows and Orphans of the 24th Regiment.
 
1808: Performed in the [[African Theatre]], Cape Town by the [[Garrison Players|Officers of the Garrison]] on Saturday 16 July, with ''[[All the World's a Stage]]'' (Jackman), as a Benefit Performance for the Widows and Orphans of the 24th Regiment.
 +
 +
1808: Performed in the [[African Theatre]], Cape Town by the [[Garrison Players|Officers of the Garrison]] on 12 September, with ''[[The Poor Gentleman]]'' (Colman). Among the performers was a certain [[Billy Pitt]].
  
 
1815:  Performed by [[Mr Cuerton]] and his company, in association with the [[Garrison Players]],  in the [[African Theatre]], Cape Town,  on 27 May, with a "Ballet" entitled  ''[[The Shipwreck]]'' (attributed to Brandes).
 
1815:  Performed by [[Mr Cuerton]] and his company, in association with the [[Garrison Players]],  in the [[African Theatre]], Cape Town,  on 27 May, with a "Ballet" entitled  ''[[The Shipwreck]]'' (attributed to Brandes).
Line 17: Line 23:
 
== Sources ==
 
== Sources ==
  
Facsimile text of 1770 edition (with commentary)[https://books.google.co.za/books?id=HqBhAAAAcAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false]
+
Facsimile text of 1770 edition (with commentary), Google E-book[https://books.google.co.za/books?id=HqBhAAAAcAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false]
  
 
http://en.wikipedia.org/wiki/The_Padlock
 
http://en.wikipedia.org/wiki/The_Padlock
 +
 +
https://en.wikipedia.org/wiki/Isaac_Bickerstaffe
 +
 +
https://en.wikipedia.org/wiki/Charles_Dibdin
 
    
 
    
[[F.C.L. Bosman]], 1928: pp. 73-77.
+
[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 75, 76, 77, 146
  
 
Go to [[ESAT Bibliography]]
 
Go to [[ESAT Bibliography]]

Latest revision as of 05:15, 10 May 2017

The Padlock is a two-act "afterpiece" opera by Isaac Bickerstaffe (1733 – 1812?)[1] (the text) and Charles Dibdin (1745-1814)[2] (composer).

In some sources (e.g. Wikipedia) the main author is given as the composer, Dibden, according to musical custom.

The original text

The play was based on the short story by Miguel de Cervantes called El Celoso extremeño (usually translated into English as The Jealous Husband). The story was published in 1613.

The play made its debut in 1768 at the Drury Lane Theatre in London, England, with Dibdin playing the character "Mungo". It was first published in 1768 by W. Griffin.

Translations and adaptations

Performance history in South Africa

1807: Was planned for performance as afterpiece to She Stoops to Conquer (Goldsmith) by the Officers of the Garrison on 29 August, but was replaced by Love à la Mode (Macklin) because all the music could not be obtained.

1808: Performed in the African Theatre, Cape Town by the Officers of the Garrison on Saturday 16 July, with All the World's a Stage (Jackman), as a Benefit Performance for the Widows and Orphans of the 24th Regiment.

1808: Performed in the African Theatre, Cape Town by the Officers of the Garrison on 12 September, with The Poor Gentleman (Colman). Among the performers was a certain Billy Pitt.

1815: Performed by Mr Cuerton and his company, in association with the Garrison Players, in the African Theatre, Cape Town, on 27 May, with a "Ballet" entitled The Shipwreck (attributed to Brandes).

Sources

Facsimile text of 1770 edition (with commentary), Google E-book[3]

http://en.wikipedia.org/wiki/The_Padlock

https://en.wikipedia.org/wiki/Isaac_Bickerstaffe

https://en.wikipedia.org/wiki/Charles_Dibdin

F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [4]: pp. 75, 76, 77, 146

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page